A QUANTITATIVE FABRIC ANALYSIS APPROACH TO THE DISCRIMINATION OF WHITE MARBLES*

Quantitative fabric analysis was applied in order to discriminate better among white marbles from various quarries of archaeological interest. This method provides an effective complementary tool to a characterization based upon petrography, cathodoluminescence microscopy and stable isotopes. Very good discrimination of marbles is achieved with the help of simple variables such as major axis and the shape-specific PARlS-factor. Using quantitative fabric analysis, marbles with similar cathodomicrofacies, as, for example, the Naxian quarries of Apiranthos, Koronos, Flerio and Kinidaros and the quarry of St. Beat (French Pyrenees), can be distinguished from each other. Marbles collected within one quarry may display dissimilar cathodomicrofacies. The common origin of such specimens can be determined with the aid of quantitative fabric analysis, as shown for the quarries of Kinidaros as well as St. Béat.     

DETERMINING POTTERY PROVENANCE: APPLICATION OF A NEW HIGH-PRECISION X-RAY FLUORESCENCE METHOD AND COMPARISON WITH INSTRUMENTAL NEUTRON ACTIVATION ANALYSIS*

A recently developed high-precision X-ray fluorescence (XRF) method, applied for the first time to the study of archaeological pottery, determines the abundances of 13 trace and four major elements from one X-ray spectrum acquired over a 1000 second counting interval. For replicate archaeological samples, the short-term and long-term measurement precisions were close to 1% for the ten elements measured with highest precision. These are comparable to the best results achieved on replicates of clay and pottery standards, and obsidian, using instrumental neutron activation analysis (INAA). High-precision XRF analysis, however, does not require a nuclear facility, and is markedly preferable to INAA in terms of the ease of both sample preparation and analytical procedure. Consequently, element abundance data can usually be provided by a single analyst within a few hours after the start of sample preparation. The accuracy of the method, determined by comparison with data of other workers on eight standard reference materials, averaged 2.4% for the ten best-agreeing elements. The effectiveness of the method for determining pottery provenance is demonstrated for a difficult problem, in which high-precision XRF analysis successfully distinguished the products of two nearby pottery manufacturers in Roman Galilee (Shikhin and Nahif) that had not been clearly differentiated by INAA. The greater effectiveness of high-precision XRF than INAA in this provenance study is a result of the different array of elements measured, and the higher precision obtained for certain elements, by XRF. These results suggest that high precision XRF has potential broad applicability for pottery provenance studies.     

LEAD ISOTOPE AND TRACE ELEMENT ANALYSIS IN THE STUDY OF OVER A HUNDRED SOUTH INDIAN METAL ICONS*

Technical investigations were made on 130 South Indian statuary images and a few miscellaneous artefacts mostly sampled from the Government Museum, Madras, India, and from the Victoria and Albert Museum and the British Museum, UK. Lead isotope investigations were attempted on 60 of these, and compositional analysis for 18 elements on 115, using inductively coupled plasma optical emission spectroscopy; thus, for 40 objects both lead isotope and trace element analysis was done. From the isotopic and elemental framework, insights are obtained into some art-historical problems of images and artefacts of the Pre-Pallava, Pallava, Chola (i.e., Vijayalaya Chola), Later Chola (i.e., Chalukya-Chola and Later Pandya), Vijayanagara (and Early Nayaka) and Later Nayaka (and Maratha) dynasties, spanning the Early Christian era to the nineteenth century, along with a few other regional styles. Inferences are also made regarding provenance of the lead and the early use of zinc and brass in the early historic period (c. fourth century BC—fourth century AD).     

FOSSIL DIATOMS AND THEIR SIGNIFICANCE IN ARCHAEOLOGICAL RESEARCH

Summary. The relationship between environmental archaeology and diatom analysis, a well established technique in palaeoecology, is explored. The development of diatom analysis for palaeoenvironmental reconstruction is briefly considered and flow diagrams are presented to illustrate laboratory techniques. Examples of research in Mexico, North America, Britain and Europe are discussed to illustrate the potential of diatom analysis as a means of assessing human impact on the environment, notably lake water quality, and as a means of elucidating the palaeoenvironmental conditions under which archaeological sediments have accumulated. Consideration is also given to the role of diatom analysis in examining land/sea-level changes, especially those which may have affected prehistoric resource use, and to its significance in the reconstruction of local environments in and around archaeological sites. Finally, the potential of fossil diatoms for provenancing pottery is explored with particular reference to Dutch and Finnish examples.     

MARBLE PROVENANCE INVESTIGATION OF ROMAN SARCOPHAGI FROM THESSALONIKI*

The provenance question of the marbles used for making the sarcophagi of local production of Thessaloniki in the Roman period had been posed by archaeologists in the past. The hypothesis was that the material came mainly from the quarries of Thassos Island. This paper presents the scientific analysis of 23 characteristic samples from selected sarcophagi at the Museum of Thessaloniki, using three different techniques: electron paramagnetic resonance (EPR) spectroscopy, stable isotope analysis and maximum grain size measurements, plus in-situ examination. New combinations of parameters were used in order to resolve fully the provenance of all samples. The results showed that the vast majority of the objects were indeed made in Thassian marble but from three different quarries, namely Vathy/Saliara (dolomitic marble), Aliki (calcitic marble) and Acropolis/Phanari (calcitic marble). The calcitic marbles from Aliki and to a lesser degree from Acropolis/Phanari are met in all the basic types of sarcophagi (framed type, plain type, garland sarcophagi). The use of the better quality and snow-white dolomitic marble from Vathy/Saliara quarries is relatively restricted and is often found in works that are above the average regarding the quality of their workmanship. In addition, two sarcophagi were made in Pentlelic marble and one in Proconnesian. The scientific analysis results provide a good confirmation of the archaeological estimates and, furthermore, the conclusions constitute henceforth a secure basis for the study of the entire sculptured works of Thessaloniki.     

BLACK AND RED GRANITES IN THE EGYPTIAN ANTIQUITY MUSEUM OF TURIN: A MINERO‐PETROGRAPHIC AND PROVENANCE STUDY

A recent project to investigate the stone artefacts preserved in the Egyptian Antiquity Museum of Turin has been undertaken, with the aim of supplying their systematic classification and suggesting the provenance site of the original raw materials. This paper focuses on seven sculptures dating back to the New Kingdom (18th–19th Dynasties): the statue of Ramses II, three of the 21 sculptures of the goddess Sekhmet, the statue of the goddess Hathor, the Ram‐headed Sphinx and the sarcophagus lid of Nefertari. Petrographic observations have shown that all the sculptures are made of granitoid rocks, with variable composition from granite to granodiorite and tonalite. The observation of strong macroscopic analogies with the so‐called black and red granites outcropping in the Aswan area has suggested a common origin of all the raw materials used for their manufacture. In order to verify this provenance hypothesis, several samples were collected in the Aswan quarry districts. According to results of a minero‐petrographic and geochemical comparison between the statues and the Aswan quarry samples, it was possible to identify the source area of the stone sculptures and finally to highlight the importance of an archaeometric approach to the solution of archaeological problems.     

PROVENANCE OF THE SANDSTONE USED IN THE CONSTRUCTION OF THE KHMER MONUMENTS IN THAILAND

We investigated the sandstone used in the construction of the Khmer monuments situated upon and around the Khorat Plateau in north‐east Thailand in order to clarify the provenance. The sandstones of the 22 investigated Khmer monuments can be classified into three groups. The sandstone of Group 1 is lithic and is derived mainly from the Khok Kruat Formation. This group includes the sandstone used at Phimai, Phnom Wan, Muang Khaek etc. The sandstone of Group 2 is siliceous and can be subdivided into three further groups. The sandstone of Group 2 is considered to have been derived from the Phu Phan, Phra Wihan or Sao Khua Formations. The sandstone used at Muang Tam, Phnom Rung, Sdok Kok Thom, Preah Vihear (Khao Phra Wihan), Narai Jaeng Waeng etc. belongs to Group 2. The sandstone of Group 3 is feldspathic and is correlated with the grey to yellowish‐brown sandstone that is commonly used in the Angkor monuments in Cambodia. This sandstone is used at Wat Phu and Hong Nang Sida in Laos. The above results reveal that the choice of sandstone used for the Khmer monuments, including the Angkor monuments, was dictated by the surrounding geology.     

TOWARDS A QUANTITATIVE PETROGRAPHIC DATABASE OF KHMER STONE MATERIALS—KOH KER STYLE SCULPTURE

A comprehensive quantitative petrographic database of sandstones used by the Khmers for sculptural purposes would be a helpful tool for archaeologists, museum curators and others interested in pursuing research on early stone usage, geological source and provenance. Towards that end, this paper presents quantitative petrographic analysis of stone materials used in the production of some free‐standing sculptures and architectural elements in the Koh Ker style of the 10th century from the collections of the National Museum of Cambodia and The Metropolitan Museum of Art. These materials are compared to samples from the quarry of Thmâ Anlong near the foothills of the Phnom Kulen, Sieam Reap province. Primary and secondary detrital modes and key grain‐size parameters are used to identify three sandstone types. The free‐standing sculptures are carved from feldspathic arenite and feldspato‐lithic to litho‐feldspathic arenite. Finely carved lintels are worked from a quartz arenite, which is significantly richer in quartz grains and of a finer grain size. The geological source of the two other lithotypes will have to await detailed geological survey of the Koh Ker area accompanied by petrographic study of selected samples from documented quarries. The significance and potentiality of quantitative petrographic study of Khmer stone materials are shown in supporting and integrating archaeological investigations in South‐East Asia.     

GC–MS ANALYSIS AND FATTY ACID RATIOS OF ARCHAEOLOGICAL POTSHERDS FROM THE WESTERN GREAT BASIN OF NORTH AMERICA*

The study of organic residues in archaeological pottery has focused on fatty acids due to their relative stability and longevity. However, even these compounds are subject to degradation, which makes assignment of residues to original foods problematic. This paper suggests that the use of ratios of fatty acids that degrade at roughly the same rate can be useful to identify very general categories of foods. It compares independent information on pot function based on ethnography and engineering/technological studies to that reconstructed based on extracted fatty acid ratios. The results support the notion that Great Basin pots were used primarily to boil seeds and that pot shape and pot function were related.     

MINERO‐PETROGRAPHIC AND GEOCHEMICAL CHARACTERIZATION OF ‘GRECO SCRITTO’ MARBLE FROM CAP DE GARDE,NEAR HIPPO REGIUS (ANNABA,ALGERIA)*

This work presents the results of the first mineralogical, petrographical and geochemical characterization of the marble quarried from the Cap de Garde headland, not far from Annaba (Algeria). This site is traditionally held by archaeologists to be the main source of supply of the so‐called ‘greco scritto’ marble, which was much used by the Romans for architectural and decorative–ornamental purposes, locally from the first century bc , and in Rome and central and southern Italy from the late Flavian period until the fourth century ad . The databank relating to the quarried material, created here for the first time, is used to establish the origin of ‘greco scritto’ found in six important Roman cities of North Africa: Hippo Regius and Cuicul (Djemila), in Algeria; Volubilis, in Morocco; Cyrene, in Libya; and Carthage and Utica in Tunisia. The results of this archaeometric study support the hypothesis (already put forward by authors) that the ‘greco scritto’used in the Roman Mediterranean originated from different sites, and suggest the existence of a number of North African quarries, also in the vicinity of Annaba.