Not About Land,Not Quite a Grab: Dispersed Dispossession in Rural Russia

In most literature in geography and agrarian studies, rural dispossession is neatly related to land rights or access, a trend that increased with debates about the recent wave of farmland investments worldwide. Drawing on long‐term fieldwork in rural Russia, this paper critiques that focus and the assumed nexus between rural dispossession and farmland, as is prevents an understanding of more dispersed stakes, modes and temporalities of dispossession. I introduce the concept of dispersed dispossession which advances our understanding of social and relational objects of dispossession beyond natural resources (such as sustaining institutions and infrastructures), and the tangled, complex, often slow and silent modes and temporalities of dispossession beyond spectacular events. I show how the concept sheds new light on current agrarian change in Russia, and how it contributes to debates on (rural) dispossession and “land grabs” more generally.     

Researchers,bureaucrats and the lifeworlds of cultural policy

This paper reflects on the value of cultural policy research, particularly when such research forms part of projects that seek to produce insights or ‘outcomes’ that are useful to non-university research partners. The paper draws from the author’s involvement in a project examining cultural diversity in the arts that was funded as part of the Australian Research Council’s Linkage Project scheme. It addresses Eleonora Belfiore’s provocation that this kind of instrumental cultural policy research routinely amounts to ‘bullshit.’ However, in order to understand the critical function of such research, there needs to be greater attention to the lifeworlds of cultural policy and the multiplicity of the policy-making process. This multiplicity both complicates the possibilities for usefulness in policy research, at the same time that it enables such research to be generative in unpredictable ways.     

六世纪中后期的中国联珠纹织物

联珠纹在中国虽有更早的源头,但它从6世纪中期才开始流行。那时中国的联珠纹虽以粟特地区为中介受到萨珊艺术的影响,但也融入了自身的文化理解和艺术形式,这令联珠纹在很大程度上丧失了原有的萨珊图案寓意、改变了西方原貌。邺城等黄河中下游的丝织重镇,应是联珠纹织物在内地的重要产地。     

尉氏元代壁画墓札记

尉氏县张氏镇壁画墓在最近的报道中被断为宋代。本文结合相关考古资料,从墓葬形制、壁画布局、仿木结构、人物服饰、墓门题记等几个方面进行对比分析,将该墓订正为元代。又依据文献记载和图像资料,对该墓壁画中“曾参行孝”和“焦花女哭麦”两组孝子图加以考证。并进一步梳理了考古所见二十四孝图像,发现其组合形式在宋金时期比较稳定,而元明时期则逐渐转向多元。     

清初苏州商船赴日贸易史实辨析

顺治九年(1652),一艘赴日本贸易的苏州商船回国。史学界对该商船的赴日时间及贸易方式存在争议:一说是1644年赴日,在日本进行了八年的海外贸易;一说是1650年或1651年私自出海,交易完毕后即回国。本文根据明清档案及朝鲜史料对该事件的记载,以及当时中国、东南亚、日本之间的贸易状况进行综合考察,可以肯定该商船是于1644年前往日本,并在日本与交趾之间从事贸易活动。     

The canopic jars of Rameses II: real use revealed by molecular study of organic residues

Four blue-glazed faience jars, on exhibition in the Louvre Museum, are referred to as the canopic jars of Rameses II. Their recent typological re-examination rendered this original assignment questionable. In order to clearly determine their use, a study of two successive organic residues from the canopic jars, using molecular biomarkers analysed by GC-MS and LC-MS and absolute dating by ¹⁴C, was initiated. The results revealed that these two materials were not contemporary to the reign of Rameses II. The first one, scraped from the interior face of one jar, was identified as an unguent made of coniferous oil and animal fat and dated from the Third Intermediate Period. The second one, originally stored with glued linen inside one jar, is likely an embalming substance, made of pure vegetable resin (Pistacia) and dated from the Ptolemaic Period. These results clarify a controversy which has been lasting over a century. The famous blue-glazed faience jars are not the canopic jars of Rameses II but are confirmed as situlae which were reused at least two times: first to store unguents during the Intermediate Period and later to store embalming packages of an unknown person during the Ptolemaic period.     

Transitions in cast iron technology of the nomads in Mongolia

Metallurgical study of seven cast iron artifacts recovered from sites of the former Xiongnu (BC 3rd to AD 1st), Turk (AD 6th to 8th), Khitan (AD 10th to 12th), and Mongolian empires (AD 12th to 15th) shows that the earlier Xiongnu and Turk artifacts were made of cast iron alloys of near eutectic composition. The later Khitan and Mongol objects had greatly reduced carbon content in the range of ultrahigh carbon steel rather than cast iron, and contained more than 0.5 mass % silicon as an alloying element. Inclusions high in sulfur, phosphorus or silicon are also present. These differences suggest that Mongolia experienced a technical transition a few centuries before the establishment of the Mongolian empire, which is in agreement with some written accounts. The microstructures of the cast iron artifacts are compared with the related archaeological and documentary evidence. The results suggest that the use of fossil coal in smelting and the state policy of controlling iron production were the major factors responsible for the transition.     

从红军到八路军细节历史的再现——读两本同名书《抗日的第八路军》

两本同名著作《抗日的第八路军》皆精彩地描述了长征的开端、强渡大渡河之战、长征中的妇女、红军和西安事变等细节情况,反映了红军改称八路军前后的相关史实,展示了延安精神的一个侧面。     

"天高皇帝近":一个重要的中国思想史命题——雷戈《秦汉之际的政治思想与皇权主义》评介

雷戈所著《秦汉之际的政治思想与皇权主义》一书,认为从秦朝到汉初的思想史发展阶段是中国思想史上皇权主义意识形态的生成和确立时期,并将其概括为"后战国时代";采用独特的"历史-思想"研究法,从政治制度、官场规则和官吏的政治生活中,挖掘特定时期的政治思想共识,为政治思想史研究开辟了新的路径,并扩大了思想史的资料范围;认为秦汉时期生成的皇权主义秩序,把"天高皇帝远"的制度现实变为"天高皇帝近"的观念实存,实现了对人们思想的可控性,从此,思想成为皇权可以控制和规范的领域,达到了有效的思想专制。这是秦汉以降中国思想史发展的基本特征。该书在研究方法的创新和思想深度的开掘上,都做出了独到的贡献。