From aisling to chora: female allegories of the nation in contemporary Irish women's poetry

Contemporary Irish women poets use female tropes of Irish nationalism as a potent site for revising traditional conceptions of femininity, maternity, and cultural identity. Arguably, female tropes of aisling poetry inhabit the same cultural location that anchors the societal role of motherhood as theorised by Julia Kristeva. Kristeva's work highlights mothers' important function in regulating the drives and preparing children for entrance into the symbolic order of society, in relation to which mothers remain structurally liminal. The Platonic chora, an amorphous receptacle from which forms emerge, symbolises this position at the threshold. This essay shows that Irish women poets revise female allegories of the nation either by aligning them with women's lived experience, as Eavan Boland has done, or by re-evaluating them from within their liminality, through stylistic experimentation or irony, which the analysis of poems by Eiléan Ní Chuilleanáin, Medbh McGuckian, Nuala Ní Dhomhnaill and Rita Ann Higgins demonstrates.     

After Madison. Public-Spiritedness and Local Political Life

This article examines the themes of political community, race, family, and history in the John Sayles film Lone Star. Although Sayles explicitly states that he is using the film to call into question many of the boundaries that individuals and communities take for granted, the author suggests that the film presents a more complex and more positive view of the place of boundaries in the life of an individual or a community.     

Guerilla art,social value and absent heritage fabric

There is extensive commentary on the role of unauthorised art, but little on the coincidence of heritage value and guerilla art. This paper analyses the relationship of the two in a 2007 statue which is a monument to a lost place for which there is no surviving historic fabric. The statue functions not just as a place of memory, but of guerilla art; a complex interplay has emerged between an official piece of government art and unsanctioned community performance. Growing heritage emphasis on social value over the previous dominance of original fabric suggests that the delight with which the statue has been greeted illuminates evolving heritage philosophy, monument language and the emergence of the importance of the heritage community especially for its potential performance value at a site. The dramatic contribution that the statue has made to the city has an impact on the fields of landscaping, planning, history and heritage.     

The Langkawi Global Geopark: local community’s perspectives on public education

The study reported in this paper represents one of the first attempts at exploring the perspectives of the local communities on the designation of Langkawi Island in Malaysia as a UNESCO Global Geopark. It is premised on the widely acknowledged assertion that the local communities constitute an important group of stakeholders in the planning and implementation of development activities. Hence, the communities living in the geopark areas in Langkawi are considered important stakeholders who play a crucial role in the development of heritage tourism in Langkawi Global Geopark. This paper examines their views on their appreciation of the geopark as heritage, the interpretation of their shared values, the benefits and opportunities afforded by the geopark, and the extent of their involvement in the implementation of geopark activities. The findings point to the need for more support for public education programmes, and awareness initiatives aimed not only at ensuring community engagement with the development of Langkawi Geopark but also at generating stewardship actions from the community.     

Heritage,identity and community engagement at Dunluce Castle,Northern Ireland

As Northern Ireland transitions out of conflict, increased attention is being paid to the role heritage can play in building peace across society and developing a more sustainable future. Recent archaeological investigations at Dunluce Castle have uncovered elements of the site’s Gaelic past and the remains of an early seventeenth-century town built immediately prior to the Crown-sponsored Plantation of Ulster. The project included a dynamic programme of community engagement and outreach that created opportunities to work as a group in the embodied act of recovering the physical past. This formed a space in which to challenge aspects of the region’s contested past and facilitated the renegotiation of accepted local histories and existing identity constructs.     

A vernacular way of “safeguarding” intangible heritage: the fall and rise of rituals in Gouliang Miao village

This paper documents a vernacular method of interpreting and safeguarding intangible heritage in an ethnic Miao village in China. Tracing the conflicting discourses of ritual in different stages of the past and the present, it shows how ritual practices were transformed by imperial Qing officials in the mid-nineteenth century, demonised and denounced as feudal superstition during the Cultural Revolution (1966–1976), exploited as cultural resources for ethnic tourism since the early twentieth century and involved in the evaluation system of intangible cultural heritage in the twenty-first century. Based on ethnographic materials collected in 2008 and 2009, this paper argues that it is the inherited vernacular narratives and ritual performances that are negotiating with the state’s constant effort of shaping the ritual through various discourses, constructing the meaning of inheritance and safeguarding the intangible heritage within the community.     

Barcelona as imagined community: Pasqual Maragall's spaces of engagement

This paper looks at how cities can function in much the same way as nations in the construction of political projects. Taking Pasqual Maragall's mobilization of Barcelona during his period as mayor of the city (1982–97) as an example, it explores how locally dependent politicians attempt to exploit 'spaces of engagement' (Cox 1998) to escape from the territorial and scalar limitations which city councils have to operate within. It argues that mayors can embody cities, and explores how Maragall located himself within a set of performatively, discursively and institutionally constructed visions of Barcelona embedded in wider economic, political and cultural spaces.     

社区精英群的联合和行动——对梨园屯一段口述史料的解说

19世纪 60年代以后 ,直东交界一带社区精英权力的拓展遇到外国教会的挑战 ,士绅团首在管理社区事务和维护道德教化领域的自我保护倾向拉大了其同州县政权的距离 ,并为体制外的民间组织公开化提供了社区空间 ,导致基层体制内外的多种组织反击洋教的联合行动日渐武装化。世纪之交的外患内忧使社区自卫运动促进了社区精英跨区域的横向联合和对区域性的民间文化的再创造。这一过程中形成的民间文化的三个标帜将多中心、区域性的民众反洋教集团联结成义和团运动     

近代山东村落社区结构的整合与分化

在近代山东农村,村落社区成员对土地、资金、村公产等物质资源和宗教、教育、村庄自卫等人资源的分配,必须通过各种社会组织才能得以进行,其中宗族组织起了统合血缘地缘关系及情感流向的关键作用。在村落社区以宗族组织为中心的社会结构整合过程中,会出现基于地权分配不均衡而产生的社会分化,这必然导致经济社会地位相近的村落成员组成某些特殊的社会组织,从而使村落社区结构在统合性中又产生一定的分异性。     

深层生态旅游开发与新世外桃源建设

提出深层生态旅游开发的概念,它包括两个方面的内涵:一是应重点突出景区生态文化的挖掘展示和游客生态感知与生态体验的获取,以此来规范经营者的景区开发和游客的游览活动;二是在旅游开发过程中应重视经营者与游客、政府部门与当地居民、旅游活动与生态环境高度和谐,以达成各方利益的共赢和旅游业的可持续发展。另外,本文还对生态旅游进行了四个层次的划分,探讨了深层生态旅游和浅层生态旅游的区别,给出了深层生态旅游开发的"四体两翼"和两翼对接模式,以使生态旅游业切实有利于生态文化展示并服务于生态旅游目的地社区的可持续发展,其终极目标,是建设理想的新世外桃源。