Femininities on transnational journeys and sexual health risk: experiences of Chinese immigrant women in Canada

Negotiations at work in a globalising China in regard to femininity, sexuality, and family relationships have been well documented from the 1990s. Nonetheless less is known about them in a transnational context, and femininities are far less explored than masculinities. Drawing on interview data from a larger research study of transnationalism and gendered HIV vulnerability, this article investigates the intersection of femininity, sexuality and sexual health risk through Chinese immigrant women’s narratives about their experiences in Canada. It examines to what extent these intimate negotiations within China are re-enacted through Chinese immigrant women’s transnational experiences in Canada. These women live ‘in-between’ China and Canada in terms of identity, space and time with their cross-cultural connections unveiling both virtual and actual relations. Gender norms and roles, intimate and sexual experience, and family relations are realigned in the transnational lives of these women and are impacted by both their home and host societies, as well as their past and present experience in China. Used in the article as a concept and an analytical lens, gender is acknowledged as a key organising principle in post-immigration individual and social experience.     

Cultural participation in Europe: shared problem or shared problematisation?

Europe has a ‘problem’; it is becoming a ‘less cultural continent’ as fewer Europeans are ‘engaging in cultural activities’. This conclusion has been reached due to the findings of the latest cross national cultural participation survey. This paper questions the existence of this ‘problem’ and instead suggests that there is a shared problematisation across Europe sustained by common discursive archaeology that employs various discursive strands in relation to a dominant institutional discourse. The argument is that the ‘problem’ of ‘non-participation’ legitimates a ‘solution’ that predates its emergence: the state subsidy of arts organisations. The paper recaps the comparable problematisations that the researchers have previously identified in the policy texts of their respective countries. It progresses to consider three distinct but interwoven discursive strands upon which the problem representation in both countries, and potentially across Europe, appears to rely.     

The evolution of Chinese film policy: how to adapt an instrument for hegemonic rule to commercialisation

Since the 1990s, the Chinese political leadership has gradually embraced the commercialisation of the film sector and has turned the liberalisation of entertainment content production into a strategy for generating legitimacy. This article traces the evolution of Chinese film policy from its Communist origins to the present day, and reveals that the Chinese Communist Party (CCP), at the same time, has never desisted from using film production to establish hegemony in a Gramscian sense, and that these efforts have even been intensified over the last decade. The second part of the article scrutinises how the CCP’s mechanisms of control and ideological guidance have been adapted to commercialisation and, based on personal interviews with Beijing film producers in 2006 and 2007, investigates the extent to which the intensified efforts of adaptation since 2003 have been able to persuade the private sector of film production to participate in maintaining CCP hegemony.     

THE TRUTH HURTS: VERA SCHWARCZ'S HEARTFELT QUEST

Vera Schwarcz offers a penetrating examination of the concept and meaning of “truth” in China (antiquity to contemporary) and elsewhere (primarily in the Jewish tradition, from the Hebrew Bible to contemporary thinkers). Highly critical of the sharp turn toward cultural relativism which abandons the search for truth in the name of everyone having his or her own situated truths, she examines in particular how scholars, philosophers, and writers living in dark times have sought to cut through the enforced amnesia of oppressive regimes, especially that of post‐1949 China. This broad‐ranging search brings numerous great minds into a kind of transtemporal, transcultural conversation, voices rarely, if ever, discussed between the covers of the same book.     

First Evidence Of The Use Of Freshwater Pearls As A Cosmetic In Ancient China: Analysis Of White Makeup Powder From A Northern Song Dynasty Lv Tomb (Lantian,Shaanxi Province,China)

The Lv family tombs in Lantian, Shaanxi Province are one of the most important archaeological sites of China in recent years, providing numerous objects and a wealth of information for the study of the history of the Northern Song dynasty. There were a large number of exquisite cultural relics unearthed from the tombs, including one porcelain box containing white powder, which was identified as women's makeup. The phase composition, microstructure, thermal properties and characteristics of the trace elements in the unearthed white cosmetic powder were comprehensively analysed by X‐ray diffraction (XRD), scanning electron microscopy (SEM), differential scanning calorimetry – thermogravimetry (DSC–TG), Fourier transform infrared (FT–IR) microscopy and inductively coupled plasma atomic emission spectroscopy (ICP–AES). The white makeup powder was determined to be a product made from high‐quality freshwater pearls. These results, for the first time, showed evidence that freshwater pearl powder was used as a cosmetic in ancient China using archaeological objects, providing scientific evidence and new clues to enrich and expand research into the ancient Chinese cosmetic materials.     

A Rock‐Magnetic Quest for Possible Ore Sources for the Ancient Iron‐Smelting Industry in the Olkhon Region (Lake Baikal,Siberia)

Rock‐magnetic techniques were used to examine the topsoil layer of Kurma archaeological site (in the Olkhon region, on the north‐western coast of Lake Baikal, Siberia) in an effort to determine the possible sources of iron ores for iron‐smelting centres (at about the bc /ad boundary). Measurements have shown a magnetic enhancement of the topsoil due to magnetite grains resulting from weathering of strongly magnetic crystalline rocks. They have also revealed a preliminary picture of the distribution of strongly magnetic topsoils around the ancient iron‐smelting centres. Perhaps, in addition to traditional sources of raw materials, the ancient metallurgists used black sand talus as an ore deposit.     

Chinese Independent Documentary Films: Alternative Media,Public Spheres and the Emergence of the Citizen Activist

This article argues that contemporary independent documentary filmmaking in China has been used as a tool by Chinese citizens to intervene in the public sphere and to provoke social change. I therefore propose to look at the phenomenon of Chinese video activism under the umbrella of alternative media. In particular, I take into consideration the “rhizomatic” media approach, which focuses on the interaction of alternative media with authority, the market and civil society. The case studies I present consist of several documentary projects completed between 2004 and 2010 that opened up spaces of dialogue between filmmakers and local authority, mass media and civil society. The paper claims that documentary films have an impact on audiences, whose members are consequently motivated to engage in discussion and action. I argue that activist video-making in China is reshaping the identity of urban citizens: through filmmaking, urban citizens claim their right to access information and demonstrate their will to participate and intervene in social issues.     

“Northern Girls”: Cultural Politics of Agency and South China’s Migrant Literature

Abstract:

This paper is concerned with the cultural politics of agency, and explores the relationship between cultural form, migrant experience and social change. It traces the emergence of a range of literary forms in south China and how these new cultural forms provide hitherto unavailable space to contest the state- and market-driven narratives, which tend to link dagongmei’s (rural migrant women’s) sexuality with inexperience and vulnerability on the one hand, and criminality, immorality and incivility on the other. The paper suggests that these newly emerging cultural forms present alternative perspectives on the practical circumstances, moral rationalities and emotional consequences that condition and shape migrant women’s sexual experience, and for this reason, they constitute important points of intervention.