Humanists and Travellers,Gorgons and Gorillas: Hanno the Navigator's Periplus and Early Modern Geography (1530–1630)

This article is concerned with early modern interpretations of Hanno the Navigator's Periplus, an ancient travel account of a Carthaginian voyage down the coasts of Africa. The early modern period saw a rise in interest in geographical knowledge, and the ways in which different authors used Hanno's voyage reflects their understanding of the role of geography in conceptualising the world. In these discussions, writers had to negotiate between the confusing portrayals of the voyage in the received classical tradition and new reports brought by voyages of exploration. Here, I will discuss how these syntheses between humanist methods and contemporary travellers' accounts were shaped by the economic and political concerns tied to the first wave of European overseas expansion. Amid this climate, ancient geographical knowledge found pragmatic applications in contemporary issues of navigation, commerce and claims of territorial possession, as well as shaping European perceptions of ‘self’ and ‘the other’. This paper thus seeks to situate humanist practices and classical knowledge within the wider context of overseas voyages and early modern political and economic developments.     

Diaspora and nostalgia: travelling Jewish tales in the Mediterranean

The article addresses narratives that tell of a member of the 10 Lost Tribes of Israel who comes to the rescue of a Jewish community. The tales were documented at the Israel Folktale Archives, in the second half of the twentieth century, and were told by informants from Morocco and Greece. While it is probably impossible to trace the exact routes of these “cultural possessions”, around and across the Mediterranean, the texts nevertheless provide a glimpse into the ways in which a network of Jewish communities shared a meta-narrative while adapting it to their own regional contexts. Although these tales are quintessentially diasporic, they also provided a platform for negotiating post-exilic identities in the new Israeli national context.     

消费地理学视角下非物质文化遗产的消费研究——姊妹节中的传统手工艺苗绣

消费研究的爆炸式增长始于20世纪80年代的消费热潮。消费地理的研究领域在过去的三十年里已经大大扩展,超越了经济和文化之间的传统分歧,并逐渐占据了主导的地位。本研究关注传统节庆中非物质文化遗产苗绣的消费实践,从不同的空间主体（在地的身体、流动的身体、固定的空间、临时的空间）对苗绣的消费过程进行分析,采用参与式观察法和深度访谈法解译施洞地区苗族和游客在传统节庆姊妹节中对苗绣的消费实践。研究发现,消费的话语和实践在特定的空间中定位身体,反过来地方又影响着具身化的消费实践。     

Analysis of Heavy Metals in Smoke Deposits in the Limewash of the Royal Artillery Factory of Seville (17th Century): Contributions to the Location of the Furnaces

The Royal Artillery Factory of Seville in Spain originated from pre‐existing private bronze foundries dating from the 16th century. The paper analyses the stratigraphy of wall cladding in the areas traditionally known as the ‘Old Foundry’ and the ‘New Foundry’, through its characterization by optical microscopy, scanning electron microscopy with energy‐dispersive X‐ray spectrometry (SEM‐EDX), micro‐X‐ray fluorescence (μ‐XRF) and micro‐X‐ray diffraction (μ‐XRD), in order to analyse the metal deposits that have accumulated since the 17th century. The data obtained allowed the verification of the available historiographical information and the location of the original bronze smelting furnaces. The analysis of patinas deposited on the overlapping layers of lime also confirmed that neither the raw materials nor the composition of the alloys used presented any substantial changes.     

Lisbon's Red Belt: A Cautionary Tale on Politicisation and Depoliticisation of the Urban Realm

Within the making of Portuguese liberal‐representative democracy, the Portuguese Communist Party became a major actor in local government in urban deprived peripheries, shaping Lisbon's Red Belt. In this article, we analyse the communist discourse on the Portuguese urban question, showing how it politicised the urban as a site of unevenness and deprivation, but simultaneously depoliticised it by refusing to acknowledge it as a proper space for conflict. This historical account leads us to a critical debate with proposals that discuss urban politicisation by ontologising “the urban” or “the political”—we argue that these approaches tend to be less helpful in understanding processes of contingent, partial and inter‐related forms of politicisation/depoliticisation of the urban in itself. In contrast, we argue for a more attentive theorisation on politicisation–depoliticisation of the urban condition as a most valuable path to grasp situated formulations of citizenship and, hence, configurations of political regimes.     

Painting Country: Spatial,Somatic and Linguistic Experience in Central Australian Aboriginal Art

A demonstration that the spatial experience informing some Central Australian Aboriginal art is topographically precise brings into question the relevance of structuralist methodologies for appraising these maps of country. Qualitative aspects of spatial, somatic, linguistic and emotional experiences are found to inform the way‐finding depicted in paintings by artists of three language groups.     

尉氏元代壁画墓札记

尉氏县张氏镇壁画墓在最近的报道中被断为宋代。本文结合相关考古资料,从墓葬形制、壁画布局、仿木结构、人物服饰、墓门题记等几个方面进行对比分析,将该墓订正为元代。又依据文献记载和图像资料,对该墓壁画中“曾参行孝”和“焦花女哭麦”两组孝子图加以考证。并进一步梳理了考古所见二十四孝图像,发现其组合形式在宋金时期比较稳定,而元明时期则逐渐转向多元。     

清初苏州商船赴日贸易史实辨析

顺治九年(1652),一艘赴日本贸易的苏州商船回国。史学界对该商船的赴日时间及贸易方式存在争议:一说是1644年赴日,在日本进行了八年的海外贸易;一说是1650年或1651年私自出海,交易完毕后即回国。本文根据明清档案及朝鲜史料对该事件的记载,以及当时中国、东南亚、日本之间的贸易状况进行综合考察,可以肯定该商船是于1644年前往日本,并在日本与交趾之间从事贸易活动。     

Transitions in cast iron technology of the nomads in Mongolia

Metallurgical study of seven cast iron artifacts recovered from sites of the former Xiongnu (BC 3rd to AD 1st), Turk (AD 6th to 8th), Khitan (AD 10th to 12th), and Mongolian empires (AD 12th to 15th) shows that the earlier Xiongnu and Turk artifacts were made of cast iron alloys of near eutectic composition. The later Khitan and Mongol objects had greatly reduced carbon content in the range of ultrahigh carbon steel rather than cast iron, and contained more than 0.5 mass % silicon as an alloying element. Inclusions high in sulfur, phosphorus or silicon are also present. These differences suggest that Mongolia experienced a technical transition a few centuries before the establishment of the Mongolian empire, which is in agreement with some written accounts. The microstructures of the cast iron artifacts are compared with the related archaeological and documentary evidence. The results suggest that the use of fossil coal in smelting and the state policy of controlling iron production were the major factors responsible for the transition.     

一批流散海外的吐蕃文物的初步考察

吐蕃文物曾通过不同途径流散于海外,主要包括金银器与织锦。从中反映出吐蕃作为七世纪以来兴起于青藏高原的强大政治集团与唐、粟特、萨珊波斯等都有着密切的文化联系,并已形成具有自身特色的金银器制作风格;以对兽纹为主题的织锦是吐蕃人最为喜好的"番锦"之一,有可能为粟特锦,也有可能为包含粟特锦、波斯锦等中亚风格在内的"胡锦"。吐蕃银器上的纹饰更是多见于吐善时期的装饰性图案当中,并且影响到以后的藏族艺术。