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101.
日本经济的长期萧条有着深刻的制度原因,本文对经济管理模式、科技创新制度、土地使用制度、企业所有关系、主银行制度和劳动雇佣关系等六个方面的制度进行分析并提出这六方面的制度变迁建议,最后指出人的因素是导致制度变迁长期性和反复性的重要原因。  相似文献   
102.
本文在认真回顾汉语日本文学通史写作历史的基础上,分析了叶渭渠、唐月梅著四卷本《日本文学史》的特色,认为这部著作为中国的日本文学通史写作树立了一块界标,也为后来的研究者铺下了坚固的基石。  相似文献   
103.
Ottawa's Confederation Square was initially planned to be a civic plaza to balance the nearby federal presence of Parliament Hill. A century of federal planning, with the direct involvement of Prime Minister W.L. Mackenzie King, repositioned it as a national space in the City Beautiful style. Recent renovations have improved its pedestrian amenity and restored much of the original plan by French urban designer Jacques Gréber. The square contains the National War Memorial and the National Arts Centre, yet is a weak public space due to weak edge definition, animation, and spatial enclosure. The war memorial design was selected in a 1925 international competition won by Britain's Vernon March. The Great War monument was not installed until the 1939 Royal visit, and Mackenzie King intended that the re-planning of the capital would be the World War II memorial. However, the symbolic meaning of the Great War monument gradually expanded to become the place of remembrance for all Canadian war sacrifices. The National War Memorial is more successful as a symbolic object than Confederation Square is as a public space, yet both have evolved into important elements of the Canadian capital's national identity.  相似文献   
104.
罗玉明 《安徽史学》2008,31(1):78-83
从1940年开始到1941年,国民党统治区爆发了一场空前规模的粮食危机.粮食缺乏和粮价高涨是这场危机的主要表现.粮食危机的出现原因主要是由于国统区粮食产量的大量减产、生产成本和销售成本的增加、通货膨胀和投机者囤积居奇所致.  相似文献   
105.
自20世纪90年代开始,日本政府为推进入境旅游发展所采取的政策措施主要有:制定完备的旅游相关法律,成立专门行政管理机构制定并实施观光立国战略,规划建设广域国际旅游特区,加强国际旅游合作,积极申报世界遗产,发展生态旅游与产业观光游等。这些政策措施已经取得较为显著的成效,其中一些成功经验对我国发展入境旅游具有借鉴作用。  相似文献   
106.
成立于战国后期的日本茶道(初期称为“茶汤”或“佗茶”),虽然在形式上与南北朝时的“婆娑罗寄合”这种喧闹、奢靡的饮茶之风迥然不同,甚至与室町幕府的将军所举行的茶会也有很大的差异,但是禅的精神的融入,正是对“婆娑罗寄合”的一种反省与反动,而室町幕府茶会中的“唐物数寄”、以建盏天目茶碗为代表的“茶具足”和“书院座敷”这三个基本文化元素,是后来日本的茶道得以成立的非常重要的前提条件。“书院座敷”构成了茶道得以展开的基本空间,“茶具足”是茶道得以进行的基本器具,而“唐物数寄”则是使整个茶道活动充满了优雅文化气息的基本组成。  相似文献   
107.
The deepwater part of the Gulf of Mexico has shown a remarkable increase in oil and gas exploration, development, and production. In part, this is because of the development of new technologies reducing operational costs and risks, as well as the finding of reservoirs with high-production wells. With expanding development in deep water come increasing challenges in managing our nation’s Submerged Cultural Heritage on the Outer Continental Shelf and Slope. To fulfill obligations under Section 106 of the Historic Preservation Act of 1966 (36 CFR 800), managers need a clearer understanding of the size of debris fields expected around deepwater shipwrecks, as well as their state of preservation and future research potential—both cultural and biological. With this in mind, the Minerals Management Service, in partnership with the National Oceanographic Partnership Program and the National Oceanographic and Atmospheric Administration’s Office of Ocean Explorations, launched the Deep Gulf Wrecks Project.  相似文献   
108.
A critique of papers in the session on Archaeology and War.
Résumé  Une critique d’articles concernant la session portant sur l’archéologie et la guerre.

Resumen  Una crítica sobre los trabajos de la jornada sobre arqueología y guerra.
  相似文献   
109.
An offer to teach military units deploying to Iraq about history and culture of the region raised questions that are relevant to all archaeologists whose areas of study are subjected to armed conflict. Should we engage with the military at all, giving them the benefit of not only our archaeological knowledge, but our familiarity with local customs? Or could that knowledge be used against the local population that has welcomed us over the years or in some way lead to destruction of monuments, sites, and museums? I summarize my experience and compare this program with parallel efforts by other archaeologists working with the military since 2003.  相似文献   
110.
Elizabeth Bowen's A World of Love (1954) and ‘The Demon Lover’ (1945) share an uncustomary usage of Gothic conventions: the Anglo-Irish writer invests the Gothic genre with new meaning for the war-torn Irish and the post-World Wars generation by skewing Gothic conventions, reflecting a new Gothic for a new age – one that has seen the effects of two catastrophic wars and not only dead soldiers, but dead-in-life survivors. In A World of Love, Bowen uses not a ghost that haunts the attic, but a nearly forgotten dead World War I soldier; not a male power of place and a fleeing female, but a female power of place and a displaced male; and not a lonely, menacing castle, but a dilapidated farm. In both the novel and the short story, the dead-in-life survivors must remember in order to successfully exorcise the war and the dead soldiers of war, thereby revitalizing themselves. Those who cannot remember are doomed to the past. This article examines the twist on the Gothic novel and its statement about the possibly disastrous effects of forgetting and of remembering incorrectly – anxieties shared by other twentieth-century Irish writers in terms of their eroding cultural identity and past.  相似文献   
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