民俗、社区与文化:燕京大学社会学的本土化探索

由许仕廉、吴文藻、赵承信等领军的燕大社会学,一直有着本土化的学术自觉。在此探索与实践历程中,先行引入的孙末楠以民俗,尤其是以德型为核心的社会学说,影响深远。在吴文藻那里,社会学的民俗与民俗学的民俗有了级差,并影响到其社区社会学的建设,其指导的毕业论文有了重释风俗、礼俗与民俗的尝试。在"吴门四犬"中,现今湮没无闻的黄迪对孙末楠学说进行了最为系统的诠释。受孙末楠学说的影响,与瞿同祖一道,黄迪对民俗进行了社会学释义,并化用本尼迪克特的"文化模式",与林耀华同期提出"文化重心"这一概念。在燕大社会学实验室平郊村的研究中,与把社区研究等同于社会学调查的赵承信等一道,黄迪将社区-功能论夯实,并强调家、村、镇等不同阶序社区的连带性、一体性。由此,德型、社区与文化也就成为燕大社会学本土化历程中的三个重要面相,并使其有着厚重的民俗学基底。     

THE THERAPEUTIC STATE

State subsidy for the arts in Britain has been determined by a variety of political and social factors over the last two hundred years. This article examines the recent emergence of a therapeutic ethos that has come to shape arts policy in the United Kingdom. It begins with a survey of existing literature describing a shift in Britain’s arts policy since the 1970s. It examines the limitations of existing explanations and suggests another explanatory factor – the growing valorisation of the arts as a therapeutic tool to address social problems. This can be seen in two historically convergent trends: the challenge to cultural authority through the emergence of a therapeutic understanding of creativity, and the reorientation of political activism around issues of culture and wellbeing. Finally, the article considers how and why these ideas became institutionalised in Britain’s main arts policy body – the Arts Council.     

THE FORMATION OF “TRANSNATIONAL COMMUNITIES”

This article will explore the multicultural challenges resulting from increasing numbers of migrant workers and foreign (non‐Chinese) brides in Taiwan, and discuss how such outside cultural influences create new forms of cultural expression, identity and citizenship. It will further describe experiences and present theories specific to Taiwan’s experience. Research on “transnational communities” is fairly advanced in Taiwan. “Transnational communities” in Taiwan are expected to “assimilate” quickly into mainstream Taiwanese society, and personal cultural needs and influences are largely ignored. These communities continue to remain isolated from mainstream Taiwanese society, thus making them “invisible” to society as a whole. Therefore, this research hopes to encourage research into “transnational communities” within the field of cultural policy studies and provide a basic picture of the cultural influence and development of these communities in Taiwan.     

Forest as hazard,forest as victim: Community perspectives and disaster mitigation in the aftermath of Kelowna's 2003 wildfires

Situated within the political ecology of hazard, this article is an extended case study of the devastating 2003 wildfires in and around Kelowna, British Columbia (also known as the Okanagan Mountain Park Fire). This article reveals how compliance (or lack thereof) with fire mitigation strategies recommended by provincial, regional, and municipal agencies is complicated by differing social constructions of what constitutes ecologically sustainable forest management and community safety. Three perspectives emerge regarding the urban forests: “nature as hazard”—a volatile force to be controlled; “nature as instrumentally valuable”—a contribution to the character of one's surroundings and subsequent sense of place; and “nature as intrinsically valuable”—a distinct entity to be preserved and protected for its own sake. The article also examines how experiences of disaster influence community perceptions and result in a greater willingness to engage in fire mitigation strategies due to perceptions of heightened vulnerability. Forestry and fire mitigation agencies need to determine multiple courses of action among the varied and valid range of residents’ nature perspectives. The role of human agency in disaster mitigation must be examined, particularly as the risk of fire at the wildland‐urban interface continues to be exacerbated by encroaching human settlements and climate change.     

Beyond Alternative: Exploring the Potential for Autonomous Food Spaces

Abstract: Much attention has been given in recent years to the rise of alternative food networks However, the very concept of “alternative” has come under increasing scrutiny, as theorists grapple with what is meant by alternative and whether the concept adequately captures the key components of such a diverse range of networks and communities. Drawing on poststructuralist political economy, I propose the concept of autonomous food spaces as one possible lens for approaches food‐provisioning activities that situate food within the broader context of non‐capitalist communities seeking to build relationships of mutual aid and non‐market exchanges. I use the examples of a radical collective kitchen, Food Not Bombs, and a community‐supported agriculture operation, Vegetables Unplugged, to explore the potential for autonomous food spaces as part of a broader “politics of possibilities” beyond capitalism.     

Banishment,Urban Community and Judicial Practice: Thieves in mid-17th-century Turku

The practice of banishing thieves, and the changes that took place in that practice in mid-17th-century Turku, illuminates the issues of building a good urban community as well as the changes that were happening in law and judicial practice in early modern Sweden. Variations and changes in punishing thieves in the 1640s and 1650s in Turku show that the position of the thief in the urban community, and the amount that was stolen, affected the courts’ considerations throughout the two decades. Nevertheless, an ongoing tendency towards moderation in sentencing is visible in courts, and the influence of a new penal ordinance of 1653 is noticeable. The banishment of thieves, even if it removed unwanted people from town, was no more strongly connected to the goal of creating a good community than other punishments were. Both banishment and other punishments, however, were connected to the conceptions of an ordered and harmonious community. The court cases, nevertheless, show that the makeup of the Turku urban community was more open than the strict moral or legal guidelines of the time would suggest.     

The grotesque in the plays of Enda Walsh

This article attempts to outline the aesthetic of Enda Walsh's dramatic oeuvre, viewing it as fundamentally grotesque. Plays such as The New Electric Ballroom, The Walworth Farce, and Penelope have generally enjoyed a most enthusiastic reception; however, reviewers and critics have remained largely baffled as to where exactly these intoxicating pieces have left them. A plausible way of addressing the distinctive combination of citationality, the intermingling of genres, linguistic brilliance, circuitous structure, pathological interaction between characters, and the darkest humour, may consist in juxtaposing Walsh's technique with concepts of the grotesque as outlined, alternately, by Mikhail Bakhtin and Wolfgang Kayser. The consequent observations on the grotesque in Walsh's plays are followed by a query as regards the moral dimension of Walsh's aesthetic, focusing on their position in relation to Bakhtin's assertion of the liberating potential of the grotesque as opposed to Kayser's insistence on the grotesque coming across as essentially bleak and hopeless.     

Nineteenth-century Irish Anacreontics: the literary relationship of James Clarence Mangan and Thomas Moore

The odes of the ancient Greek poet Anacreon, celebrating wine, women and song, were made newly popular in the nineteenth century through the efforts of Thomas Moore, a writer whose first volume of verse, a loose translation of the Odes of Anacreon, published in 1800, marks him out today as a poet of Romantic sociability par excellence. I argue that the Anacreontic ode popularised by Moore continued to resonate through nineteenth-century Ireland – albeit in a heavily mediated form – in the work of the poet's successor, James Clarence Mangan, who picked up the cup in the series of drinking songs he wrote periodically throughout the 1830s and 1840s, the decades during which Mangan sank into alcoholism and emotional estrangement. The easy charm of Moore's Anacreontic song mutates in Mangan's verse into a more complex, often allusive and fragmented form, a perverse Anacreontics, which corresponds both to the poet's psychic trauma (his alcoholism and self-alienation) and to a broader cultural and political dislocation experienced by Ireland under British rule. This discomfort is registered in Mangan's verse in the playful refusal of a single authorial voice and in the poet's tendency both to ventriloquise and to distort influence – not just that of Moore but also of the British Romantics, notably Byron and Coleridge.     

Avenging ‘Bridget’: Irish domestic servants and middle-class America in the short stories of Maeve Brennan

This article will examine the representation of Irish women servants in Maeve Brennan's short stories, first published in The New Yorker in the 1950s, and collected in The Rose Garden (2001). The Irish ‘Bridget’, the most publicly visible, if troubling, image of Irish womanhood in late nineteenth- and early twentieth-century America, has received much-needed attention from historians and social scientists in the last decade, and is a central figure in discussions of Irish women and diasporic identity in the American context. Drawing on this body of work, and focusing in detail on key stories from the collection, including ‘The Bride’, ‘The View from the Kitchen’, ‘The Anachronism’, ‘The Divine Fireplace’, and ‘The Servants’ Dance', I argue that Brennan's reimagining of the Irish Bridget can be approached as a form of feminist revisionism, as Brennan's stories enter into a charged dialogue with the history of imagining the Irish woman servant as an undesirable but necessary presence in middle-class American domestic culture. Brennan's self-reflexive reworking of this paradigm is informed by her work as a satirist for The New Yorker, and proves an effective means of writing back to this problematic history, as she takes up recognisable tropes and motifs from earlier representations of Bridget in popular and literary culture, and alters them in knowing and subversive ways.     

Peering in from the window ledge of the Union: the Anglo-Irish Agreement and the attempt to bring British Conservatism to Northern Ireland

In this article I examine one particular way in which the Anglo-Irish Agreement redefined unionist politics in the late 1980s. While the operation of “direct rule” had drawn the unionist middle classes ever closer to Britain in economic and cultural terms, it had also left them in a precarious position politically. The nature and scale of this political subservience was brought home dramatically in 1985 when the British government signed an international agreement giving the Dublin government the right to be consulted on Northern Irish affairs. In the period of political flux summoned by the Hillsborough Accord, elements of the unionist middle classes were drawn to the previously marginal ideas of a small leftist organisation that argued for the British political parties to organise in the region. Given the material interests and social conservatism of those attracted to it, the call for “equal citizenship” would inevitably take the form primarily of a movement seeking to bring British Conservatism to Northern Ireland.