Organized Materiality

In the late medieval period the religious guilds along with trade guilds grew in importance, as did the role of material culture related to the guilds. This history has seen little examination from a Fenno-Scandinavian and particularly a Swedish vantage point. In order to analyse the role of material culture in the formation of this way of organizing people, the article investigates the existence of late medieval guildhalls, especially rural ones, and discusses remains of other material culture that can be connected to the guilds. The halls, drinking vessels and other material things were activated in the growth of a new more substantial way of organizing society outside the boundaries of feudal society and family control. It is argued that material culture had a significant role in the recurrent activities of the guilds of the Middle Ages and in the shaping of new ways of organizing people.     

Chinese popular music as a musical heritage and cultural marker of the Malaysian Chinese

Chinese popular music, inspired by pre-war Shanghai music known as ‘shidai qu’ (时代曲) (songs of the era) and evolving to include Canto pop and Taiwanese Mandarin songs, has always been popular among the Chinese in Malaysia. This music is featured on radio, television, karaoke, and performed by orchestras such as the Dama Chinese Orchestra (大马) to enthusiastic reception. The songs have a broad appeal that transcends time, generation, and place. Of significance is the observation that the music has become a cultural marker and musical heritage for Chinese in Malaysia and in the region. The paper looks at factors behind this development.     

Gendered politics of empire: the female explorateur and natural histories of the Amazon basin 1899–1901

At the turn of the twentieth century, the Brazilian Amazon was experiencing a moment of heightened exploration, mapping, border creation, and contestation. This article examines the production of the French explorateur and geographer Octavie Coudreau through analysis of the natural history/travel narrative, Voyage au Trombetas (1899), and her subsequent narrative Voyage au Cuminá (1901). Octavie Coudreau initially went to Amazonia to travel with her husband, Henri Coudreau, already a renowned explorer of the French and Brazilian Amazon. After Henri Coudreau’s death on their first voyage, Octavie Coudreau continued working under contract for the Brazilian state and published natural history narratives after each of her four exploratory and mapping missions. These travel narratives include suggestions for increased colonization along with observation of local populaces, supported by a multitude of maps and photographs. Using feminist approaches to the historiography of travel, empire, and geographical work, I look at the female European explorer’s view of imperialism during this significant period in Amazonian history and development. I examine the unfixing of gender identity as it relates to movement within a liminal space. I think of this as the in-between place in which Octavie finds herself – as a grieving widow, thrust into a position of power abroad, while still dealing with the limitations of her gender during this time period, and the space of the Amazon itself, a region in flux where multiple races and imperial powers interact in a contact zone.     

How proactive? How pacifist? Charting Japan’s evolving defence posture

After 60 years maintaining Self-Defense Forces rather than a normal military, Japan is moving towards exercising collective self-defence, long restricted by interpretations of its 1945 Peace Constitution. The merits of Prime Minister Abe Shinzo's ‘proactive pacifism’ are intensely debated by those welcoming greater international contributions from Japan and others suspicious of Japanese ‘remilitarisation’. A nation’s defence posture can theoretically be hijacked by aggressive nationalists, shift to pacifist isolationism, or rely on non-military internationalism or multilateral security cooperation. This article assesses competing explanations about the post-war trajectory of Japan’s defence posture by charting variation in military doctrine and capabilities. The analysis finds that Tokyo has made incremental policy adjustments under domestic and international constraints, and is not aggressively remilitarising.     

WHAT IS HISTORY? WHAT IS LITERATURE?

Ivan Jablonka seeks something other than a mere combination of history, social science, and literature. He would like history, itself understood as a social science, to be a literature of the real world. He is also interested in literature informed not only by the results but, more important, by the forms of reasoning and inquiry of history and related social sciences (notably anthropology and sociology). Jablonka's own positioning within the Annales seems obvious, notably in his stress on cognition, problem‐oriented research, and the status of history as a social science. But the attention and research devoted in the work of scholars in and around the Annales to the relations among history, literature, and fiction have not been pronounced, and in this context Jablonka inflects the understanding of history in relatively underdeveloped directions. Despite possible disagreements one may have over specific issues, Jablonka's thought‐provoking book raises very important questions, opens many significant avenues of inquiry, and seeks a desirable interaction between historical and literary approaches.     

Diplomatic compromises between the United States and Japan during the Nanjing Massacre

ABSTRACT

During its assault on Nanjing, the Japanese Army bombarded and sank the USS Panay, an American gunship, straining the relations between Japan and the United States. During the Nanjing Massacre, to ease tensions with the United States, Japan allowed the staff of the American embassy in Nanjing to make an early return to the city. While investigating allegations that Japanese troops had trespassed on American property and kidnapped and raped a Chinese woman, the American diplomat John M. Allison was struck in the face by a Japanese soldier. The U.S. government exerted pressure on Japan over what was referred to as the “Allison Incident”: under orders from Tokyo, the Japanese occupying force in Nanjing apologized to Allison and placed the officers and soldiers involved in the incident under court-martial. The incident was thereby resolved. However, amidst the furor of the “Allison Incident,” the Chinese woman who had been assaulted was forgotten by both the American and Japanese governments as well as by public opinion. The Japanese soldiers were placed under court-martial not for raping the Chinese woman, but rather for striking an American diplomat. The U.S. government received a great many reports on the atrocities committed by the Japanese Army, but in policy and deed, the American response was limited to safeguarding its national interests in China.     

“Northern Girls”: Cultural Politics of Agency and South China’s Migrant Literature

Abstract:

This paper is concerned with the cultural politics of agency, and explores the relationship between cultural form, migrant experience and social change. It traces the emergence of a range of literary forms in south China and how these new cultural forms provide hitherto unavailable space to contest the state- and market-driven narratives, which tend to link dagongmei’s (rural migrant women’s) sexuality with inexperience and vulnerability on the one hand, and criminality, immorality and incivility on the other. The paper suggests that these newly emerging cultural forms present alternative perspectives on the practical circumstances, moral rationalities and emotional consequences that condition and shape migrant women’s sexual experience, and for this reason, they constitute important points of intervention.     

论《儒藏》"史部"的分类问题

《儒藏》是儒学文献的大型丛书。由于儒学自古无“藏”,因此儒学文献也还没有自己的著录体系。四川大学所承担的国家“211工程”、“985工程”以及中国孔子基金会重大项目“《儒藏》编纂”,采用“三藏二十四目”的《儒藏》分类体系,对儒学史文献进行全面的省察和系统归类,对《儒藏》“史部”文献则用“孔孟类”、“学案类”、“碑传类”、“史传类”、“年谱类”、“别传类”、“杂史类”来进行分类编纂。     

新时期中国文化发展的几个宏观问题研究

改革开放以来,中国共产党的文化理论与政策经历了从“一体化”的文化建设理论与方针到建设“高扬主旋律”的多样化的文化观念与政策的演进;党在知识分子问题上的认识和政策也发生了很大转变,不但认识到知识分子是工人阶级的一部分,是先进生产力的开拓者,而且把市场经济、知识经济、信息时代与知识分子政策密切联系在一起;与此同时,建立在一元化基础上的一体化的文化形态开始解构,并形成了主导文化、大众文化和精英文化三足鼎立的当代中国文化的基本格局。