Deutsche Literatur an der Indianergrenze

The thirteenth-century Spanish poem Libro de Apolonio (LA) shares many features with other works of the cuaderna vía; among them is the frequency with which the personified figure of sin makes its appearance. One finds the word pecado in the opening scene of the LA, where the narrator says that sin, always restless, manages to stir up desire in King Antioco and makes him turn his gaze on his own daughter (6). Soon again, in reference to the same incestuous king, the narrator writes that “metiólo en locura la muebda del pecado” (26). With two early references in the LA to sinful impulses, the narrator suggests that pecado is the root cause of Byzantine-like adventures that take Apolonio across the Mediterranean world. To further underscore its importance, the author uses the word pecado in a variety of contexts a minimum of thirty-one times. Given its near omnipresence, it is essential that one consider the nature and role of sin when interpreting the work. As a window through which to view sin, this essay focuses on the hero’s status as king. If Apolonio is referred to as pilgrim on occasion, it is no less significant that the main character is referred to as king no less than thirty-five times in the work. It could be that the author wants us to bear in mind that we are not dealing with “everyman,” but with a king. By viewing Apolonio in this light, one can proceed to examine his royal performance to assess to what degree his shortcomings might be considered pecado.     

El pulso de Centro América a través de la novela

This article offers a new reading of Miguel de Unamuno's San Manuel Bueno, mártir. Critics have traditionally focused on the question of the protagonist's supposed lack of faith and sought to relate San Manuel's doubts in the novel to Unamuno's own religious views. Although this novel is very much concerned with religion, eschatology, and social issues, it is also an extremely sophisticated literary narration wherein the use of irony and ambiguity remains perhaps unequalled in Spanish contemporary literature. By considering the principles of linguistic pragmatics, this article shows that in her account of San Manuel's life, the female narrator tells the dramatic story of the love she and San Manuel felt for each other. By means of a complex use of ambiguity, Unamuno writes a novel that can be read in two different ways: the religious novel and the love novel.     

Recent Books in the Field of Mediaeval Literature

In the Cantigas de Santa María, King Alfonso X unveils an intricate cultural, political, and economic system that defines the relationship between Christian society and religious minorities. This article illustrates that the Cantigas must be understood as an ideological instrument of cultural codification that reaffirms the established Christian social order in relation to three principal groups: heretics, Jews, and Muslims.     

A Review of “Henri Lefebvre and the Spanish Urban Experience: Reading the Mobile City”

In this article, the author analyzes how Salvador Espriu in La pell de brau (re)builds the myth of Sepharad that refers to the Hebrew name of the assembly of the medieval Hispanic kingdoms. La pell de brau is a work that opens the "collective cycle" toward a "we" framed within a specific historical context. The poet criticizes the unified vision of the Spanish nation and of the Catholic religion. The (re)construction of the myth of Sepharad not only reflects the crisis of the subject in search of an identity in an intolerant Spain after the civil war but also subverts the myth of the Spanish nation as created by the doctrine of National Catholicism under Franco.     

Commentary Animal Domestication: Toward a Definition

Antoine de Saint-Exupéry was a pioneering French aviator who helped to open airmail routes in North Africa and South America during the interwar years of the early twentieth century. He was also a celebrated author who described his piloting experiences and the relations between aviation, society and human development in several popular books. Saint-Exupéry's writings contain vivid representations of landscapes, places and people from the novel perspective of the airborne observer. Based on analysis of the revised editions of most of the English-language translations of Saint-Exupéry's published works, this article reveals that his writings contain a distinctive ‘geography from above’ in which landscapes and places are culturally constructed and myths about various ‘others’ are reproduced. Such a view was important: it allowed powerful visualisations to be created and communicated, and its expressions accompanied and legitimated the imperial expropriation of land.     

Tom Paine: The greatest exile

In this contribution, I reassess the opposition between Saint-Pierre's idealism and Rousseau's realism. Rousseau accuses Saint-Pierre of having a defect in his analysis and political judgement which, if he had been consistent, would have led to a revolutionary position in the strong sense – a position of which the author of The Social Contract himself disapproved. In short, not only was Saint-Pierre far from being a convinced absolutist; Rousseau's own writings on the Abbé do not advocate a ‘republican solution’, which he regarded as impracticable for the Europe of his time.     

Teaching “notre littérature”: The Place of la littérature québécoise in the Curriculum in Quebec

Recent calls for a greater emphasis on the teaching of Quebec literature from primary school to cégep once more link the teaching of Quebec literature with the survival of a language and a culture. The current debate echoes those which have taken place over the last 100 years, both under the denominational system of education and since the Révolution tranquille. Different pedagogical and ideological factors have influenced not only whether Francophone Canadian literature has been taught, but also what has been taught and how it has been taught. Anxieties about the status, history and definition of “notre littérature” have recurred throughout the century, as have concerns about the relationship between the literature of Quebec and the literature of metropolitan France. This article will discuss the teaching of literature in Quebec since 1900 to conclude with a consideration of the teaching of Francophone Canadian literature in Quebec today.     

A Once and Future Greatness: Raymond Aron,Charles de Gaulle andthe Politics of Grandeur

Charles de Gaulle devoted his life to cultivating French grandeur, a politics that attempted to carve out an equal and independent role for France among the great powers of the world. One who frequently criticized de Gaulle's ideas of grandeur was the eminent social theorist, Raymond Aron. Although Aron was generally supportive of de Gaulle and supported him ‘every time there was a crisis’, he never hesitated to criticize de Gaulle, sometimes quite sharply. Aron's lifelong friendship with de Gaulle was thus marked by alternating bouts of mutual irritation and respect: Aron worried that de Gaulle's theatrics were sometimes detrimental to French national interests while de Gaulle fretted that Aron's commitment to French greatness was less enthusiastic than it should havebeen.

The purpose of this paper is to evaluate Aron's reaction to de Gaulle's politics of grandeur. Despite his reputation for ‘lucidity’, Aron was often ambivalent about de Gaulle's ambitions for France. We argue that Aron's ambivalence stemmed from his political creed, or from his commitment to a political philosophy that - as de Gaulle sensed - allowed for few settled convictions. This paper reviews Aron's assessment of two issues at the heart of de Gaulle's politics of grandeur, namely, the effort to promote a sense of national unity and the effort to create a nuclear force. In both areas, we witness a remarkably ambivalent Aron, one who struggled to soften the harsher edges of the excesses of what he considered to be the excesses of grandeur and find his way to a more moderate and coherent position.