Transformations: Post-Battle Processes on the Hürtgenwald Battlefield

Abstract

This paper uses the 1944 Hürtgenwald battlefield on the German-Belgian border as a case study to reflect upon two issues: what contributions to an understanding of post-battle transformations are made by an analysis of Second World War battlefields; and how an archaeological approach can help understand the Hürtgenwald battlefield. The analysis presented here discusses what actually happens with a modern battlefield after the killing is over and how such post-battle processes alter the way such a site is interpreted. In this respect, a battlefield from World War II reveals the transformations to which battlefields are subjected and provides a well-documented model case to study the effect of post-battle processes on conflict landscapes.     

Northern Songs,Sporting Heroes and Regional Consciousness,c.1800—c.1880: ‘Wor Stars that Shine’

Abstract

The achievements, triumphs and disasters of leading northern semi-professional sportsmen were already being celebrated in broadsides at the start of the nineteenth century, and with the rise of when music hall entertainment became popular songs featuring such sportsmen became an important part of popular culture in Northumberland, Durham and Cumberland, the three Border counties. This article first shows what we know of the surviving songs and their performers, and then explores the ways in which such songs presented a picture of the nature and characteristics of northern sporting celebrity, in the context of a complex variety of local and regional sporting identities, especially in relation to other towns in the North and, more particularly, London. Sporting songs focused on individual success. They rejected the amateur ideals of athleticism, especially in terms of betting, and celebrated physicality, manliness and having a good time. Rowing was the most common focus of songs on Tyneside, wrestling in Cumberland, while horse racing, pedestrianism and boxing were also regularly covered.     

BUILDING A BRIDGE TO THE PAST: ARCHAEOMETRY AT THE IPEN REACTOR

Neutron activation analysis has contributed to research in Peru in different scientific fields, particularly in archaeometry. In archaeometry, applications include the characterization of copper alloy artefacts from the tomb of El Señor de Sican to determine production methods, ceramics from the Wari Culture to study production, and distribution of Middle Horizon pottery in Cuzco, ceramics from Villa El Salvador to determine production groups, and obsidian source analysis.     

DETECTING AND QUANTIFYING HEAT TREATMENT OF FLINT AND OTHER SILICA ROCKS: A NEW NON‐DESTRUCTIVE METHOD APPLIED TO HEAT‐TREATED FLINT FROM THE NEOLITHIC CHASSEY CULTURE,SOUTHERN FRANCE

Heat treatment of lithic raw material is known from the Middle Stone Age to the Neolithic. These findings require archaeometric techniques and methods for detecting the heat‐induced effects within lithic artefacts. However, the existing methods are often cost‐intensive and time‐consuming, and most of them are destructive. Here, we present a new method using the infrared spectroscopic measurement of the strength of H‐bonds formed between surface silanole groups (SiOH) and H₂O molecules held in open pores of the samples. The reduction of H‐bond strength in chalcedony is shown to be strongly correlated with the loss of open pores induced by heat treatment. Hence, the method is based on measuring one of the transformations aimed for by the instigators of the heat treatment: the reduction of porosity that modifies the rock's mechanical properties. A first application to heat‐treated material from the Neolithic Chassey culture (southern France) shows that flint was heated to temperatures between 200°C and 250°C in this period. This has important implications for the study of the procedures used and the heating environments. Our new method is non‐destructive, rapid, cost‐effective and allows for detection of the used annealing temperatures.     

Constructing National Identity: The Image of the Medieval Grand Duchy of Lithuania in Lithuanian Art from the 1920s to the 1990s

Abstract

This article provides an overview of the ways in which the image of the medieval Grand Duchy of Lithuania, intended to awaken the national pride and contribute to the building of the national identity, was constructed by artistic means in the Republic of Lithuania during the 1920s and 1930s. It contains a brief discussion on the genesis of the image of the Grand Duchy, including the selection of appropriate historical heroes and events, and the main aspects of their interpretation. The article analyses some of the most striking and influential examples of the image of medieval Lithuania, such as the celebrations of the 500th anniversary of the death of Grand Duke Vytautas the Great in 1930 and art works created for that purpose, the decoration of public buildings (for example, the Museum of War and the Officers’ Club in Kaunas, and Lithuania’s pavilion in the New York World Fair of 1939). It also looks briefly at the dissemination of the image of the Grand Duchy of Lithuania in popular culture. The article also touches on isolated efforts by a number of intellectuals to warn of the dangers inherent in the extreme glorification of the past. The image of the medieval Grand Duchy of Lithuania, created in interwar Lithuania, was preserved during the period of Soviet occupation. After the restoration of Lithuanian independence in 1990, this image had a significant influence on the mentality and culture of Lithuanian society at the turn of the millennium. In this respect the situation in Lithuania could be treated as a case study, for a similar relation to the past can be encountered in other European post-Communist countries faced with the problem of creating a new identity.     

CHEMICAL COMPARISON OF RARE CHINESE WHITE POTTERY FROM FOUR SITES OF THE ERLITOU STATE: RESULTS AND ARCHAEOMETRICAL IMPLICATIONS

White pottery is among the most significant finds from China's earliest state, Erlitou (c. 1900–1500 bc ). Samples were primarily discovered in small numbers from elite tombs of a few sites, leading to the hypothesis that they were made at only a few locations and then circulated regionally as prestige items. To facilitate determining provenances, we compare the ICP–MS trace elements and TIMS Sr isotopes of whiteware with two soil samples from Nanwa, a possible manufacturing site, and with shards found at three other sites: Erlitou, Huizui and Nanzhai. The Nanwa shards demonstrate special elemental and Sr isotopic features. Considering the chemical observation and archaeological background together, we propose that Nanwa was a centre for whiteware production, although the two soil samples we collected there were probably not the exact materials used. Some whiteware pieces from Erlitou, Huizui and Nanzhai fall in the chemical field defined by Nanwa samples, indicating that they were possibly made at Nanwa. Many other samples from these three sites plot outside the Nanwa field, implying they were probably not Nanwa products. This study demonstrates that while chemical sourcing is very useful, firm archaeological context must remain the cornerstone of such research.     

Places of Power: Control,Public Access and Authenticity at Rock Carvings in Tanum,Sweden and Val Camonica,Italy

Abstract

This article presents a critical and ethnographically directed discussion and comparison of how the World Heritage listed rock carvings at Tanum, Sweden and Val Camonica, Italy are managed and made accessible to the public. The article focuses on how the Swedish and Italian heritage management cultures view the rock carvings as an authentic (i.e. genuine) phenomenon firmly, and solely, belonging to the past and how this contemporary embedded and constructed narrative leads to specific ways of managing, constructing, organizing, presenting, and staging these places for the public. The article stresses that even if the rock carvings were produced in the past, their authenticity is also a product of their role in contemporary negotiations of interpretive supremacy, control, and power between the culture of heritage management and the public. An ethnographical approach, and ethnographical methods, are used. This approach has implications for archaeology and its public relations; in the light of it, activities and phenomena that seem to be completely normal are revealed as examples of the specific culture of contemporary archaeology and heritage management. It is stressed that this culture and its rituals need to be further examined from an ethnographic point of departure.