A Multidisciplinary Study of a Group of Post‐Classical Cameos from the National Museum in Krakow,Poland

A group of 18 cameos dated from the 16th to 19th centuries (bearing motifs of Roman emperors and female members of their families) from the Constantine Schmidt‐Ci??yński collection was investigated with gemmological analyses, supported by non‐destructive mineralogical methods such as X‐ray diffraction (XRD) and micro‐Raman spectroscopy (RS) to ascertain the material used. Although there is no scientific method to date the specimens precisely, the mineralogical data supported by archaeological analyses enabled the estimation of the possible timing of the manufacture of the gems. As a result, the cameos were divided into four basic chronological groups: (1) Renaissance, (2) Baroque, (3) uncertain and (4) Classical and Neoclassical.     

Engineering Art and Telling Tales: Anish Kapoor at the Royal Academy

Anish Kapoor has become well known for his enormous architectural installations and for his use of vibrant colour. Much of his work depends critically on good engineering and he has collaborated closely with engineers for many years. I discuss several of Kapoor's large works, approaching them from an engineer's perspective. I also show how Kapoor weaves layers of narrative in some of his work: so that a naïve understanding of a piece's construction is a falsehood layered over the true engineering solution. The story seems initially obvious to the audience but a little digging, a little thought, reveals that it is a fiction and that reality is something other.     

Exploring the Coroplasts’ ‘Techne’ in Greek Architectural Terracottas from Sicily: an Archaeometric Approach

The study intends to support the archaeological questions about the technological choices related to the manufacturing of an important class of archaic artefacts—the fictile roof revetments of the temples—in the Greek colonies of Sicily, unveiling the possible relations among raw materials, decorative and firing techniques and functionality of the architectural terracottas. By applying a multidisciplinary and a multimethodological archaeometric approach, the aforementioned questions have been addressed, explaining the technological expedients employed by the coroplasts in the manufacturing of the roof revetments, and suggesting interesting mobility schemes of both raw materials and ‘techne’ (know‐how) throughout the island.     

试论博物馆艺术授权的结构模式与价值链

博物馆艺术授权是以博物馆藏品等所体现的文化艺术内涵为依托的授权标的物知识产权的授权体系,其发展路径和结构形式即为博物馆艺术授权的结构模式,分为直接授权模式、委托授权模式和综合授权模式三种。这一结构模式决定了其价值链的形成过程和最终形态,总体表现为由若干点、线、面组成的伞状结构的价值网络。     

Competition or exhibition? The Olympic arts and cultural policy rhetoric

Though they are widely forgotten today, the modern Olympic Games once offered competitive medals for art. This tradition, which lasted through the seven summer Games held from 1912 to 1948, found artists competing for gold much as athletes do now. These artists represented their nation in judged competitive events showcasing artistic works. In its initial form, the ‘pentathlon of the muses,’ as it was called, included competitive events in Architecture, Musical Composition, Sculpture, Painting, and Literature. This paper considers the history of these arts competitions and their eventual demise as a study in cultural policy, arguing that no understanding of cultural policy is sufficient unless it considers the rhetorical factors that contribute to its formation. Without abandoning the Foucauldian backbone of cultural-policy studies, this argument makes an interdisciplinary plea to open cultural policy studies to the field of rhetorical scholarship, which it has almost wholly neglected to date.     

Leibniz on Diplomacy and Discernible Art

Abstract

This article discusses Leibniz’s unique blend of aesthetics and diplomacy. While his art extended diplomacy beyond the bounds of political realism, his diplomacy gave occasion to his art. His identity of indiscernibles (objects with the same properties are identical) inspired philosopher Arthur Danto to define contemporary art in terms of a qualitative perceptual division between the world and the Artworld (objects with the same properties may or may not be art). Although Leibniz would have disputed Danto’s bifurcated artistic perspective, Danto vindicates Leibniz’s major contribution to contemporary aesthetic philosophy by defending his belief in the moral foundation of art. Leibniz was not only one of the pre-eminent men of German letters of his time, he also excelled in diplomacy on behalf of the Hanoverian court. His international relations (IR) theory of peace through grand global alliances is only just beginning to be understood, though his aesthetics and correct diplomacy continue to validate individual creativity, liberal freedoms, and universal enlightenment up to this very day.     

The Rock Art of the Matobo Hills World Heritage Area,Zimbabwe: Management and Use,c 1800 to 2016

The Matobo Hills World Heritage Area in southern Zimbabwe is an acknowledged treasure trove of rock art sites. Despite a century of research and management, there remains much to be done to conserve these sites for future generations. Following a chronological approach, this paper reviews a century of research and conservation efforts, detailing various strategies and achievements by individuals, government agencies, and affiliated organisations. Zimbabwe’s recent economic collapse and ‘land reform’ programme had fundamental impacts on the appreciation and protection of the rock art sites by tourists, local communities, international organisations and government agencies, all of which are explored. The article ends with brief suggestions on how to potentially improve and expand the management of rock art in the Matobo Hills area.     

试谈当前高校中的中国古典舞身韵教学

本文从古典舞身韵教学的基本要点、课程特点、如何教学以及作为高校教师所应注意的要点四个方面来详细阐述和分析当前高校中的中国古典舞身韵教学。作为一个学科的建设,中国古典舞已经走向成熟,而身韵教学是这一学科建设在舞蹈本体观、舞蹈方法论方面成熟的标志。     

Remembering Things Seen: Experimental Approaches to the Process of Information Transmittal

The persistent problem of determining the factors that lead to continuity or variation when information is transmitted in different kinds of cultural situations is addressed here experimentally in a series of reproduction tasks. Art students were given varying degrees of exposure to different kinds of images and objects from different cultures and were asked to make reproductions. The results indicate that the most important factors leading to accurate reproductions are length of exposure, meaningful associations, and especially cultural knowledge. These factors can be used to develop more realistic archaeological models that posit the kinds of information transmitted in different kinds of contact situations.