Paul Cohen-Portheim: questions of nationalism,messianism and nostalgia in a prison camp in England, 1914–1918

ABSTRACT

This article focuses on the little-known Jewish writer Paul Cohen-Portheim (1880–1932) and his notions of nationalism and Zionism. Born in Berlin to Austrian parents of Sephardic origin, Cohen-Portheim was interned during the First World War in various English prison camps. This experience profoundly affected his intellectual outlook and he dedicated much of his effort to the fight against nationalism. It was in the English prison camps that he developed an eclectic theory of nationalism which combines a quasi-evolutionary progress towards global justice with a messianic notion of Zionism. The Jewish people play a crucial role in Cohen-Portheim’s vision of a world devoid of nationalism, whose absurdity is disclosed in the arrival of Zionism. Juxtaposing Europe’s crisis of culture and Asia’s spiritual vitality, Cohen-Portheim ascribes to Zionism a bridging of the gap that separates Europe and Asia, and fragments modern nationalistic man. This article follows Cohen-Portheim’s intellectual development and highlights shifts and continuities in his writing, arguing that he shows two different types of nostalgia, namely a longing for the East as developed in his early works and a longing for the past as displayed in his last major work.     

Museum Volunteering: Heritage as ‘Serious Leisure’

The growing number of volunteers in the heritage sector indicates a desire for a leisure experience by pursuing a subject interest with like‐minded people. Millar and others have suggested that volunteers are the ‘ultimate frequent visitors’, and as the day visitor market for museums and heritage attractions declines, this paper offers the repositioning of ‘heritage visiting’ from day visits to longer term connections with particular heritage attractions via volunteering. It draws on Stebbins’s concept of serious leisure as a way of reading museum volunteering as a leisure practice and argues that museum volunteering is a way of practising heritage as leisure that is ‘self‐generated’, with museum volunteers active in constructing their own identities. According to the concept of ‘serious leisure’, museum volunteers become part of a social world inhabited by those knowledgeable about heritage and history. The paper concludes by examining the adequacy of Stebbins’s P‐A‐P system for analysing the power relations between museum professionals and volunteers in the museum social world.