Time‐bubbles of nationalism: dynamics of solidarity ritual in lived time

The growth of modern nationalism can be attributed to structural causes, especially the growth of the strong bureaucratic state that penetrates society, creating cultural uniformity and national identity. But structurally based nationalism need not be very intense, or constant; even when institutionalised in periodic formal rituals, it can be routine, low in emotion – even boring. We need to explain sudden upsurges in popular nationalism, but also their persistence and fading in medium‐length periods of time. Nationalist surges are connected with geopolitical rises and falls in the power‐prestige of states: strong and expanding states absorb smaller particularistic identities into a prestigious whole; weaker and defeated states suffer delegitimation of the dominant nationality and fragment in sudden upsurges of localising nationalities. Passing from macro‐patterns to micro‐sociological mechanisms, conflict producing solidarity is a key mechanism: dramatic events focus widespread attention and assemble crowds into spontaneous ‘natural rituals’ – mass‐participation interaction rituals, as distinct from formal rituals. Evidence from public assemblies and the display of national symbols following the terrorist attacks of 11 September 2001 (9/11) shows an intense period of three months, then gradual return to normal internal divisions by around six months. Spontaneous rituals of national solidarity are produced not only by external conflict but by internal uprisings, where an emotional upsurge of national identity is used to legitimate insurgent crowds and discredit regimes. Although participants experience momentary feelings of historic shifts, conflict‐mobilised national solidarity lives in a 3–6‐month time‐bubble, and needs to institutionalise its successes rapidly to have long‐term effects.     

幕末与明治时期日本人的上海认识——从高杉晋作的《游清五录》到远山景直的《上海》

对于幕末与明治时期的日本人而言,上海首先是中国的上海;同时上海也是世界、尤其是西洋的上海,租界区域出现了与此前的中国本土迥然相异的新的样态;再次是与日本紧密相关的上海,19世纪末期以后,在虹口一带形成了以日本居留民为主体的日本人社会。这样一个多元组合、多重叠加、既相对分离又互相交融、同时其经济政治文化的影响力日益凸显的都市,对于正在走向东亚乃至世界舞台的近代日本而言,无疑是一个巨大的存在,因此,这一时期日本人对于上海的认识,首先是对于以上海为媒介的中国的认识,其次是对于与上海相关的世界的认识,同时也是对于通过上海所体现出来的中日关系的认识因此,近代上海对于这一时期的日本人,实际上具有三层意义：观察中国的现场;透视世界的窗口;反观日本本身的泰照系,     

A Japanese “Girl's Reading” of Dostoevsky's Poor Folk: Senuma Kayô and the Origins of Japanese “Girls' Literature”

Senuma Kayô (1875–1915) was Japan's first woman translator from Russian. She is now remembered mainly for her translations from Chekhov. This paper examines one of Kayô's early works, Mazushiki shôjo (A Poor Girl, 1904), translated from Dostoevsky's Poor Folk, which was one of the first Japanese translations of a work by Dostoevsky to be made directly from the Russian original. Kayô chose to translate only a part of Dostoevsky's work, focusing on the memoir of the character Varvara, in which her first love and its tragic end are recounted. While the central theme of Dostoevsky's work is poverty and its impact on human relationships, in Kayô's translation the central theme is Varvara's misfortune in love. In this emphasis Kayô found a “girl's story” in Dostoevsky's novel, and Mazushiki shôjo foreshadowed a new wave of Japanese girls' literature, which attracted many new female readers. Kayô's translation style is examined to see how it contributed to the development of a style appropriate to girls' story writing.     

Captain Canuck,audience response,and the project of Canadian nationalism

This paper addresses the role of comic books in interpellating national identities, locating the process of national identity formation in the interplay between popular culture producers and their audiences as described by Althusser (1977 Althusser, L. 1977. Lenin and Philosophy and Other Essays, London: New Left Books.  [Google Scholar]) and McGee (1975 McGee, M. 1975. In search of ‘the people’: a rhetorical alternative. Quarterly Journal of Speech, 61: 235–249. [Taylor & Francis Online], [Web of Science ®] , [Google Scholar]). The empirical section of this paper focuses on Captain Canuck, a Canadian-produced comic book originating in the 1970s and sporadically published through the present day. The authors engaged in a qualitative content analysis of the Captain Canuck comic books, searching for themes and markers of Canadian-ness and looking for audience identifications with those themes and markers in the ‘letter to the editor’ columns published within the comic books themselves. The study finds that through the many incarnations of Captain Canuck various versions of Canadian identity have been projected, with varying degrees of support by the readership. The role of the USA in Canadian identity formation looms large, especially in the positioning of Canadian quality and multiculturalism against the tacitly American lack thereof. Another finding of this research is that there has been a fundamental change in the way Canadian identity is structured as a new, commercially driven Canadiana culture industry has arisen since the 1970s.     

Soviet–Japanese relations and the strategic interests of the Guomindang and the CCP – Chiang Kai‐shek's planning of sanctions against the CCP in 1943

When in 1943 the Guomindang launched its third wave of anti‐communist campaigns, Mao Zedong considered that Chiang Kai‐shek had acted in the belief that Japan would soon invade the Soviet Union. Hitherto, Chinese historians have either ignored Mao's judgment or failed to provide convincing explanations for it. There are two reasons for this attitude: first, historians have failed to appreciate the strategic implications of the relationship between the Soviet Union and Japan for relations between the Guomindang and the Chinese Communist Party (CCP); and second, relevant evidence regarding the events has not been available in document on Chiang. This essay answers questions raised by both points. Most commentators have claimed that this third anti‐Communist push ended by the middle or late July of 1943. However, Chiang in fact continued to make plans to mop up Shaanbei (the Communist‐controlled northern Shaanxi area) and impose sanctions on the Communists. The formulation, revision and eventual abandonment of Chiang's plans are also addressed in this essay.     

The return of Xinjiang to Chinese central control during the late period of the Sino–Japanese War: a reappraisal based on Chiang Kai-shek's Diary

After the outbreak of the Pacific War, while considering taking back the Japanese-occupied areas, the Nationalist government also started to think of recovering the frontier regions, which had been somewhat out of China's control under the influence of a major ally of China, the USSR. For a long time, Xinjiang had a very close relationship with the Soviet Union under the rule of Sheng Shicai, and the central government of China had little direct control. In April of 1942, Sheng Shicai, suspicious of a Soviet conspiracy to overthrow his rule, conducted mass arrests in Xinjiang, causing a sudden deterioration in the relationship between Xinjiang and the Soviets. At first, the Soviet Union attempted to intimidate Sheng in order to prevent him from turning to the central government, but failed. Paying no heed to the alienation policy of the Soviets, the Nationalist government soon decided to buttress Sheng in an effort to place Xinjiang under centralized control. The Nationalist government first set out to take back the diplomacy of Xinjiang, followed by expropriation of formerly Soviet-controlled enterprises and forced removal of Soviet military advisors, experts, technicians and army personnel from Xinjiang. In the meantime, a large number of party, government, economic, cultural and educational personnel were dispatched by the central government to Xinjiang to infiltrate various sectors. With the weakening of his own power and increasing conflicts with the central government, Sheng Shicai planned another turn of events. By executing a new round-up, this time to cleanse Xinjiang of the central government's forces, Sheng re-oriented his regime towards the Soviet Union. Yet his gesture was turned down by the USSR because of his loss of credibility. Well prepared militarily, the Nationalist government eventually forced Sheng Shicai to leave Xinjiang, which then was almost fully restored to the authority of the central government.     

Trading Shovels for Controllers: A Brief Exploration of the Portrayal of Archaeology in Video Games

Archaeology has been a persistent theme for video games, from the long-running Indiana Jones and Lara Croft franchises to more recent uses of archaeology in games like Destiny and World of Warcraft. In these games, archaeology is often portrayed as a search for treasure among lost worlds that leads to looting and the destruction of cultural heritage. In this article, we review the current state of archaeological video games, including mainstream and educational games. While this is not an exhaustive discussion, it provides an introduction and overview to the current landscape. We propose that an understanding of current popular archaeological video games is important to archaeologists for three reasons: (1) it is a source of potentially dangerous misconceptions about the discipline that must be addressed; (2) it can be a source of inspiration for funding and a means to recruit new students to the discipline; and (3) games can be leveraged as teaching moments in classrooms and public discussions. It is important that archaeologists recognize the ways the discipline is being portrayed in such public contexts, in order to maximize the potential benefit for archaeology and to prevent further misconceptions about the subject.     

Managing the gendered dynamics of parenting during the UK New Labour government years

This article considers what a ‘structure of feeling’ approach can reveal about the gendered dynamics of parenting during the ‘New Labour’ years of the UK government. It explores some of the ways in which contestations about gender roles were evident in policy and in popular cultural discourses and demonstrates how these discourses both contained their own internal tensions and contradicted each other. It then reflects on the strategies that parents engaged in need to make sense of and manage these contestations and makes clear some of the pressures that had come to bear through policy and popular culture on parents' personal lives.     

Command Celebrities: The Rise and Fall of Hanzelka and Zikmund

In the 1950s and 1960s, the travellers, explorers, authors, and filmmakers Ji?í Hanzelka and Miroslav Zikmund became celebrities both in Czechoslovakia and abroad. The Communist cultural authorities actively supported the transformation of the two men into cultural icons, which could be exploited as a model for the suppression of ‘old’, ‘decadent’, and indeed ‘popular’ culture, and as a tool for recruiting members of the intellectual, cultural, and social elites into its service. Hanzelka and Zikmund’s multimedia travelogues, as well as their dashing public personae, blended in a unique way the ‘high’ and ‘low’, the accessible and unreachable, the familiar and the exotic, in the officially promoted culture of the time. But in the later 1960s, as Hanzelka and Zikmund’s political loyalties towards some form of reform socialism became more blatant, the two men fell into disfavour, and they found themselves banished from the public sphere following the events of 1968 until the regime fell in 1989. This article investigates how the curious ‘command celebrity’ of ‘H&Z’ straddled socialist ideology and capitalist consumerism, political affirmation and cultural critique.     

‘Raw Individualists’: American Soldiers on the Bataan Death March Reconsidered

Abstract

The Bataan Death March has entered historical consciousness as one of the four great Japanese atrocities during WWII. Along with the Rape of Nanjing, the Burma-Siam Death Railway, and the Rape of Manila, it stands as one of the ultimate measures of twentieth-century wartime barbarity. Both primary and secondary sources share a central preoccupation with Japanese behaviour and therefore assume American prisoners were little more than a passive presence during this episode. In this essay I examine the Bataan Death March from a new vantage point, asking salient questions that lead to modi?ed understanding: who were these Americans, and what kind of soldiers, at war’s dawn for the US, did they make? What features of their cultural make-up help explain their behaviour? What were the fault lines in the allied, Filipino-American force that faced the Japanese Army? This article explores the numerous problems the American forces in the Philippines faced: the hybrid nature of the army, the tension between career soldiers and recent draftees and poor training and leadership. These problems, American soldiers’ cultural predisposition, and military inexperience all combined to render them signi?cantly more vulnerable to Japanese cruelty on the Death March than they otherwise would have been.