多元族群视野下的华人特性——美国亚裔六大族群的比较

根据美国最新公布的各族群的普查、统计及抽样等数据与研究成果,对亚裔各族群进行比较分析发现,华裔、印度裔、菲律宾裔、日裔、韩裔和越南裔,在人口构成与地理分布、人口素质与职业构成、个人与家庭收入、企业数量及收益、自营职业状况等方面各有千秋。华裔呈现两极状态:高层次方面,华裔受教育水平、高级职业比例、企业平均收益等指标,都紧随印度裔之后居第二位;在硅谷和美国新经济中,华裔与印度裔相媲美;低层次方面,华裔贫困率高以及高中以下学历者多,都仅次于越南裔;偷渡移民在亚裔中最为突出。此外,华裔族群经济规模较大,自成一体,具有自我生成、自我扩张的能力,能够消化相当数量的移民。亚裔在美国的差异性与他们在亚洲本土的文化差异度没有直接的相关性,甚至大相径庭。这些差异是移民及其后裔在迁徙过程和异国谋生过程中适应环境所做出的不同的理性选择。中华文化与海外华人的独特性等既有观点,经不起客观数据比较的验证。     

Economic fears of mass migration from southern Italy in early twentieth century America

ABSTRACT

Economic fears in the early twentieth century America about Italian immigration united trade unions and white collar workers and were motivated by reasons that ranged from the belief that migrants were disrupting the labour market and were temporary opportunist earners, unwilling to integrate and living in isolated communities, to the idea that southern Italians did not offer sufficient human capital: they were mainly illiterate, and had high dropout rates in schools, and were widely believed to have children with mental disabilities. These American fears were wildly overstated, however. First, Southern Italian migrants had to undergo a two-stage positive selection for literacy, while, secondly only 28.4 per cent of the massive incoming flow of Italians decided to stay; most Italian immigrants chose to return to their country of origin and the minority who remained did not delay long to join in the American melting pot.     

Elites and masses: the prevalence of economics and culture in nineteenth-century American party platforms

Scholarship on political party development in nineteenth-century America has focused on the relationship between elites and voters on the influence of policy proposals. The question is how elite perception of voter demands influenced parties’ ideological development. This study addresses this question by assessing the dynamic between cultural and socioeconomic concerns in party ideological formation and policy articulation. A content analysis of national and state party platforms from 1840 through 1896 sheds light on this dynamic. Ultimately, party leaders set the political agenda by referencing economic concerns to a greater degree than cultural concerns in their platforms.     

Temporal and Narrative (Dis)junctures: Guillermo Núñez’s Aesthetics of Memory and the Museum of Memory and Human Rights (Santiago,Chile)

Focusing primarily on Guillermo Núñez’s work, this essay juxtaposes two almost-identical exhibits of his ‘exculturas’ (sic: xculptures/ex-cultures) – one at the Chilean-French Cultural Institute in 1975, which resulted in his detention and exile, the other in 2010 for the official inauguration of the Museum of Memory and Human Rights (MM) – to explore their relationships to memory production in Chile four decades after the military coup. In the first, Núñez offered a pointed critique of the repressive post-coup context through a series of caged and netted objects; the second reconstructed the first as a memory gesture, framed within the ultra-modern, state-sponsored MM, in its designated art space, at once included and physically separated from the historical narrative of the Museum. How do the politics, aesthetics and design of the MM work to complement, complicate, or contradict Núñez’s – and, perhaps, any – artistic proposal? What challenges might the aesthetic of memory in Núñez’s work pose to the Museum’s narrative frame? Examining Núñez’s ‘exculturas’ (and, briefly, Gonzalo Díaz’s reconstructed Lonquén) reveals several tensions – around politics of inclusion and exclusion, the state’s role in memorysites, and the relationships between human rights concerns and museological and artistic strategies – marking the social production of memory in Chile today.     

Thinking Transition ‘From the Outside’: An Analysis of the Film De L’argentine by Werner Schroeter

The present article concentrates on the analysis of the film De l’Argentine/De la Argentina/For example Argentina (Werner Schroeter, France/Argentina, 1983–1985) as a way of access to a number of specific problems concerning the process of Argentinean democratic consolidation. It is a film that was only screened in Argentina for the first time in 2013, after a copy was found at the French Cinémathèque. Like other films produced in the context of dictatorship and democratic transition, Schroeter’s film has tended to think Argentina ‘from the outside’, that is, with a view marked by strangeness. These are documentaries which reflect upon physical and temporal distances, but, not the least, through cultural and ideological remoteness. On the basis of an analysis framed within Documentary Theory and the Sociology of Culture, this article seeks to make a contribution by way of an original perspective on a political film which, as far as we know, has not been addressed yet by Film Studies.     

‘What’s left of the flag’: the Confederate and Jacobite ‘lost cause’ myths,and the construction of mythic identities through conflict commemoration

The use of battlefields and associated conflict sites provide tantalising hooks upon which to hang tapestries of grand narratives relating to regional and national identities, often defined by what the identities are not. This paper examines the unlikely connection between Jacobite and Confederate romanticism, and how battlefields, conflict related sites, and symbolic material culture are mobilised through active commemoration by some heritage groups in support of a created, mythic identity of a ‘Southern Celt’. Furthermore, it examines the production of a mythic history that whitewashes and recasts the Confederacy, the reality of the Civil War, and the Confederate Flag, while at the same time minimising, hiding, or ignoring competing narratives.     

Exhibiting the Native American Other: The Alaska-Yukon-Pacific Exposition and Commodified Racism

The Alaska-Yukon-Pacific Exposition (AYP) not only reflected the frontier culture of Seattle, Washington, in 1909, it also revealed a deeply ingrained set of values within American culture that deemed Native individuals (the Other) as inferior. This label of “inferior” is visible in the various exhibitions of Native American objects at the AYP, which also expose deliberate expressions of hierarchy and the association of culture with commodity. The visual record that remains from the AYP includes souvenir items, official photographs, and postcards, which, when viewed as a cross section of fair imagery, suggest a relationship between Georg Simmel’s theory of objective/subjective culture and commodified racism.     

“Melismas medievales” en Concierto Barroco: enumeración y artificiosidad de Alejo Carpentier

The distinction between condensation, proliferation, and substitution defines, according to Severo Sarduy, the tenets of the Latin American neobarroque movement. This article, though sympathetic to the ideas of Sarduy, aims at clarifying the terms in which Alejo Carpentier conducts a recreation and evocation of the baroque movement in Europe and America. Taking Leo Spitzer's definition of chaotic enumeration as a focal point, it aims to clarify the mechanisms of literary composition in Carpentier. It argues that Carpentier's vision relies on an absolute yet universal and inclusive role of America in the shaping of the modern world.