The Genealogical Society Library of Salt Lake City: A Source of Data for Economic and Social Historians

Abstract. Some important novelists have written a great novel early in their careers and have produced lesser works thereafter, whereas others have improved their work gradually over long periods and have made their major contributions late in their lives. Which of these patterns a novelist follows appears to be systematically related to the nature of his work. Conceptual writers typically have specific goals for their books, and they produce novels that emphasize plot; experimental writers' intentions are often uncertain, and their novels more often stress characterization. By examining the careers of 12 important modern novelists, the author demonstrates that conceptual novelists—including Herman Melville, F. Scott Fitzgerald, and Ernest Hemingway—are generally those who have declined after writing landmark early novels, while, in contrast, experimental novelists—including Charles Dickens, Mark Twain, and Virginia Woolf—have typically arrived at their most important work later in their careers. As is the case for modern painting and poetry, the ranks of great modern novelists have included both conceptual young geniuses and experimental old masters.     

The history and philosophy of social science

Carlo Ginzburg is best known as the author of a popular and widely commented work of microstoria Il formaggio e i vermi, published in 1976. Rather than focusing on Ginzburg's contributions to the genre of microstoria, or on the development of his long and very productive scholarly career, my aim in this article is to reflect on a set of themes that recur, with impressive persistence, in his work, from his earliest publications in the mid-1960s, to his most recent works. Above all, I suggest that two elements recur in his work, and that these, jointly, impart upon it its defining character. They are the concern with epistemological issues of knowing, and the ethical conception of the historian's work, which Ginzburg expressess and defends with urelenting rigour.     

The Murder of James Leslie Starkey near Lachish

On 10 January 1938, the British archaeologist James Leslie Starkey was murdered on his way from Lachish to Jerusalem. From that time onwards, the murder has been presented as just one more of the insurgency episodes that were so common in those days. There was, however, a conflict at Lachish with the local landowners regarding the excavation of the site's summit, the expedition's preferred area. An amicable resolution of this conflict was never reached between the two sides, and only legal expropriation of this land by the Mandatory Government of Palestine enabled the excavation of the upper part of the site. The landowners never received full compensation for the expropriated land, undoubtedly a strong motive for revenge.     

Approaching the Approaches

Abstract

Students of political theology need a broad introduction to, and some understanding of how to distinguish between, varying approaches to the discipline. This article argues that differing approaches should be introduced in ways which emphasize the historical, theological, geographical, and ecclesial situatedness of their practitioners. Such introduction to the situatedness of various approaches should not pretend to be objective, but should be sympathetic. Those teaching political theology should also carefully incorporate their own situatedness, showing students how they are working within particular approaches themselves without reducing their teaching to advocacy for their own approaches. The proposal for teaching political theology argued here focuses on inviting students to become active practitioners of political theology, instead of mere consumers of information about the discipline.     

Crustcrumbs in the carriage: a cognitive reading of Leopold Bloom in the “Hades” episode of Ulysses

This article investigates a commonly held critical conception of Leopold Bloom by questioning where his cognitive processes are situated. It argues that throughout Joyce's “Hades” episode, Bloom's mind seeps out into the storyworld, offloading onto his material setting. Bloom reflects on his dilemmas using different cognitive markers throughout his environment. As representational cues, they allow him to process his insecurities about his paternal and conjugal roles. A cognitive frame reveals how Bloom's kind acts often originate from his personal and familial preoccupations rather than what has been previously represented as genuine human sympathies. It shows Bloom as even more purposefully strategic than the Homeric parallels identified by most critics have traditionally conceived. Not only do we gain a greater depth of understanding about Bloom's character through an analysis of the situated mind; we also see thematic threads unfolding through objects and characters in ways previous scholarship has not seen. These thematic threads constitute substrata that further disclose the complexity and depth not only to Bloom's character but also Ulysses as a whole.     

The irreparable and the imprevidible: fathers and failures at Joyce's family circus

This paper reconsiders ideas of the father in Joyce's writing. It does so by examining in detail those ideas as they are elucidated through circus anecdote and imagery. The focus rests decisively on Ulysses (1922), but references to Joyce's earlier writing and to Finnegans Wake (1939) demonstrate the enduring popularity of the circus as image or metaphor for the author. The paper works broadly to contextualise hitherto overlooked circus references within the history of nineteenth- and early twentieth-century popular culture – Joyce is here connected to circus clown Johnny Patterson, music hall star Henry Clifton, and artist Jack B. Yeats. Through this history, it appears that Joyce imitates others in placing male authorities within both actual and invented circus rings to question legitimate influence in local domestic and wider social settings. It moves between these two locations to assess disquieting consequences of imagining political authority within this particular performance space in the fraught period of Irish history from 1904 to 1922.     

Late quaternary Palorchestes azael (Mammalia,Diprotodontidae) from northwestern Tasmania

A fossil mandible and incisor of the diprotodontid marsupial Palorchestes azeal Owen is reported from a new locality at Pulbeena, near Smithon, in northwestern Tasmania. The fossils occurred with a piece of wood which has a ¹⁴C age of 54,200_-4,500 ^+11,000 B.P. Both fossils and wood were deposited contemporaneously in shallow-lake shell marls and swamp peat deposits of late Quaternary age. Pollen analysis indicates that this P. azael inhabited a Eucalyptus woodland.     

Israeli Intelligence and the leakage of Khrushchev's “Secret Speech”

Khrushchev's “Secret Speech” of 1956 not only marked a major radical change in the USSR, but when it was published outside the USSR it brought upheaval all over the world. According to conventional knowledge the text of the speech was obtained by the Mossad (the Israeli foreign-intelligence organization) and transmitted to the CIA. A critical examination of the published evidence and accounts contradicts this version and suggests a number of points: the Secret Speech was not secret; Israel was not the single and perhaps not the first source for the text to reach the West; the speech was intended by Khrushchev and the Communist Party of the Soviet Union to be disseminated to all communist parties around the world; and it was covertly brought to the knowledge of Western intelligence organizations and the world press by Soviet political and intelligence agencies.     

The marriage plot and the plot against the Union: Irish Home Rule and endangered alliances in Henry James's “The Modern Warning”

By the period of the Irish Home Rule crisis – in which Catholics and liberal Anglicans lobbied for limited self-government while northern Presbyterians campaigned to keep Ulster wholly within the Union between Ireland and Great Britain of 1800 – certain of those of pre-Famine northern Irish Protestant origins (the “Scots-” or “Scotch-Irish”) identified with the position of their Presbyterian brethren in Ulster. This identifiably Ulster Protestant engagement with the Home Rule debate is detectable (and generally overlooked) in the Scots-Irish Henry James story “The Modern Warning”. Moreover, equally discounted is the fact that James's story deploys the Irish literary convention of the marriage plot as metaphor for political union in order to grapple with a moment in which that alliance is – in the unionists' view – in danger. This article concludes that the political-union-as-marriage trope still sporadically returns at moments of political crisis in the British Isles, as occurred during the 2014 Scottish independence referendum debate.