The demon and Daniel Webster: Drinking in the antebellum senate

A recollection by Hannibal Hamlin of a speech given by Daniel Webster during the debates over the Compromise of 1850 provides the starting point for a brief examination of Webster's renowned fondness for alcohol. While shedding light upon the extent and culture of drinking among American politicians of the period, the note also provides a poignant perspective on the failure of traditional mechanisms used for resolving disputes in the antebellum Senate.     

‘Come Buy,Come Buy’: Christina Rossetti's ‘Goblin Market’ and the Cries of London

Placing Christina Rossetti's ‘Goblin Market’ (1862) within the rich context of children's London guidebooks establishes a literary tradition in which readers are counseled to be wise urban consumers. During this period of rapid industrialization, exotic foods appeared on English tables amid public fears about food adulteration. Rossetti's poem and contemporary guidebooks transmit the anxiety surrounding food selection and consumption. From Aunt Busy-Bee's New London Cries (1852) to Aunt Louisa's London Alphabet (1872), London is depicted as an urban sounding board for commercial opportunities and moral choices. Removed from agrarian sites of production, urban readers are urged to select food according to the moral character of the vendor. In Rossetti's famous poem, Lizzie's and Laura's choices are immediately relevant to readers who hearkened to similar cries shouted daily in their neighborhoods. Rossetti herself would have heard them growing up in London, and these traditional cries bear semantic and metaphoric similarities to the goblins' cries. Apart from serving as inspirations for Rossetti's work, guides to the cries are also important documents in their own right, part of the corpus of near-forgotten work penned for children to amuse them in their idle hours as well as to instruct them in proper practices of commercial enterprise and moral consumption. The child reader is invited to know London and to absorb lessons by piecing together the letters and sounds of the metropolis.     

Henry Mayhew at 200 – the ‘Other’ Victorian Bicentenary

The New Agenda introduction puts forward the case for a much-needed revision of the scholarship devoted to Henry Mayhew – journalist and wit, playwright, co-founder of Punch, educational writer, novelist for children, travel writer, hack, social explorer and author of London Labour and the London Poor. It argues for a more intertextual and contextual reading of his major and minor works, and presents the articles contained in this new agenda special issue. The complex publishing history of Henry Mayhew's work and of London Labour and the London Poor in particular are explored in part one. The second part surveys the scholarship so far devoted to Mayhew and sketches out a new agenda for research based on a wider intratextual and intertextual approach to Mayhew's corpus. It is time, the introduction urges, for Victorianists to revisit Henry Mayhew.     

陶行知教育理论的解释学思想

陶行知先生的生活教育理论充满了浓厚的解释学色彩,尤其契合伽达默尔后期的解释学思想,他主张生活即教育、社会即学校,教学做合一等思想,这些想法就是一种实践解释学的表征,其中生活、社会、做在某种意义上是同义的,同时在具体的教学法上主张教学建立在学生原有经验基础上,与解释学的效果历史意识是一致的,在考上中增设口试这一环节及他大部分的演讲证明他对语言交际的重视,在解释学看来语言是联系自我与世界的中介,陶行知先生对于语言的重视就是对生活、社会的重视。     

Was bedeutet “Entschuldigung”? Die Überlebenden medizinischer NS‐Verbrechen und die Max‐Planck‐Gesellschaft

The Meaning of “Apology”: The Survivors of Nazi Medical Crimes and the Max Planck Society. Around the turn of the twenty‐first century a new practice in international politics became established: representatives of political, economic and religious organisations apologised for the historical and political crimes of their own collectives, addressing the victims or the victims' descendants. At a public event in Juni 2001, a formal apology of this kind was made by the president of the Max Planck Society (MPS), who had previously launched an extensive programme of research into the National Socialist history of what was then the Kaiser Wilhelm Society. The majority of the eight invited survivors of human experimentation in Nazi concentration camps refused forgiveness. Instead, they called for the MPS not to content itself with historical research and analysis, but to ensure the continued remembrance of the victims and their suffering. Starting from this 2001 ritual of repentance, the paper examines the participants' diverse views of how to deal with the medical crimes of National Socialism, and asks about possibilities of going beyond historical retrospection to fulfil the imperative of remembrance.     

In the Circulation Sphere of the Biomolecular Age: Economics and Gender Matter**

This contribution draws attention to the circulation of materialities and persons as a central feature in the constitution of experimental cultures. The protein and ribosome research at the Max Planck Society (MPG)—with a main focus on the research conducted by Brigitte Wittmann-Liebold at the Max Planck Institute for Molecular Genetics—serves as an example to highlight some of the central conditions that determined the material circulation in molecular biology: the very organizational framework of gender and economics. In doing so, this contribution argues for a historical narrative that stresses the conditions facilitating the circulation of technologies, materials, and personnel. Histories of this kind contribute to an integrated view of the scientific, technological, social, political, economic, and cultural specificities of experimental cultures.     

London’s Olympic waterscape: capturing transition

The waterways of London are an essential component of the city, with the River Thames playing a prominent role in the heritage, history and identity of place. The upcoming 2012 Olympics are highlighting the Lea Valley waterways in east London as another important part of London’s waterscape, expanding London’s global presence as a ‘water city’. As part of the Creative Campus Initiative, we undertook a project based on the broad themes of water, London and the Olympics that would give voice to the changes taking place. The result is London’s Olympic Waterscape, a 20-minute film comprising both ‘expert’ interview material discussing broad themes and developments and an embodied record of our engagement with the Olympic area during a brief period in the construction process. The present article is about the journey we took through and around the east London ‘Olympic’ waterways as we attempted to capture this transitional moment on video.     

On Trial—Social Relations of Map Production in Mid-Nineteenth-Century Britain

ABSTRACT

This article examines the social relations of map production in mid-nineteenth-century Britain with reference to moments when maps and their makers were ‘on trial’—legally in court in Edinburgh in 1853 and by public opinion in London in 1854 following a lecture. The principal protagonists include Alexander Keith Johnston of the map firm W. & A. K. Johnston, the German cartographer August Petermann, the mapseller Trelawney Saunders and John Bartholomew junior of the Bartholomew map firm. The article draws upon Thomas Gieryn’s idea of the ‘truth spot’ and on Matthew Edney’s call for studies in processual map history.     

Science With a Difference: Parody and Paradise in Margaret Cavendish's The Blazing World (1666)

Wissenschaft mit Unterschieden: Parodie und Paradies in Margaret Cavendishs The Blazing World (1666) . Mit ihrer utopischen Erzählung The Blazing World (1666) ist Margaret Cavendish, Duchess of Newcastle, eine der wenigen Autorinnen der Frühen Neuzeit, die sich sowohl im Feld der Literatur als auch der Naturphilosophie betätigten. Auf den ersten Blick scheint die Welt jenseits des Nordpols, in die die Protagonistin nach gewaltsamer Entführung und Schiffbruch gerät, ein weibliches Wissenschaftsparadies: Nach eilig erfolgter Vermählung mit dem Kaiser regiert sie eigenverantwortlich über die wissenschaftlichen Institutionen ihres Reichs und debattiert mit Bären-, Vogel-, Wurmmännern und ähnlichen Hybridwesen über die neuesten wissenschaftlichen Errungenschaften. Bald schon stellt sich jedoch heraus, dass ihre „Wissenschaftler“ denjenigen der englischen Realität sowohl in ihrer blinden Begeisterung für neue Forschungsinstrumente wie in ihrem ermüdenden Austausch von Meinungen und Glaubenssätzen durchaus ähnlich sind. Unterstützung für ihre Kritik und für eigene Forschungs- und Schreibprojekte findet die Protagonistin in der Autorin selbst, der Duchess of Newcastle, in deren Welten sich die beiden gemeinsam begeben. Parodie und Satire, die auf zeitgenössische Modetorheiten im Umfeld der Royal Society abzielen, stehen im Fokus des vorliegenden Aufsatzes ebenso wie utopische Perspektiven, die durch die Eröffnung neuer Denkräume entstehen. Auf dem von ironisch kommentierten Fetischen und Hybriderscheinungen gepflasterten Weg dorthin bewegt sich die Erzählung zwischen Realität und Virtualität, Fakten und Fiktionen, kritisiert epistemologische und institutionelle Vorgaben und testet die Grenzen der Geschlechter im neu entstehenden Feld von Wissenschaft und Literatur. Summary : Science With a Difference: Parody and Paradise in Margaret Cavendish's The Blazing World (1666) . Margaret Cavendish's The Blazing World (1666) is one of the very few utopian accounts by women in the early modern period. At first sight, the world beyond the North Pole that Cavendish's beautiful heroine enters after surviving abduction and shipwreck seems to offer the utmost in terms of early modern feminine scientific utopias: after the shortest love story in history, the heroine becomes Empress and is given a whole Empire to govern at her pleasure. But soon it turns out that the hybrid creatures of her newly founded scientific communities, bear-men, bird-men, worm-men, and the like are far from utopian truth-seeking, but, like their earthly counterparts, all too often revel in tedious meaning and believing. The paper will focus on such parodic moments as well as on alternative modes of dealing with science more adequate to the term Paradise. Only with the support of her this-worldly friend, the Duchess of Newcastle, who also happens to be the author of the story, the Empress can not only improve her utopian state, but also the state of affairs in the real world. On the way, the boundaries between fact and fiction, real and virtual, masculine and feminine, sense and nonsense are continuously tested – reflecting and commenting on early modern fear and fascination of the unknown and the promises of science and technology.