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41.
《Political Theology》2013,14(1):26-39
Abstract

Humanity is radically and pervasively interdependent. Catholic social teaching uses solidarity as the lens through which to critically examine our interdependence. Solidarity is multifaceted, at once a feeling, an attitude, and a duty, with each of these building to culminate in the virtue. How is solidarity a virtue? What are the habits and practices by which it is cultivated? To whom does it apply? And what, if any, are corresponding vices? This article proposes that solidarity is both an individual virtue and a social virtue. By offering an examination of the anatomy of this social virtue, this article will propose the scope and boundaries of solidarity, corresponding sets of vices for this virtue, and the cultivation of this virtue by communities through practicing respect for human rights.  相似文献   
42.
A prominent specialist on economic developments in the former Soviet Union and Central and Eastern European (CEE) countries examines the ways in which the global financial crisis of 2008-2010 has impacted the economies of the 10 new eastern member states of the European Union (CEE-10). The author assesses the multiple preconditions of the crisis (e.g., excessive current account deficits, large foreign debt, inadequate currency reserves, immense credit expansion, rising inflation and real estate prices) as well as the rapid financial adjustments that had to be undertaken to overcome it (e.g., current account rebalancing, reducing budget deficits, pension and fiscal reform). He devotes considerable attention to the key issue of how the differences in exchange rate policies in these countries affected their abilities to respond to the crisis and outlines measures that should be implemented to enhance the crisis management capability of non-eurozone states relying on currency boards or floating exchange rates.  相似文献   
43.
Abstract

In the autumn of 1944, one of the worst battles of the Pacific War took place between the Americans and Japanese on the small Micronesian island of Peleliu in the Palau group. Over more than two months of combat, its garrison fought almost literally to the last man, while US casualties were proportionately among the heaviest of the entire war. Afterwards largely overlooked in the public consciousness, the battlefield is now the best preserved of the Pacific theatre and is the subject of an extensive archaeological survey, coupled with a programme of large-scale unexploded ordnance removal. This paper is the second of two, following our previous publication summarizing the more conventional results of the fieldwork. Here, we instead explore the deeper ways in which the material culture of Peleliu can illuminate the multicultural histories of the fighting and thus enable the battlefield to stand as a lasting, reflective memorial to all those whose lives it touched. We address the neglected narratives of the Japanese, the Korean and Okinawan forced labourers, and also the marginalized members of the US forces including African-Americans, Hispanics, and Native Americans. In particular, we attempt to bring out the indigenous perspective on the material heritage of an imported and deeply alien war. In combination, we hope the research can provide new theoretical avenues of exploration for the archaeology of battlefields.  相似文献   
44.
Jean Renoir's film La Règle du jeu (The Rules of the Game) was first shown in Paris, in 1939, and is now generally regarded as one of his masterpieces. But there is a strange side to the film. What most critics and reference books say concerning it—and they tend to say much the same thing—does not, to put it bluntly, square with the facts. What they say is that La Règle du jeu is about an aristocratic house-party that is a microcosm of the corruptness and exhaustion of French society on the eve of World War II. Far from perceiving in La Règle du jeu evidence of the “corruption” and “exhaustion” in French society that led to the country's defeat and occupation by the Germans during World War II, however, the author of this essay attempts to see the film for what it is—not for what historicist critics want it to be.  相似文献   
45.
Abstract

Is there a connection between war and madness? How have psychiatrists responded to the problem of those ‘driven mad by war’? This article tries to answer these questions by drawing on clinical records for three Italian psychiatric hospitals in the period from 1940 to 1950. While these problems have been researched and debated for combatants during the World War I, in the case of the World War II, as this article shows, it is necessary to take into account the impact of war not only on soldiers but also on civilians who were equally involved in the trauma of war.  相似文献   
46.
Abstract

The Cesare Barbieri Endowment for Italian Culture sponsored a two‐day conference in April 1998: ‘Behind enemy lines in World War II, the Resistance and the OSS in Italy’. On this occasion William Corvo of Middletown, Connecticut, donated the wartime papers of his father, Max Corvo. Max Corvo played a principal role in Organization of Strategic Services operations in Sicily and Italy during the war, linking the OSS and the Italian Resistance. Veterans of both the OSS and the Italian Resistance attended the symposium. We present here some of the papers that focused on the principal theme of the meeting: ‘The Resistance, war of liberation or civil war?’. Authors are: Borden Painter, Department of History at Trinity College; Vittorio Gozzer, partisan veteran and liaison for the conference with Italian partisan organizations; James Miller, historian at the State Department; Roy Domenico, Department of History at the University of Scranton; David Ward, Department of Italian at Wellesley College; Steven White, Department of History at Mount St Mary's College (Maryland); Spencer Di Scala, Department of History at the University of Massachusetts, Boston. Borden Painter and John Alcorn organized the conference for the Barbieri Endowment.  相似文献   
47.
《Central Europe》2013,11(1):55-75
Abstract

The film Somewhere in Europe articulates a vision of the political future of post-World War II Europe. War orphans are depicted as the agents of the continent’s reconstruction. The Marxism embodied in the film challenges the Soviet-style Communism soon to be imposed in Eastern Europe, and stylistically Somewhere in Europe distances itself from Socialist Realism. It assumes the role of a foundational film for the recently rebuilt Hungarian film industry and aims to provide the emerging generation of Hungarian filmmakers with an inventory of the major cinematic styles of the first half of the century.  相似文献   
48.
《上海博物馆藏战国楚竹书(二)》一书在释文和注释上有部分可商榷者.本文参证历史文献,对是书中的部分字句进行新的解释.  相似文献   
49.
阿蒙奈姆海特二世的孟菲斯铭文是迄今所知唯一一篇古代埃及第十二王朝时期的王室年鉴。它是我们研究中王国时期埃及及其周边地区关系的最为重要的文献资料,同时它也为我们研究中王国时期埃及的政治、经济、宗教生活提供了主要的文献支持。因此,对该文献进行准确的翻译和注释是一项很有价值的基础工作。  相似文献   
50.
Charcoal samples from the Early Epipalaeolithic submerged fisher-hunter-gatherers site of Ohalo II have been dated by three laboratories. The samples derive from huts, hearths, a grave and a stone installation. Twenty-five date range between 17,500-21,050 bp and average c. 19,400 bp. The thickness of deposits, the perishable building material (of the huts), the spatial organization of the camp and its rapid cover by sand and water suggest several occupational episodes, lasting not more than tens of years together. The discrepancy between the range of 14C dates and the real length of occupation are due to the statistical limitations of the dating method.  相似文献   
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