NEUTRON TOMOGRAPHY AS A VALUABLE TOOL FOR THE NON‐DESTRUCTIVE ANALYSIS OF HISTORICAL BRONZE SCULPTURES

This paper explains, with the example of a Roman object (the ‘Mars from Oberweningen’, Switzerland), why neutrons can be used preferentially for the non‐destructive analysis of metallic objects of relatively large size. This method is superior to the conventional X‐ray tomography method due to the higher penetration ability in metals such as copper, tin and even lead. With this method, differing materials can also easily be differentiated. In this way, the inner and outer structures of objects can be observed with the help of tools based on mathematical algorithms. Slices at arbitrary positions and segmentation of different material clusters aid the understanding of manufacturing processes and can describe the present preservation status. This helps in selecting optimal and additional conservation measures in museums for further preservation. Beside the qualitative overview on structure and inner properties of the objects, quantitative information can be derived about material content and composition. This method and the subsequently needed facilities for this method are available at PSI for similar studies on demand.     

INTERPRETING THE SOCIAL MEANING OF DIFFERENT SHAPES OF HOUSE STRUCTURES BY EXAMINING THE FLOW OF RESOURCES: A CASE STUDY OF SAQACENGALJ AT THE SOUTHERN TIP OF TAIWAN

Social differentiation is characterized by differences in social status and wealth, which are established and maintained by controlling and constraining the labour and flow of resources. This would affect the development of various aspects of a settlement in establishing hierarchical relationships. This study focuses on identifying the variations in the distribution of certain resources, such as imported goods, that help interpret the social meaning, particularly with regard to social status and wealth, of house structures having different shapes in an ethnic settlement in Taiwan. A petrographic study and residue analysis of the pottery along with spatial examination of the material remains were conducted to achieve the goal.     

CHARACTERIZATION OF CORAL RED SLIPS ON GREEK ATTIC POTTERY*

Samples of red and black gloss from Greek Attic pottery of the late sixth to fifth centuries bc were examined using scanning electron microscopy (SEM and FIB/STEM). The focus of the study was the chemical and microstructural characterization of the red gloss that was first produced during this period. Two groupings of red gloss were revealed. One red was found to be compositionally similar to the black glosses (labelled ‘LCM coral red’). The other red showed more significant chemical differences, such as higher calcium and magnesium, in comparison to the black (labelled ‘HCM coral red’). The existence of two chemically distinct reds—otherwise identical in colour and texture—suggests that there was more than one source of clay available to the Attic potters for producing red.     

RELATIONSHIP BETWEEN THE COLORATION AND THE FIRING TECHNOLOGY USED TO PRODUCE SUSA GLAZED CERAMICS OF THE END OF THE NEOLITHIC PERIOD*

Ancient decorated potteries from Susa (Mesopotamia) dating from 4200 to 3700 bc , were studied in order to determine the origin and the nature of the raw materials used, and to identify the technological processes applied to make the ceramic bodies and their decorations. Bulk compositions were determined by particle induced X‐ray emission (PIXE), while the microstructure and the mineralogical phases were studied using scanning electron microscopy (SEM), energy dispersive X‐ray analyses (EDX) and X‐ray powder diffraction (XRD). The results showed that the raw materials used to elaborate these potteries were similar for all the ceramic bodies (carbonates and iron and magnesium‐rich clays containing sand), and for all the decorations (iron oxides, silica, potassic and alumina sources). The variations of coloration of the ceramics and of their decorations were due to different firing temperatures. The ranges of firing temperatures used by potters were evaluated on the basis of mineral stability domains.     

COMPOSITIONAL VARIATION IN ROMAN COLOURLESS GLASS OBJECTS FROM THE BOCHOLTZ BURIAL (THE NETHERLANDS)*

We investigated the major and trace element composition and Pb and Sr isotope characteristics of a series of about 20 colourless glass objects from a single high‐status Roman burial from the Netherlands (Bocholtz). The major elements show a relatively homogeneous group, with one outlier. This is corroborated by the Sr isotopes. Based on the Sb and Pb content, three major groups can be discerned, with two other outliers. This grouping is corroborated by the contents of the trace elements Bi, Sn, Ag, As and Mo, and by variations in lead isotopic ratios. On the basis of these results, we conclude that the glass of all objects was probably made with sand and lime from the same source. The variation in trace elements and lead isotope composition is most likely the result of variations in the composition of the sulphidic antimony ore(s) that were used to decolourize the glass. The composition of the Bocholtz glass is compared with that of other Roman glass, and implications for production models, trade and use of colourless glass objects are discussed. On the basis of isotopic and major element variation, we conclude that the antimony ore presumably originated from different mines.     

STUDY OF ROMAN ANCHOR FROM THE DEAD SEA SHORE*

A wooden Roman anchor was discovered at the retreating shore of the Dead Sea, north of Ein Gedi. The anchor's wood material was coated by a thick veneer of aragonite and gypsum crusts. The wood was dated by radiocarbon to the early Roman time in the Levant. Lead isotope analyses carried out on the Pb–Fe–Cu anchor material (remains of the anchor's metal parts) yielded ratios that indicate origin of the metal in Italian ores (maybe Tuscan). For the wooden part of the anchor a local tree was used.     

ANTIMONATE OPAQUE GLAZE COLOURS FROM THE FAIENCE MANUFACTURE OF LE BOIS D’ÉPENSE (19TH CENTURY,NORTHEASTERN FRANCE)*

Three types of antimony‐based, opaque ceramic colours were used in the faience workshop of Le Bois d’Épense during the first decades of the 19th century; that is, yellow, tawny and green. Yellow is generated by lead antimonate crystals (Naples Yellow), which are incorporated into an uncoloured glass matrix. According to SEM–EDS measurements, these pigments contain iron. The tawny colour is the optical result of the combined presence of similar yellow, iron‐bearing lead antimonate particles in a Fe‐rich, brownish glass matrix. The green opaque colour is produced by the combination of a blue cobalt glass and yellow Pb–Sn–Fe‐antimonate crystals. Cores of zoned pigments lighten the recipes, according to which the pigments were produced. First, they were synthesized by calcination, ground and then mixed with a colourless, brown or blue glass powder. The resulting powder mixture was added to a liquid agent and used as high‐temperature ceramic colour.     

A COMBINED MULTI‐ANALYTICAL APPROACH FOR THE STUDY OF ROMAN GLASS FROM SOUTH‐WEST IBERIA: SYNCHROTRON μ‐XRF,EXTERNAL‐PIXE/PIGE AND BSEM–EDS

An integrated, multi‐analytical approach combining the high sensitivity of SR‐μXRF, the light element capability of PIXE/PIGE under a helium flux and the spatial resolution of BSEM + EDS was used to characterize chemical composition and corrosion of glass samples (first to fourth centuries ad ) from an important, but scarcely investigated, Roman region of south‐west Iberia (southern Portugal). The geochemical trends and associations of major, minor and trace elements were investigated to shed light on production techniques, the provenance of raw materials and decay mechanisms. The results, while confirming a production technique common to Roman glasses throughout the Empire—that is, a silica‐soda‐lime low‐Mg, low‐K composition, with glass additives as colouring and/or decolouring agents (Fe, Cu, Mn, Sb)—show at one site high Zr–Ti contents, suggesting a more precise dating for these glasses to the second half of the fourth century. The Ti–Fe–Zr–Nb geochemical correlations in the pristine glass indicate the presence of minerals such as ilmenite, zircon, Ti‐rich Fe oxides and columbite in the sands used as raw materials for the glass former: these minerals are typical of granitic‐type source rocks. The unusually high K content in the corrosion layers is consistent with burial conditions in K‐rich soils derived from the alteration of 2:1 clays in K‐bearing rock sequences.     

ASSESSING NATURAL CLAY COMPOSITION IN THE VALLEY OF OAXACA AS A BASIS FOR CERAMIC PROVENANCE STUDIES

The Oaxaca Clay Survey was initiated to provide baseline data on clay composition within the Valley of Oaxaca, Mexico, to assist in provenance determination of prehistoric ceramics. Natural clays were sampled from 135 locations throughout the valley, and analysed using INAA in combination with ceramic petrography. Observed geographical trends in trace‐element and mineralogical composition confirm that while parent material (surficial geology) strongly affects clay composition, a continuum of variation exists within the valley. The study develops and tests a continuous spatial model of clay composition that provides greater resolution in ceramic sourcing than bedrock alone. By establishing a regional framework for Oaxaca Valley clays, the survey will support significant advances in our understanding of pottery production and exchange within the valley, and provide a more robust means for monitoring exchange between the valley and neighbouring regions.     

NEW PETROGRAPHIC EVIDENCE PERTAINING TO CERAMIC PRODUCTION AND IMPORTATION AT THE OLMEC SITE OF SAN LORENZO*

This paper reports the results of petrographic analyses of 41 new pottery thin sections from San Lorenzo. The resulting compositional data provide an important new context for evaluating the disputed status of carved vessels previously identified as imports to the site. By comparing local and Oaxaca highlands pottery, the disputed vessels are shown to be (a) compositionally distinct from San Lorenzo pottery and (b) similar to highland pottery. San Lorenzo was not just an exporter but also an importer of pottery vessels, a finding relevant to consideration of San Lorenzo's role in the production and exchange of ceramics in Early Formative Mesoamerica.