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11.
E. C. LAPP 《Archaeometry》2012,54(1):56-79
A water absorption analysis was conducted on 103 clay lamp samples to determine whether the fabrics of this pottery type are porous. If so, this would lend further support to the long‐standing assumption that lamp makers coated their lighting vessels with slip—not just for decorative purposes, but as a means of preventing oil seepage of the fuel chamber. The samples were excavated at the Red Sea port of Roman Aila (modern Aqaba, Jordan) and belong to 10 different types originating from Arabia, Palestine, Egypt, Tunisia and Gaul. The results of the experiment reveal that clay lamp fabrics are porous, and comparatively more so than a reference group of non‐lamp pottery from Pella (Jordan). Petrographic thin‐section analysis of select fabrics confirms the presence of pores, cracks and propagating veins indicative of thermal stress resulting from repeated lamp use. Meandering veins identified in a nozzle fragment were created by the diffusion of vapours, probably originating from the burning lamp oil itself. Ancient lamp makers understood that, given its direct exposure to the extreme temperature of the flame, the nozzle was particularly vulnerable to breakage as a result of thermal shock. A porous lamp fabric, however, helped limit crack propagation, allowing the nozzle and the lamp body to expand and contract to avoid breakage.  相似文献   
12.
This study concerns those crystallographic and microstructural features that can provide indications on the actual origin of red pigments based on hematite (Fe2O3). The main features of natural and artificial hematite are recalled and used to discuss the results obtained from the characterization of red‐ochre samples coming from the Palaeolithic site of Riparo Dalmeri, a rock‐shelter located in northeastern Italy, dated to 13 000 cal. bp , and notorious for the presence, among the other finds, of red‐painted calcareous stones. Painting and the treatment of leather and hides obtained from the intensive hunting activity were the main uses of the hematite‐based red‐ochres at Riparo Dalmeri. It turns out that hematite was mostly obtained from the thermal treatment of goethite, which, unlike hematite, was and still is widely available in the neighbourhood of the site.  相似文献   
13.
Ochres were the most common source materials for pigments used in Palaeolithic rock art paintings. This work analyses the petrographic and geochemical signatures of different ochre samples from outcrops inside Tito Bustillo Cave and the Monte Castillo Caves using the most common techniques (petrography, XRD, SEM–EDS and ICP–MS) in archaeological pigment characterization studies. The results obtained permit the identification and characterization of the different source ochre types and, furthermore, allow the establishment of mineralogical and geochemical proxies for the study of questions related to ochre characterization, formation processes and provenance.  相似文献   
14.
The Domus de Janas (Home of the Fairies, or Home of the Witches) are Neolithic hypogea located throughout Sardinia (Italy) and decorated with red and black wall paintings. The objective of this study was to define the painting technique through the analytical characterization of the pigments and binding media. Samples of painting film from different graves have been examined by means of various analytical techniques. XRD, Raman and SEM–EDX analyses identified the red and black pigments respectively as red ochre rich in hematite and carbon black, while GC–MS analyses characterized the organic binder as egg.  相似文献   
15.
A short history of the application of NAA in the characterization of archaeological materials at the National Center for Scientific Research ‘Demokritos’, Athens, is presented. NAA was first applied in archaeology in 1974 at the Radioanalytical Laboratory, and since 1989 has been one of the primary analytical techniques of the ‘Demokritos’ archaeometry programme. A case study is also presented, concerning chemical patterning of the black‐on‐red Neolithic pottery class from Macedonia. Four chemical groups were identified, each corresponding to a different area of production. It is shown that this standardized concept of pottery technology and style was spread out within at least eastern Macedonia.  相似文献   
16.
Seventeenth‐century opaque red (redwood) glass trade beads of different shapes and sizes were made of mixed alkali (mainly soda)–lime glasses and were coloured with Cu, presumably as cuprous oxide or as finely dispersed elemental Cu. During the early 17th century, beads of all shapes were opacified with Sn; cored beads, with uncoloured cores and hence lower Cu levels, also tended to have slightly lower Sn contents than uncored beads. By the mid‐17th century, cored tubular beads were being opacified with a combination of Sn and Sb, a technological change similar to that observed in white glass trade beads, while uncored redwood beads appear not to have been opacified with either Sn or Sb. Bead chemistries are sufficiently different to allow them to be sorted into subgroups, which may then be tracked in various archaeological sites and regions.  相似文献   
17.
When in the seventeenth and eighteenth century Chinese red ware from Yixing was imported into Europe, imitations of that ware, some of them delusively similar to the originals, were made in the Netherlands, Saxony, and England. With non-destructive energy dispersive X-ray fluorescence analysis (ED-XFA) the Chinese and different European red wares can be easily separated by comparing the patterns of their calcium oxide, manganese oxide, and lead contents. They also have density characteristics of their own.  相似文献   
18.
N. BRUN  M. PERNOT 《Archaeometry》1992,34(2):235-252
Opaque red glass was used in the Celtic world for enamels and inlays. Forty artefacts, of various dates and found in various places, have been sampled and studied. They all belong to the same type, a soda-lime-silica high lead glass coloured by crystals of cuprous oxide. There is only one subgroup: glass lumps from the Mont-Beuvray oppidum contain manganese, less iron, and less lead. This change could be the result of Roman influence. Although most of these glasses form a surprisingly homogeneous group, no conclusions as to their origin can be inferred from our present knowledge.  相似文献   
19.
Archaeological interpretations of ancient economies have been strengthened by chemical analyses of ceramics, which provide the clearest evidence for economic activity, and comprise both the objects of exchange and its means. Pottery is often manufactured from local materials, but its compositional diversity typically prevents significant patterns of resource utilization from being identified. Centrally located and positioned on traditional shipping routes, Cyprus maintained ties with and supplied a variety of distinctive ceramic products to the major commercial centres in the eastern Mediterranean throughout Antiquity. We analysed two Cypriot .ne wares and a variety of utilitarian pottery, as well as samples of extant Cypriot clays to determine source provenance. These chemical analyses provide an objective indication of the origins of ancient (Bronze Age and Roman) ceramics manufactured on Cyprus. The distribution of the probable clay sources and the links between pottery style and the material environment also afford a perspective on the spatial organization of large‐scale pottery production on the island. Compositional analysis provides the means to assemble geographies of pottery production and to unravel the interregional system of exchange that operated in Antiquity, but the ability to accomplish these tasks is predicated on systematic analyses of ceramic products and raw materials that are found far beyond the bounds of individual archaeological sites.  相似文献   
20.
Elemental analyses have been conducted on 61 coloured opaque glasses from the Malkata and Lisht New Kingdom glass factories. The presence of tin in several of the blue glasses suggests that a bronze casting byproduct or corrosion product was the source of the copper colorant for these glasses. A positive correlation between the lead and antimony concentrations of the yellow and green opaque glasses, plus a consistent excess of lead oxide in these glasses, suggests the use of antimony‐rich cupellation litharge as the source for the Pb2Sb2O7 , colorant in these glasses. The metallurgical byproducts used to colour the Malkata and Lisht glasses provide an explicit mechanism for Peltenburg's theory of interaction between second millennium BC glassmakers and contemporary metalworkers.  相似文献   
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