陕西蓝田水陆庵彩绘泥塑颜料分析研究

水陆庵位于陕西蓝田王顺山下,庵内现存三百余平方米精美绝伦的明代彩绘泥塑,是我国泥塑保存最多、最完整的明代彩绘泥塑群之一。为明确水陆庵彩绘泥塑的颜料使用情况,采用光学显微镜、X射线衍射仪、显微红外光谱仪、扫描电镜-能谱仪和显微拉曼光谱仪对颜料样品进行科学分析。结果表明,除中隔壁背面重妆区域的蓝色颜料主要成分是普鲁士蓝之外,水陆庵彩塑使用的颜料大多为矿物颜料,包括铅丹、朱砂、铁红、氯铜矿、雌黄和云母等。研究结果将为水陆庵后续保护修复提供科学依据,并为丰富关中地区明代彩绘泥塑颜料类型补充科学信息。     

南朝法华经普门品变相——论刘宋元嘉二年铭石刻画像的内容

自东晋至南朝，观音信仰已普及民间，名称由光世音转变为观世音，刘宋元嘉二年铭石刻画像正值过渡期，其内容所示，南朝佛教不仅具有贵族佛教的性格，而且已存在于极为平民化的信仰基础之上。     

明代两件加彩木雕坐像的保护处理——以馆藏明代加彩木雕坐像的保护处理为例

针对深圳博物馆收藏两件明代加彩木雕坐像存在的虫蛀、糟朽、彩绘脱落、开裂、残损等病害,急需进行保护处理的情况。本工作在前期调研和分析检测的基础上,即分别采集了木雕坐像的胎木、加彩层、污染物等样品,利用红外光谱、拉曼、扫描电镜等分析方法对其材质组成、制作工艺及病害进行了综合分析基础上,建立了坐像保护处理工艺步骤:原始档案建立、表面清理、菌虫防治处理、木质朽蚀部位和彩绘层渗透加固、破损及残缺部位修复补全、建立保护修复档案等。选择Primal SF-016作为两件木雕坐像的渗透加固材料,选择无水乙醇作为溶剂,采用较低浓度多次渗透的方法,保证了最佳的加固和防腐防虫效果;修补材料选择聚醋酸乙烯乳液和锯木屑调和补配。处理后的木雕文物器形完整,形态稳定,色泽协调,达到了理想的保护效果。这是对传世彩绘木质文物保护技术的有益探索,对日后同类文物的加固处理有借鉴意义。     

Bringing gender and spatial theory to life at a German technical university

This article focuses on the use of a university sculpture garden, the renaming of streets, and advice about the use of public space in order to teach the intersection of gender theory with spatial theory. This article outlines methods for teaching gender and spatial theory to international and multidisciplinary bachelor’s and master’s students in English at a German technical university. Most of the students had not learned gender or spatial theory prior to the course. A review of the course syllabus is included, and interactive teaching methods are outlined for the writings of three scholars: Elizabeth Grosz, Henri Lefebvre, and Dolores Hayden. Three intertwined aspects of campus life: its student life, its architecture, and its outdoor sculpture are brought into conversation with those theorists. Students learn the history of their campus buildings, outdoor spaces and artwork, along with how university spaces, place naming, and storytelling all affect their educational and individual experiences. By interacting with and analyzing examples of campus architecture, urban space, and outdoor sculpture, students discover how spatial and gender theories function in everyday life. However, students were more convinced that living gendered interactions affected everyday life, and less convinced that static gender representations such as the sculpture garden or street naming impacted gender ideas and perceptions.     

Excavations on Brightstone and Bowcombe Downs,Isle of Weight,Made in August 1854

Abstract

Not a single English Romanesque great cloister arcade survives in situ. Despite this, the existence of a number of 11th- and 12th-century rear walls, and the discovery of quantities of stonework likely to have originated in cloister arcades, make it possible to recover something of the likely appearance and character of the cloister in Anglo-Norman England. The following paper considers that evidence, and assesses how our understanding of the underlying topography and archaeology of Anglo-Norman cloisters might enable us to reconstruct their lost walks. It concludes with an appraisal of the chronology of English cloister building.     

务川、道真仡佬族民间雕刻艺术考察研究

务川、道真仡佬族民间雕刻有着广泛的存在,图案丰富,线条流畅,造型饱满,表达了仡佬族民族审美理想和民俗文化心理,承载着丰厚的民族文化内涵,具有深厚的民族文化价值。     

Engaging with place: artists,site-specificity and the Hebden Bridge Sculpture Trail

This paper traces the creative processes employed by artists participating in the 2004 Hebden Bridge Sculpture Trail and examines relationships between place, art and site-specificity. The Trail is a popular, temporary annual local arts event that invites international artists, students and community art groups to create and exhibit site-sensitive sculpture within Hardcastle Crags in Yorkshire, England. We consider some of the multiple ways in which artists mediate relationships between ‘site’ and artwork. We connect geographical concepts of place that highlight location, locale and sense of place, with mobile understandings of site as porous and flowing. The paper positions geographical research of art, opening out art and site in a non-urban environment through comparative discussion of concepts of ‘place’ and three ‘paradigms’ in site-specific art (phenomenological, social/institutional and discursive, Kwon 2002 Kwon, M. 2002. One Place After Another: Site-specific Art and Locational Identity, Cambridge MA: MIT Press. [Crossref] , [Google Scholar]). Three elements of site-specificity – histories, natures, interactions – are then explored through fourteen artists' creative practices and our documentation of the installation of their artwork in the Trail. We highlight the juxtaposition of ‘sites’ within the Trail, the over-lapping of ‘paradigms’ within individual artworks, and transitory aspects of ‘site’ to suggest that ‘time’ holds great significance in understanding site-specificity, place and art outdoors.     

激光诱导击穿光谱分析法及其在彩绘文物分析与表征中的应用

激光诱导击穿光谱分析法是基于激光辐射与物质相互作用产生等离子体而进行实时、快速测定、表征的一种光谱分析新方法。其具有高灵敏度、高分辨率,分析速度快,样品用量少,无需样品预处理,一次光谱可测定多种元素组分等特点,且可在非破坏和非接触的条件下进行在线和实时分析测定,已广泛应用于材料、生物、环境、冶金、医学和文物等领域的测量和表征研究。本文从激光诱导击穿光谱分析法的基本原理、仪器装置及其在彩绘文物研究中的应用和进展进行了综述。     

秦俑彩绘保护研究综述

本文介绍了近十年来秦俑彩绘保护方面的研究成果,其中包括了保护技术的研究与优化;彩绘颜料、彩绘调合剂的分析研究;秦俑彩绘图案方面的研究与重构;彩绘保护剂性能的对比等等。提出了今后这方面研究的意见和建议。