Economic Development,Entrepreneurial Embeddedness and Resilience: The Case of Pubs in Rural Ireland

Public houses, or “pubs”, have and always had an important role in the Irish culture, economy and society. Even more, pubs located in the Irish countryside represent vital networking places for local communities, and provide a significant contribution to local supply chains with their purchasing. Their decline in number, registered in recent decades, significantly affects local communities, determining the vanishing of many jobs and business opportunities in areas frequently characterized by small population catchments, infrastructural deficit and spatial remoteness. This paper explores the impact of pubs in creating economic development in rural areas of Ireland. The paper examines the current pattern of procurement and employment associated with pubs in the Irish countryside and its effects upon local supply chains. In addition, the paper investigates pubs' activities and publicans influence with regard to concepts such as entrepreneurial embeddedness and resilience. The authors present and discuss findings from an analysis conducted on a unique data set obtained with the use of a survey questionnaire, corroborated by information gathered from interviews with pub owners and managers. Results increase the level of knowledge about the formation of social networks and economic capital in rural Ireland, and provide valuable insights for practitioners and policy-makers about the role played by pubs within rural supply chains.     

Emigration,return migration and surprise homecomings in post-Celtic Tiger Ireland

This article explores the cultural and ideological management of mass migration in twenty-first-century Ireland, arguing that narratives of return have come to dominate representations of emigration. The almost universal focus on the moment or experience of return distinguishes the current era from other periods of high emigration in Ireland. The phenomenon of the surprise homecoming video is scrutinised alongside recent cinematic releases, newspaper articles, blogs and cultural events including The Gathering (2013) and the Marriage Equality Referendum (2015). By drawing these sources together, the article exposes how cultural representations of emigration have been shaped to fit with official narratives of a business-friendly nation in recovery. By repeatedly showcasing the emotional pleasures of return these popular culture forms support a fantasy of easy return and mask the real economic and social problems driving the latest wave of emigration.     

The Discursive Violence of Postcolonial Asylum in the Irish Republic

ABSTRACT

This paper situates postcolonial asylum as a dominant global encounter between the West and the Rest. Rather than a humanitarian gift, the paper argues that discursive violence of asylum regimes forces the materialization of identities, spaces and structural conditions that encamp and re-colonise asylum-seeking bodies. It first examines the global instrumentalization of images and bodies of Third World women in refugee representations to act as a humanitarian alibi that re-signifies the white saviour discourse. Moving to the Irish context where childbearing bodies of African women were targeted in a political campaign that ended birthright Citizenship for children of non-EU parents in 2004, it examines the performativity and affective entanglements of visual representations of ‘Third World Women’ and illustrates how NGO policies and projects force performances of black female bodies that exploit their representational and affective labour. Meanwhile, the material labour—of waiting— is appropriated from bodies detained in Direct Provision (a form of open asylum detention) by the asylum industry. The paper argues that postcolonial asylum is non-performative of the promise it makes, but a colonial continuity that serves a number of uses for white Western states and preserves a humanitarian face while detracting critical attention from the root causes of forced displacement from the South—necropolitics in the South.     

The Commonwealth and the Oath of Allegiance Crisis: A Study in Inter-War Commonwealth Relations

Recent historical treatment of Anglo-Irish relations in the 1930s has overlooked the complex nature of the legal disagreements between the two countries during that period. This article provides an account of some of the fundamental points of legal disagreement between the countries. It explains how differences of opinion as to the structure of intra-commonwealth constitutional relations led to conflict between the British government and that of the Irish Free State, with particular reference to the oath of allegiance crisis. It considers how other commonwealth countries saw these points of conflict. It concludes with a re-appraisal of the roles of Lord Hailsham and de Valera in Anglo-Irish relations, as examples of differing attitudes towards the commonwealth relationship.     

The Construction of Continuity in Lesu: The Historical Anthropology of a New Ireland Society

This study examines features of social organization originally encountered in New Ireland in 1929–30 by the anthropologist Hortense Powdermaker. It aims to depict important aspects of social life before these were transformed by colonial and missionary influences. Kinship and marriage are discussed as topoi in discourses of continuity. It is suggested that in a social landscape of demographic limitations and widespread violence, social morphology was generated through categorical distinctions providing symbolic order in a dense texture of factual kinship, an order imposed to counteract the ever‐present shadow of incest. The social grammar prescribed a primary uterinely defined demarcation of belonging. As a parallel counterpoint, there was also an agnatically inspired alternative cultural modality. In this other possible world, the main distinction was that between men and women, uterine belonging being irrelevant.     

Migration and Viking Dublin: paleomobility and paleodiet through isotopic analyses

During the early medieval period in Ireland, Dublin was established as the largest Viking settlement on the island in the ninth century AD. A previous biodistance study has suggested that the population of the town consisted of a polyethnic amalgam of immigrant and indigenous. In this study, we use biogeochemistry to investigate paleomobility and paleodiet in archeological human remains from the ninth to eleventh century levels at the sites at Fishamble Street II (National Museum of Ireland excavation number E172), Fishamble Street III (E190) and John’s Lane (E173), as well as twelfth-century remains from Wood Quay (E132). Through radiogenic strontium isotope, stable oxygen, carbon, and nitrogen isotope, and elemental concentration analyses, we investigate the origins of the individuals who lived and died in early and late Viking Dublin. Mean archaeological human enamel and bone isotope values from Dublin are ⁸⁷Sr/⁸⁶Sr = 0.70975 ± 0.00139 (2σ, n = 22), δ¹³C_{carbonate(V-PDB)} = −14.8‰ ± 0.8‰ (1σ, n = 12), and δ¹⁸O_{carbonate(V-PDB)} = −7.2‰ ± 1.0‰ (1σ, n = 12). Archaeological human bone samples exhibit mean δ¹³C_{collagen(V-PDB)} = −20.8‰ ± 0.5‰ (1σ, n = 12) and mean δ¹⁵N_{collagen(AIR)} = +10.0‰ ± 1.7‰ (1σ, n = 12). Comparing these data with archaeological faunal data from Dublin and published data from northern Europe, we argue that there are no clear immigrants from other parts of the North Atlantic, although there is one clear outlier in both origins and diet. Overall, the relative homogeneity in both paleomobility and paleodiet may support models of acculturation in Viking Dublin, rather than a high number of first-generation immigrants or continued migration from Scandinavia.     

Gendered and generational experiences of place and power in the rural Irish landscape

The out-migration of young people from rural regions is a selective and highly gendered process suggesting considerable differentiation in the way young men and women identify with and experience rural life. Gender imbalance in rural youth out-migration has prompted feminist researchers to consider more carefully linkages between the gendered nature of rural space and place and the social and spatial mobility of rural young men and women. Based on 11 months of ethnographic fieldwork in a rural Irish fishing community, this article explores the gendered dimensions of rural youth experience. Theoretically grounded in the conceptual triad of gender, power and place, this article considers how young men and women experience ‘the rural’ as masculine and feminine subjects. Special attention is given to the ways in which relations of power in ‘the rural’ are articulated, contested and accommodated in the everyday lives of local young men and women. As well as highlighting the ways in which rural space and place is male-dominated, this article foregrounds other power relations at play in the rural. As part of this effort, I problematize male power and point to the ‘effectivity of girls as conduits of power’. I argue that subjectivities of intra-gender relations are a critical dimension of rural youth experience and cannot be overlooked in research on rural youth experience and emigration.     

The failure of the Patarine movement

Although the authors of recent literature on the Patarine movement in Milan (1057-75) have very different intellectual backgrounds, they all try to study and interpret the movement in its complete historical context, and they point to the circumstances or special combination of circumstances which caused the movement to fail. Its failure was due in part to its relationship to the social structure. In this article we first show why this relationship needs to be re-examined and then go on to investigate how the place of the movement in the social structure contributed to its failure and dramatic collapse.     

‘We will make the happy tremble’: triumphal victimhood in Charles Robert Maturin's The Milesian Chief

Charles Robert Maturin’s The Milesian Chief (1812), long neglected, may now be ripe for closer attention, particularly for its evocation of the imagined power of suffering over audiences. Deploying a structure supplied by Sidney Owenson’s The Wild Irish Girl and Madame De Staël’s Corinne, the novel dramatizes the arrival of a cosmopolitan heroine in Ireland, her tortured romance with an Irish nobleman, and their ultimate destruction in a rebellion vaguely reminiscent of those of 1798 and 1803. Less useful for its insight into national history than for its almost anthropological grasp of deeply changing patterns of desire, the novel dramatises a struggle that ends in a striking triumphalism little noted by previous critics. The concepts of René Girard and Eric Gans are used to assess the work’s rhetoric of victimhood and its insistent emphasis on the effect of renunciations of desire on adversaries individual and collective.     

Mothers and others in Edna O'Brien's The Country Girls

This essay responds to critical assertions that the absence of functional maternity in Edna O'Brien's famous 1960 novel The Country Girls reflects O'Brien's frustration with the cloying myth of ‘Ireland-as-motherland’. While I agree that O'Brien centrally considers the imbrication of femininity with nationality in a culturally conservative post-independence Ireland and enumerates the devastating lived effects of this discourse on Irish women, I argue that The Country Girls offers a potentially productive step beyond lamentation or complaint: namely, a nascent transnational poetics. I contend that the novel hinges on a character heretofore neglected by the criticism – Caithleen Brady's Austrian landlady, Joanna – and suggest that O'Brien slyly positions Joanna as Caithleen's potential surrogate mother, framing a ‘foreigner’ as a source of subversive family ties. Joanna's presence, I believe, indicates an effort on O'Brien's part to negotiate a political response to both gendered oppression and literary parochialism (the much-remarked climate of censorship that marked the newly independent Ireland's intellectual culture): the notion that community and security might be transformatively relocated in strategic ‘translocal’ networks rather than within the confines of the nation-state. Joanna signifies O'Brien's look beyond Mother Ireland – a desire to open the country to both global feminisms and transnational textualities.