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31.
ABSTRACT

This paper constructs an analogy between art and prophecy, exploring and comparing their relationship to political change. It does so through considering arts-based responses to the contemporary forced migration context in conversation with the book of Jeremiah. Recognizing that the artistic – in the case of Jeremiah, the poetic – can be an important means of resistance for those experiencing exile and injustice, this paper delineates two key ways in which visual arts, poetry, music and theater are playing a prophetic role in relation to migration today. First, the arts can generate prophetic revelation, helping people to see more clearly and truthfully the pain and suffering experienced by forced migrants. Second, the arts can enliven prophetic imagination, helping people to visualize creatively how a world-in-migration could be at its best by offering glimpses of oneness and hope. The paper concludes by pointing out some ambiguities involved in engaging with the arts as a means of prophecy.  相似文献   
32.
New Caledonia is an island territory located in the French South Pacific. In 2018, the first of three referenda on the island’s sovereignty will occur. Over the next decade, inhabitants of this territory will decide whether to become fully sovereign, maintain their dependence on France, or enter into an independent-association relationship with another state. Through a series of interviews with prominent New Caledonian politicians and secondary sources, this article explores how definitions of victimhood and national identity construction shape the notion of rebalancing. Both loyalist and nationalist politicians argue that the current social inequalities between New Caledonian communities require targeted policies intended to re-balance the populations. Politicians use these victim narratives and national identities to construct imagined communities that advocate for the inclusive or exclusive application of the right to self-determination.  相似文献   
33.
Seagoing at 1 mya to Flores, and sea gaps of >50 km crossed by 47 kya to Sahul, are evidence of earlier maritime migration in the western Pacific than anywhere else. Current opinion attributes the latter to the influence of anatomically modern human cultural complexity on seagoing technology and practice, together with the impetus of serial resource depression. It is argued here that seagoing was unusually advantaged in the western Pacific by a fortuitous conjunction of the warmest seas with a ready availability of large-diameter bamboo that occurred as natural rafts, and which could also be constructed into rafts large enough to transport viable colonizing groups from island to island across Wallacea to Sahul. The geography of Wallacea allowed migration solely by drifting, and exploratory landscape learning might have produced landfalls on Sahul sooner than is implied by subsistence forcing of mobility. Seagoing by drifting raft was much harder from Sahul to the east because of the virtual absence of large-diameter bamboo and longer distance to fewer or small islands; colonization occurred much later.  相似文献   
34.
ABSTRACT

As the title implies this special issue concentrates on the coconut in its older usages and its transformation into commodities. The coconut has many histories, with specific intersections with each Pacific island society, indeed each community and family. This brief introduction seeks to give an overview of its penetration into the lives and societies at several levels, from small clans to major companies, from growers to governments, all implicated along the commodity chain. In spite of the coconut’s ubiquity, the historiography has never addressed it fully but taken it rather as a given, one player in capitalism in the region, yet in fact, for over a hundred years, it was the star product upon which many governments and people across the tropical Pacific depended for income. We hope that some aspects of the coconut’s complexity and meaning are brought to light in the following new contributions to its history.  相似文献   
35.
ABSTRACT

In this paper Thor Heyerdahl's early attempts at ethnography and his first contact with Polynesian archaeology are discussed. It is argued that Heyerdahl, prior to his first Pacific expedition to the Marquesas Islands in 1937, carried with him a romanticized perception of the Polynesian people, imagining them to be the last living ‘natural men’. This perception was shattered during his expedition, and the disappointing contrast between the imagined reality and the lived reality led Heyerdahl to separate the contemporary Polynesian population from the Polynesian archaeological record. It is further argued that this separation between contemporary Polynesians and the Polynesian archaeological record would form the foundation for the dual migration wave hypothesis Heyerdahl later launched with his ‘Kon-Tiki theory’.  相似文献   
36.
Dedicated arts centres were a common outcome of the great expansion of the public sphere in the nineteenth and twentieth centuries. In the early twenty-first century, however, many of our arts centres present a challenge to cultural policy-making. Expensive to maintain and operate, they are often ill-equipped to host the increasingly diverse range of communities and arts practices that have emerged with each generation. The article outlines the difficulties that the presence of such arts centres present to cultural policy-makers, using case studies of four Australian centres. It argues that the ‘mobilities turn’ in sociology provides a useful framework for considering the challenges posed by a static building and its array of highly mobile stakeholders. The study focuses on the perceptions of arts centre managers as cultural intermediaries – giving voice to the opportunities and constraints for the arts centre building and to the needs and interests of public policy-makers, artists and audiences, and juggling the tensions between the ideological, political, demographic and cultural forces that define the field in which they routinely operate. The managers negotiate distinctive challenges that arts centres face within the context of decentralised and fluid understandings of creative spaces for contemporary leisure practices.  相似文献   
37.
From the late 1970s Australian governments (led in turn by Malcolm Fraser and Bob Hawke) expected New Caledonia to become independent. France responded with suspicion. From 1983, however, reformist governments in Australia and France took apparently converging views. But tensions rose because of unrest in New Caledonia and conflict over French nuclear testing. Australia’s limited capacity to influence developments waned further in 1986 when Jacques Chirac became French prime minister and countered the Kanak nationalist movement. Foreign Minister Bill Hayden favoured moderating Australia’s position, but the issue became moot in mid-1988 when the rival forces in New Caledonia agreed to the truce embodied in the Matignon Accords. The different approaches of the Fraser and Hawke governments reflected philosophical differences, the personal stance of key players, influences from their political movements, and the challenges of changing circumstances. Decades later, with a referendum due by November 2018, Australia’s approach is likely to be cautious.  相似文献   
38.
Paleoclimatic data from the tropical Pacific islands are compared to archaeological evidence for fortification construction in the Holocene. The results suggest that in some regions, people constructed more fortifications during periods that match the chronology for the Little Ice Age (AD 1450–1850) in the Northern Hemisphere. Periods of storminess and drought associated with the El Niño Southern Oscillation have less temporal correlation with the emergence of fortifications in the Pacific, but significant spatial correlation with the most severe conditions associated with this cycle. These temporal and spatial correlations require additional study to investigate possible causal relationships.  相似文献   
39.
本文以欧洲共同体的形成、发展为背景,对亚太地区经济合作的条件和前景进行初步探讨,并对中国在地区合作中的地位和作用进行初步分析。  相似文献   
40.
The residential architecture of Levuka, Fiji, contains a diverse and well-preserved sample of what architectural historians have called the British tropical bungalow. Dating to the late nineteenth and early twentieth centuries, these small frame structures bear witness to the in situ development of a descendant colonialist identity amongst the European settlers of the port town. Analysis of the degree to which these houses conform to, and diverge from, the normative traits of the global bungalow style provides insight into the material processes of later colonialist communities and their increasingly complex cultural and social identities.  相似文献   
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