Critical geographies and geography’s creative re/turn: poetics and practices for new disciplinary spaces

We are two feminist geographers working as practitioners and researchers in creative geographies and the discipline’s creative re/turn. Human geographers interested in new representational and non-representational methods and methodologies are, as we explore in this article, increasingly turning to artistic and creative modes of expression, including (amongst others) literary and visual arts, in which we are both involved. For some time now, we have been curious about what we experience as a lack of expressly politicized critical interrogations of the discipline’s creative re/turn and a shortage of expressly critical and politicized creative outputs. In this article, then, we explore geography’s embrace of creative practices as research methods and as means of developing outputs but, more specifically, we ask about where and how decolonizing, feminist, anti-racist, and/or queer voices, practices, and theorizations might fit within the creative re/turn. Using two different creative geographic works (one a book of poetry, the other a curation project), we trouble what we conclude may be ongoing (perhaps unconsciously) masculinist, often White and colonial, perhaps overly heteronormative, modes of geographic inquiry and practice within geography’s creative re/turn. In this context, we reflexively consider our own creative practices as ones that may offer examples to open new critical spaces and modes of representation for creative geographers.     

Re‐equilibration of fluid inclusions in diagenetic‐anchizonal rocks of the Ciñera‐Matallana coal basin (NW Spain)

Thermally re‐equilibrated fluid inclusions are reported in natural fissure quartz (qtz1) from polymineralic veins in the diagenetic‐anchizonal clastic sedimentary rocks of the Ciñera‐Matallana coal basin (Variscan, NW Spain). Euhedral quartz formed during early fissure opening from an immiscible fluid mixture composed of a low salinity aqueous solution and a CH₄‐rich vapour phase, at temperatures of about 110–120°C and pressures ranging from 15 to 56 MPa. Five textural types of re‐equilibration are recognised in progressive order of inclusion modification: scalloped, hairy, annular‐ring shaped, haloes and decrepitation clusters. These textures resulted from a combination of brittle fracturing and dissolution and re‐precipitation of quartz, with preferential loss of water. The thermal peak was short‐lived, but was high enough to induce extensive decrepitation of fluid inclusions in vein quartz throughout the entire basin. Enhanced temperatures can be related to the intrusion of diorites in the basin. Careful analysis of textural features in fluid inclusions from diagenetic and very low‐grade metamorphism environments constitutes a useful tool for recording basin thermal history.     

Dynamiques hydrogéomorphologiques historiques et actuelles d'une rivière perturbée par les activités de la drave et analyse des impacts d'un démantèlement de barrage

In Quebec, the fluvial dynamics of the Escoumins River have been disturbed by the forestry industry for over a century. Most specifically, a dam was built near the mouth of the river in 1846 and dismantled in 2013. These disturbances had significant repercussions on the equilibrium of the river and Atlantic salmon habitat. This study therefore proposes to characterize the fluvial dynamics of the Escoumins River and to analyze the impacts of the dam dismantling from the perspective of restoring hydrogeomorphological processes and improving Atlantic salmon habitat. The results suggest that the trajectory of the river evolved differently depending on the fluvial style and the grain size composition of each of its homogeneous segments. However, log drive activities in river and dam removal appear to have been the most important controlling factors on the evolution of the stream trajectory. The dismantling notably allowed the restoration of hydrogeomorphological processes and the free movement of salmonids. A better procedure for dam removal and monitoring should be put in place in Canada to encourage this practice.     

SLEEPING ABROAD BUT WORKING AT HOME: CROSS‐BORDER RESIDENTIAL MOBILITY BETWEEN TRANSNATIONALISM AND (RE)BORDERING

Cross‐border residential mobility (CBRM) has so far largely been approached from a transnational perspective. However, recent developments in border studies and transnationalism give rise to certain doubts. While border studies have come to include mental borders next to physical borderlands, transnationalism today refers not just to cross‐border movements but also to identities trans‐cending the national. But border studies have shown that the increased crossing of borders is not necessarily coupled with their diminished significance. CBRM is a particularly interesting phenomenon as it entails the continuous crossing of a physical border, but the question is whether it also implies the erosion of mental borders and the emergence of transnational ties. While drawing on experiences from parallel cases, my study focuses on Poles from Szczecin moving just across the boundary to Vorpommern, Germany. Some are integrating there, but their large majority appears to carry on with everyday life in Poland as before moving. This settlement has triggered considerable resentment among local Germans, who as a reaction mark the borderland discursively and physically. As my survey shows, while both groups regularly cross the physical border, many even among the cross‐border residents consider it as a necessary dividing line or prefer cooperation to be reserved to some activities. Hence, unlike longdistance migration leading either to diaspora identities or to gradual dissolution in the majority culture, CBRM appears as a specific form of international migration where the physical proximity allows such intensive links with the country of origin that transnational effects are mitigated.     

Writing,Immigration, and Sex in Dany Laferrière and Kim Thúy

ABSTRACT

Québécois immigrant writers Dany Laferrière’s and Kim Thúy’s first novels, Comment faire l’amour avec un nègre sans se fatiguer (1985) and Ru (2009), both thematize the process of coming-to-writing and autofiction in parallel with the tropes of the sexualization of the nonwhite “other” in a global (post)colonial context. This article examines Laferrière’s and Thúy’s starkly different novels to begin to account for the connection between the act of entering literature and the indictment of racial inequality and sexual exploitation.     

Believing in the USA: Derrida,Melville and the Great American Charlatan

ABSTRACT

This essay considers the relationship between the prophet and the charlatan, particularly as they figure in the contemporary American political landscape. It argues that at moments of democratic political crisis these figures arise and reveal the vacancy of sovereignty within the democratic model. The essay treats Herman Melville’s The Confidence-Man along with Jacques Derrida’s writings on democracy and the apocalyptic tone as resources in this endeavor. It considers as well why recent worries over the status of facts in the era of “fake news” have led to critiques of deconstruction.     

Frank Clifford Rose Memorial Lecture: The tale of three trephines: Surgeons and their surgical-instrument makers in Britain,France, and America in the nineteenth century

ABSTRACT

Trephines and trepanning date to ancient times, but a “modern” form of instruments was codified by the seventeenth century. This did not preclude efforts to “improve” the trephine in the late-eighteenth and nineteenth centuries. Surgeons and instrument makers in Britain (Jardine and Savigny), France (Thomson and Charrière), and America (Galt and Otto & Reynders) endeavored to make the trephine safer and more precise. In exploring their interactions, this presentation shows the evolving role of the instrument makers not only as fabricators of tools, but as creative design collaborators of surgeons and physicians.     

At the limits of critical geography: Creative interventions into the exclusionary spaces of U.S. geography

Abstract

In recent years, geographers have increasingly called for and enacted more sustained engagements between geography and the arts. This creative (re)turn represents both a renewed interest in recovering interdisciplinary practices within the history of the discipline and a desire to create space for new methods and creative approaches. This article develops in response to two areas requiring further critical engagement and development within the creative (re)turn: questions about the place of identity in creative geographies and the potential for creative geographies to perform critical interventions into disciplinary spaces and identities. I explore and develop these areas of concern alongside a discussion of a critical-creative geographies exhibit, The Critical Futures Visual Archive. Through a presentation of select works in this collection and a candid discussion of the institutional obstacles encountered in curating it, I elaborate upon the challenges and critical potentials of integrating creative practices into geography as a form of feminist praxis.