The ‘secular’ settlement and Australian political thought

This paper challenges the tendency among contemporary historians and political scientists to read secularism and religion in Australian political history in binary terms. It is argued that this framework is anachronistic, creating a barrier to a proper appreciation of religion in Australian political history. In keeping with much British Enlightenment thinking, religion through much of Australia’s history was deemed to have great social utility and its promotion was of central secular significance. This understanding framed the education debates of the second half of the nineteenth century as well as the social welfare reforms and institution building around the Federation period. Such developments cast doubt on claims that secularism of an exclusionary kind is a key element of the now widely invoked category of the Australian settlement.     

The Neoconservatives and the Pope: Misreading John Paul II in George Weigel's Biographies

With the recent release of his autobiographical narrative of the composition of the papal biography, Witness to Hope, prominent Catholic neoconservative George Weigel has invited a reexamination of the presentation of John Paul II to the world by Catholic neoconservatives. In his biographies, George Weigel crafts an often misleading portrait of Pope John Paul II as the pope of American liberalism and neoconservativism. Ironically, at the same time, the story of Weigel's biographies contains the story of the rise and fall of the Catholic neoconservative movement in America.     

The “Chinese World Order” Encounters the “East Asian World Order”— Post-War Japanese Historians’ Debates on the Tribute System

In this paper, I trace the post-war Japanese genealogy of studies on China’s tribute system (imperial China’s relatively tolerant approach to its foreign relations) in relation to the English-language work of historian John King Fairbank (1907–91). I emphasize that, together with the sporadic Chinese studies into China’s tribute system prior to the 1950s, it was the post-war research of Japanese historians that inspired Fairbank, who, in turn, further stimulated critical debates on the topic in Japan. I first concentrate on post-war Japanese debates concerning an “East Asian world order” based on a “system of investiture/tribute.” This notion, developed by the Japanese historian Nishijima Sadao in 1962, precisely corresponds to Fairbank’s 1941 understanding of the “tribute system” or “Confucian world-order,” but contrasts with Fairbank’s later, controversial understanding of a “Chinese world order” as proposed in 1968. In the second part of this paper, I introduce Japanese historian Hamashita Takeshi’s 1980s and 1990s arguments on the “tribute trade system” as representative of the younger generation within this genealogy, contrasting it with the work of Immanuel Wallerstein and Andre Gunder Frank. In the third part, I locate this Japanese genealogy within the wider historical context of post-war Japanese intellectual cultural politics. This means that I examine Japanese historians’ arguments both from the angle of historiography and from the perspective of post-war Japanese intellectual history.     

‘The Party Hack,and Tool of the British Government’: T.P. O'Connor,America and Irish Party Resilience at the February 1918 South Armagh By‐Election

The common view of Irish electoral politics for the 1916 to 1918 period is one of major decline for the traditional nationalist representatives, the Irish Parliamentary Party (IPP), and the meteoric rise of the newly reconstituted Sinn Féin party; culminating in the latter's overwhelming victory at the December 1918 general election. By examining the February 1918 South Armagh by‐election campaign, this article argues that the Irish Parliamentary Party, which won the contest, was much more resilient than is often acknowledged. Through detailed analysis of election pamphlets, newspaper articles, private correspondence and committee minutes, it considers the significance of the grass‐roots strength of both in the form of their local organisations, the role of the Roman catholic church, and the election strategies of the two parties; in particular Sinn Féin's vilification of the IPP member, T.P. O'Connor, who was in America at the time of the contest.     

The Allison Commission and the national map: towards a Republic of Knowledge in late nineteenth-century America

From 1884 to 1886, the U.S. Congressional Allison Commission convened to address the administrative organization and escalating costs of the major federal scientific agencies, and to establish new modes of accountability to ensure their proper conduct. Much of the commission's attention turned to the Geological Survey's plans for the production of a geodetically accurate, national topographic map (in 2600 sheets), and the national geologic map that would follow the topographic work. While critics saw the national mapping program as an immense and inefficient scientific boondoggle, its advocates, notably its author, Survey Director John Wesley Powell, saw instead a tangible reflection of science's republican virtue – a vision of the body politic founded on both the production and the democratic and geographical distribution of useful scientific information. This paper explores the scientific nature of territoriality in late nineteenth-century America by revisiting a moment when both the technical requirements and fiscal expenses of America's new national mapping program were called into question. Through a close reading of the conflicts between Powell and the Alabama Representative, commission member, and future US Secretary of the Navy Hilary Abner Herbert, the paper examines the hearings as a complex hybrid of public sphere and formal legislative arena. The outcomes of these debates would have profound implications for the politics of scientific expertise amidst the rising American Leviathan, and for the changing dimensions of modern state territoriality and sovereignty.     

Just this Once: urban Ireland in film

By focusing on the city of Dublin as both setting and character, Once, written and directed by Dublin native John Carney, portrays urban Ireland in the global context. Using a series of replacements – replacing population loss with in-migration, and replacing parochial ideals with multicultural ones – the film re-places Dublin, both representing the city it has become and providing space for continuing growth and change. For Dublin, as elsewhere, change enters as global flows of information and people become part of the city. Rather than conforming to the traditional global power of American culture, Bord Scannán na hÉireann (Irish Film Board) is striking its own global poses, producing and distributing films that construct an urban Irishness for international audiences. In my article, I examine how this award-winning Irish film constructs Irish urban identity in the face of globalism's cultural flattening.     

Survivorship of Earthworks Mapped by T. H. Lewis in Iowa 1884–1894

ABSTRACT

Between 1884 and 1894, Theodore Hayes Lewis mapped 370 prehistoric American Indian mounds and earthworks in Iowa as part of a larger survey of mounds in the upper Midwest. Georeferencing remapped Lewis survey notes allows their comparison with modern GIS data including lidar topographic maps, aerial photos, and land records. Of the 370 mounds, 190 (51.4%) are clearly visible in lidar, 160 (43.2%) are probably destroyed, and 20 (5.4%) are undetermined. Data analyses explore the factors that influenced mound survivorship. By far the strongest correlations for survivorship are modern land use, modern ownership, and local landform, with mounds most likely to survive in wooded areas, on public land, and on islands. Iowa data are compared with Lewis map data from Minnesota, revealing Iowa has a far higher survivorship, 51.4% versus 25.6%, likely attributable to land use in the late nineteenth century. Further comparison with Minnesota data suggests perhaps twice as many mounds stood in modern agricultural fields of Iowa before Lewis made his surveys.     

The Armada Paintings in the New Palace of Westminster

In June 2008 a team of artists began the gargantuan task of creating the series of Armada mural paintings for the house of lords. They were embarking on a two-year project, which would bring to completion the original decorative scheme planned for the prince's chamber by the Royal Commission on Fine Arts ¹ during the 1840s. This, in turn, would reconnect the original historical association, which the Armada tapestries had held with the house of lords since the mid 17th century until their destruction by fire in 1834. This article places these Armada mural paintings within the historical context of this project at the Palace of Westminster and documents some of the methodology behind the programme of work to re-create this celebrated series for the walls of the house of lords.