Here We Go Again: Presidential Elections and the National Media

The fear of death is a major preoccupation in the West. This is not surprising given the debt we owe to Hobbes, who encourages this fear and makes it a central feature of his account of human nature. Rousseau, in contrast, wishes to reduce this fear as much as possible. Amour propre and the humanity Rousseau encourages are incompatible with excessive concern for self-preservation. This accounts for his antipathy to doctors and the medical arts. Rousseau, through his presentation of Emile and the savage, initially claims that the fear of death is unnatural and that humans should take a stoic stance toward it and all human attachments that lead to our "feeling death twice." A closer reading reveals that humans always have an awareness of death and that modern humans cannot entirely avoid these attachments. We can, however, avoid making preservation our highest goal, and this is essential to our happiness and ability to have compassion for others.     

Setting Moon and Rising Nationalism: Lugou Bridge as Monument and Memory

This paper examines Beijing’s Lugou Bridge (Marco Polo Bridge) in terms of monument and memory. With 800 years of history to its credit, this structure carries with it a select set of textual memories passed down from one dynasty to the next, and finally into the 20th century when its traditional associations of architectural and natural beauty were supplemented by its modern association with the beginning of the Anti‐Japanese War of Resistance (Second World War in China). With the opening of Sino‐Japanese diplomacy in the 1970s, the Chinese authorities began to accredit further significance to the bridge as a site of Chinese indignation over Japan’s perceived refusal to take responsibility for its wartime aggression. This point was driven home most forcefully through the construction of the Anti‐Japanese War Memorial Hall in 1985, and the continuing use of the site as a tool of diplomacy. Lugou Bridge, therefore, serves to demonstrate how political authority and cultural nationalism are constructed through the continuing appropriation of monumental artefacts and traditions.     

Ardent Service: Female Eroticism and New Life Ethics in Gertrude Dix's The Image Breakers (1900)

Gertrude Dix's socialist-feminist novel, The Image Breakers (1895) has perplexed twentieth-century critics by its brief, short-circuited representation of homoerotic affection between the two female protagonists. In answer, this essay roots the women's relationship in the wider social, historical context of New Life politics and ethics in the 1890s. Members of the Fellowship of the New Life heralded not merely a variety of alternative lifestyles including vegetarianism and co-education, but also extensive discussion about sexual mindfulness and generosity. The charismatic seer and inspiration for the FNL, James Hinton, preached that utopia could be achieved by practicing an erotically-charged altruism. If, as Sharon Marcus has claimed, such female mutual devotion was common and perceived as normative, it was particularly affirmed by ethical-socialist culture. In the novel, Leslie Ardent's loving service to Rosalind is fuelled by her political mission and desire for self-realization. Through this female intimacy, Dix evokes the initial phase of New Life socialism as Hinton and his followers had espoused it. By contrast, the women's heterosexual relationships are more troubling, as male comrades pressure them respectively into heterosexual marriage and free love. In order to discredit heterosexual free love, Dix paints its proponent as a disturbed anarchist, rather than admit that historically some in ethical-socialist circles had advocated polyamoury. Nor does she acknowledge the philosophical convergences between collective anarchism and ethical socialism at the fin de siècle, though she herself was engaged in radical communities. Through her indictment of free love, Dix punctures the utopian vision of a pure, selfless, erotic affection flowing between individuals; figuratively, the novel re-enacts the collapse of Hinton's own reputation from seer to seducer. Echoing scenarios by other female ethical-socialist writers, the early intimacy between Rosalind and Leslie then serves the function of nostalgia, symbolizing a now-lost stage of New Life optimism and association.     

Fashioning Michael Field: Michael Field and Late-Victorian Dress Culture

This article explores how the late-Victorian poets Katharine Bradley and Edith Cooper, who wrote under the collaborative pseudonym Michael Field, used fashionable dress to construct and advertise their unique poetic identity. Using evidence from their journal Works and Days, I contextualise Bradley and Cooper's clothing in terms of late-Victorian dress culture, and the major dress reform movements of the nineteenth century. I demonstrate that Bradley and Cooper used fashion as a distinctively feminine way of participating in aesthetic culture, marking significant life events, and to advertise their poetic identity. This self-fashioning also exposed them to aesthetic scrutiny from their peers Oscar Wilde and Bernard Berenson. Finally, I argue that fashion played a crucial role in Bradley and Cooper's desire for one another – and that this desire can be understood in terms of erotic reciprocity.     

The Middle Pleistocene argali (Ovis ammon antiqua) assemblages at the Caune de l'Arago (Tautavel,Pyrénées‐Orientales,France): were prehistoric hunters or carnivores responsible for their accumulation?

The argali (Ovis ammon antiqua) assemblages from the Middle Pleistocene site of the Caune de l'Arago (Tautavel, southern France) were studied in terms of zooarchaeology and taphonomy. It is possible to discern palaeobiological information lost during fossilisation, as well as the palaeoethology of the bone collector, by the observation of taphonomic details preserved on the bone assemblages. The observations leave no doubt that both humans and carnivores were involved in the accumulation of argali carcasses in the cave. In some assemblages, the type of bones found in articulation and the gnawing marks observed are characteristic of carnivores. In other levels, the intense fracturing of the major limb bones in relation to their marrow content and mineral density, and butchering marks found on specimens in the earlier levels, are in favour of human accumulation, the modalities of which are discussed. The results suggest that the degree of carnivore activity seems to have been higher in levels M, N and O than in level F. Copyright © 2006 John Wiley & Sons, Ltd.     

Design thinking for city dashboard development: Recommendations from a study of smart asset management in Sydney,Australia

The city dashboard has become an integral component of smart city asset management systems. It leverages data collected from multiple sources to monitor performance and enable evidence-based decision making. This article investigates the use of a design thinking framework to develop a functional and easy to understand city dashboard. The Smart Social Spaces project is used as a case study to illustrate how design thinking can be employed to develop an asset management dashboard, enabling efficient management of public space and infrastructure. The article profiles the unique collaboration between a local government, a multi-disciplinary team of university academics, and a street furniture designer and manufacturer, all located in Sydney, Australia. We unpack some of the design practice nuances that led this project to receive national awards and international recognition, and most importantly, created a user-friendly system to track and maintain public micro assets. We conclude with lessons learnt and recommendations for dashboard development through a design thinking process.     

Multiplying Labour,Multiplying Resistance: Class Composition in Buenos Aires’ Clandestine Textile Workshops

Buenos Aires’ talleres clandestinos (clandestine textile workshops) are powerful sites of accumulation and resistance; a complex and communitarian migrant economy. The economy’s complexity is, however, masked by its spatiality, clandestinity, and the promotion of culturalist analyses that ignore intra-collective class differentials. This paper considers the “autonomy of migration” approach through the lens of “class composition” to explore the talleres’ contours. Witnessed in the talleres is a clear “multiplication of labour”, yet approaching this multiplication compositionally highlights the multiple examples of resistance and refusal immanent to the workshop economy. But this dialectic of control and resistance transcends the workplace, with the talleres one node in a wider, socially reproductive borderscape. By developing a framework that neither condemns nor celebrates economic structures like the talleres, but instead unpacks their antagonistic nature, the paper highlights the benefits of (a) analysing the autonomy of migration approach compositionally, and (b) further geographical engagement with autonomist thinking.     

Potemkin Revolution: Utopian Jungle Cities of 21st Century Socialism

This paper explores the entanglement of ideology and materiality in the production of the spaces of 21^st century socialism. “Millennium Cities” are currently being constructed for indigenous communities throughout the Ecuadorian Amazon, with revenues derived from petroleum extracted within their territories. As iconic spatial symbols of the “Citizens’ Revolution”, the Millennium Cities would appear to embody “the original accumulation of 21^st century socialism”—a utopian state ideology promising the collective appropriation of natural resources without the dispossession of the peasantry. Drawing on extensive field research, we argue that they are better understood as a simulation of urban modernity that is symptomatic of the predominance of ground rent in South American capitalism, and which conceals the violent repression of an autonomous indigenous project of petroleum‐based modernization. The original accumulation of 21^st century socialism can therefore be interpreted as a “fantasy of origins”, which functions to reproduce the primitive accumulation of capital.     

Has planning been de‐democratised in Sydney?

This paper investigates the complex and continuously evolving processes of de‐democratisation evident in urban planning practice in Sydney between 2011 and 2017. New South Wales' successive rounds of planning reform, establishment of a metropolitan commission, and amalgamation of local governments over that period have aimed to reduce local democratic participation in planning decisions, but they have had uneven success. I argue that while New South Wales' efforts to streamline development and de‐democratise planning have evolved considerably in response to multiple forms of opposition, the success of the neoliberal project is still uncertain. The insights this story offers add complexity to theorists' claims about the inevitability of depoliticisation and the end of meaningful democratic engagement. The story also offers insights about how power is created, lost, and regained in particular local circumstances.     

A Further Proposal for the Hull Lines of the Madrague de Giens Ship (c.70 BC)

A review of studies carried out since 1978 on the Madrague de Giens ship remains have enabled a reassessment of the vessel's shell‐first construction process. Hypotheses concerning moulding criteria are developed, with the profile (sheer plan), main cross section (body plan), and active sections and reference planks used to mould the hulll proposed and evaluated. These are compared to the Marsala (3rd century BC), and Yass?ada 2 (4th century AD) ships, which have similar wine‐glass‐shaped bottoms. Some aspects of these moulding criteria appear common to those used in the Mediterranean during the Middle Ages and the Renaissance.