Anthropology at the End of the World

At this critical juncture in human history, when technological, political, demographic, and climatological forces promise to reshape the world in fundamental ways, anthropology stands in a uniquely privileged position to understand and perhaps cope with these forces and the resulting changes. By virtue of three key features—holism, scalability, and a tradition of political engagement—anthropology has an important role to play in the 21st century.     

China's Special Economic Zones at 30

Three Hong Kong-based geographers assess retrospectively the performance of special economic zones (SEZs) in China on the eve of the 30^th anniversary of their founding. After exploring the general rationale and historical context for the launching of the SEZ concept, they devote considerable attention to the divergent development paths and outcomes of the five SEZs established in China during the 1980s. Of particular importance has been the differing specific roles assigned to the SEZs based on their internal characteristics as well as location relative to (and interactions with) areas of intense commercial activity (Hong Kong and Macao) subsequently coming under Chinese sovereignty. The paper concludes by viewing the past performance of the SEZs within the context of the gathering momentum of globalization that afforded entry for their export-oriented manufacturing activities into world markets, and explores some implications of the current worldwide financial crisis for their future. Journal of Economic Literature, Classification Numbers: O180, O200, P200, R120. 1 figure, 3 tables, 56 references.     

Kaleidoscopism: The Circulation of a Mid-Century Metaphor and Motif

Abstract

This essay traces the mid-century revival of interest in a particular nineteenth-century optical technology – David Brewster’s kaleidoscope – following P. B. Shelley’s coining of the term ‘kalleidoscopism’ to describe the broad popular appeal and enthusiastic uptake of the device in the late 1810s. Through an examination of mid-nineteenth-century fiction, journalism, and scientific writing, this essay explores what it meant to be ‘kaleidoscopic’ in this period and demonstrates how the mechanical structure and physical manipulation of the device informed this meaning. Controlled by the hand of the user, its display offered regulated surprise: a visual environment that did not overwhelm but rather enthralled viewers through its creation of abstracted, symmetrical forms and harmonious colour palettes led by individual taste. Contemporary reference to the kaleidoscope’s display and operation reveals it was increasingly aligned with notions of a stable, controlled, and unified visual environment in which mobility was valued but digression was mechanically impossible; it signalled the mastery of sensory data and the creation of meaning from fractured forms. My discussion uncovers new contexts for its popularity c. 1840–1865 in Victorian fiction, journalism, physiological science, and the fine arts, and discusses two under-studied examples of the kaleidoscopic in the visual art of the Pre-Raphaelites. The essay concludes by exploring Brewster’s speculative application of the kaleidoscope as an early form of cinematic media, contending that this simple optical device provokes a reconsideration of the categorization of Victorian pre-cinematic technologies.     

ANALOGUE SWITCH‐OFF

The paper addresses the switch‐off of analogue television in the UK and explores key issues about technology, audiences and communications policy. The main argument is that the characteristics of the “second 50%” are very different from the first half of households that have chosen to adopt digital, and that concerns are as much about content as cost. The paper reports a small, largely qualitative, study of households where analogue television has been switched off – the only place in the UK where this has happened, as a Department of Culture, Media and Sport (DCMS) trial. Qualitative data on the transformation of audience behaviour with the arrival of digital is contextualised by an analysis of British government policy on analogue switch‐off. The paper compares and contrasts the discourse of digital TV with viewing expectations and experiences. It reflects on choice, viewing behaviour and the shaping of technology and raises critical questions about government policies on analogue switch‐off.     

Eros and Dionysus

Abstract

Liberty was once praiseworthy because it enabled a free choice for the good. Technology recasts the classical link between liberty and virtue by making human well-being depend on technological advance. Till recently, technology signified human mastery over nature. But now virtual reality offers itself as a substitute for nature. Unlike machines which hold us at a distance, it draws us in with images. It no longer shapes the soul indirectly through the effects of using machines, but involves the soul directly. The modern attempt to bracket the soul has brought it back virtually. The argument between fight and flight is at a standstill. Instead, the irony which many lament as a feature of postmodernity can provide a distance from the technologies which have made themselves necessary.     

Strength without Mercy: Winston Churchill on Technology and the Fate of Civilization

Abstract

Churchill's lifelong meditation on scientific progress led him to search for ways in which its transformative power could be moderated and guided for the preservation of civilization. The increasing role of scientific discovery and technological innovation in maximizing the destructive potential of warfare, Churchill believed, had brought a moment of decision for humanity: Whether to foster and maintain the moral and political principles that formed the foundation of civilized life or to trust wholly in an amoral science. He found guidance in the study of the humanities, Anglo-American constitutionalism, and Christian ethics.     

The Picture of Artificial Intelligence and the Secularization of Thought

ABSTRACT

This article offers a critical interpretation of Artificial Intelligence (AI) as a philosophical notion which exemplifies a secular conception of thinking. One way in which AI notably differs from the conventional understanding of “thinking” is that, according to AI, “intelligence” or “thinking” does not necessarily require “life” as a precondition: that it is possible to have “thinking without life.” Building on Charles Taylor’s critical account of secularity as well as Hubert Dreyfus’ influential critique of AI, this article offers a theological analysis of AI’s “lifeless” picture of thinking in relation to the Augustinian conception of God as “Life itself.” Following this critical theological analysis, this article argues that AI’s notion of thinking promotes a societal privilege of certain rationalistic or calculative ways of thought over more existential or spiritual ways of thinking, and thereby fosters a secularization or de-spiritualization of thinking as an ethical human practice.     

Identifying wine and oil production: analysis of residues from Roman and Late Antique plastered vats

The production of oil and wine was an important aspect of the ancient Mediterranean economy. Among the material remains related to the production of these substances, installations used for their production provide evidence that is still unexploited. Although archaeological studies have been carried out on these installations, problems can arise in the identification of their function, as wine and oil production structures can be similar and the archaeological traces insufficient to establish which substance was produced.     

The Hogeye Clovis cache,Texas: quantifying lithic reduction signatures

The Hogeye Clovis cache is comprised of 52 late-stage bifaces, finished points, and knife/cores cached in central Texas. Because these artifacts were all likely made and cached approximately 13,000 years ago by one or a handful of knappers belonging to a single band with a shared Clovis cultural template, Hogeye provides a rare opportunity to investigate Clovis lithic reduction signatures. This paper builds on previous analyses and presents new methods for quantifying Clovis biface production signatures, including serial flaking and the timing of last overshot flaking. The results show that the Hogeye cache bifaces technologically and morphologically differ from other regional Clovis biface reduction signatures. Additional data is needed to determine whether these differences reflect individual knapping preferences or regional cultural signatures. The methods used and developed here are not Clovis-specific and could be modified and combined with other analytical techniques to identify reduction signatures in biface assemblages from other times and places.     

Digital imaging technology and experimental archeology: a methodological framework for the identification and interpretation of fire modified rock (FMR)

This paper presents the results of a series of experiments for the identification and analysis of fire modified rock (FMR). FMR is a common but frequently overlooked artifact type. Experiments were conducted simulating the effects of different hypothetical burning scenarios on rocks similar to those found in a South African Middle Stone Age site. A digital imaging method was then used to quantify FMR color values, designed to limit intra-analyst bias. Statistical tests and a blind test suggest that unburned rocks and experimental FMR can be separated statistically based on physical appearance. Two burning scenario models, based on measured experimental data were applied to archaeological FMR from a South African Middle Stone Age site named Pinnacle Point 5-6 (PP5-6) and show that the archaeological samples are not statistically different from a simulated campfire and possibly a lithic raw material heat-treatment fire.