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本文介绍了李三孤堆楚墓所出青铜器的流散和收藏慵况,回顾了自20世纪30年代初至今学者们对这批楚器的研究历程及成果,并从铭文释读、器物形制、器群主人及其埋葬环境几方面分别阐述了各家之说,最后通过回顾和分析总结出目前这一研究中存在的问题,提出了深入进行这一研究的重要意义,并指出了今后的研究方向。 相似文献
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West Tump is a Neolithic chambered tomb originally excavated in 1880. The mound was found to contain a mixed skeletal assemblage, the majority of which was disarticulated. Between 2000 and 2001 material from the site including human bone was re‐examined with a portion of this project focused on taphonomic evidence observed on the human skeletal material. Amongst the factors selected for investigation were deliberate toolmarks. Three specimens were identified as exhibiting toolmarks. Analysis demonstrated that the observed features were cutmarks, consistent with the use of flint tools. However those on two of the specimens were found to be both post‐mortem and recent. The cutmarks observed on the remaining specimen, a right clavicle, were identified as having been inflicted during the peri‐mortem period and consistent with decapitation. British Neolithic mortuary practice has been the subject of ongoing debate since the earliest excavations of relevant sites, but until very recently few assemblages from such contexts have been re‐examined and much of the data in use has derived from sources of considerable age and questionable reliability. The selective removal of specific skeletal elements (particularly skulls) has repeatedly been described in the literature regarding the collective funerary monuments of this period. It has often been assumed that such practices took place after the soft tissues had decayed. One of the examples discussed, suggests this may not always have been the case and the potential significance of this finding is discussed in addition to a possible interpretation of the cutmarks seen on the remaining specimens. Copyright © 2004 John Wiley & Sons, Ltd. 相似文献
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楚文化研究又一新成果--《新蔡葛陵楚墓》读后 总被引:1,自引:0,他引:1
河南新蔡葛陵楚墓,是近年来淮河流域考古中新发现的一座战国中期大型墓葬。其墓主人为平夜君成,是与楚王关系密切的重要封君。墓葬结构复杂,并有陵寝建筑遗存。出土有包括青铜器、玉器、漆木器和大量竹简在内的各类随葬品,还有人殉现象。在科学发掘和整理的基础上出版了《新蔡葛陵楚墓》一书,详细介绍和分析了考古资料所反映的楚国历史、葬俗、礼制、历法、手工工艺、书法艺术等诸多信息,是我国楚文化研究又一新成果。 相似文献
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唐代是中国花鸟画科的正式形成时期,据考证,当时擅长花鸟画的画家高手如云.但因年代久远,作品真迹早已遗失,今人已无从得知其庐山真面,通过唐代题画诗这扇窗口,对唐代花鸟画的审美价值取向作一探索。 相似文献
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皖南地区的土墩墓及其出土文物反映了当时社会的生产、生活面貌,耕作农业有所发展、纺织等手工业初露端倪、原始青瓷生产日渐成熟、青铜冶铸业颇具规模并形成自身特色、社会分工日益细化。这些都是了解和探寻商周时期皖南先民经济生活状况的重要参考,具有重要的研究价值。 相似文献
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河南巩义市夹津口隋墓清理简报 总被引:2,自引:0,他引:2
白瓷的烧制成功是我国瓷器史上一项重要成就。巩义市夹津口墓葬所出隋代白瓷烧造技术已经成熟,胎质大多洁白细腻,釉色白,积釉处泛青,并且装饰以红彩,为以后釉下彩成功烧制奠定了基础。 相似文献
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近代江南地区工商业会馆、公所碑刻述论 总被引:1,自引:1,他引:0
在现有的行会制度史研究中,尚无专文对碑刻本身进行探讨.本文认为:刻石立碑是行会活动的一项重要内容,是工商业会馆、公所从社会合法性到政治合法性的一个重要标志,是行会受到封建官府保护的象征.在会馆、公所等行会组织的发展中,碑刻具有传承后世的记忆功能、惩戒违规的警示功能、颂扬美德的激励功能、公布官府法令的告示功能以及征信与佐证功能,有助于形成行业的凝聚力和从业者的自豪感,增强会馆、公所的权威性和同业商人对行业的归属感及维护行业利益的责任感,约束违规违法行为,对会馆、公所的变迁与发展具有不可替代的作用. 相似文献
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从墓志看佛教对唐代妇女生活的影响 总被引:2,自引:0,他引:2
从对唐墓志的分析考察可知,唐代妇女信佛者较多,在家修行的妇女占绝对多数,且相当地分奉佛者为孀居妇女。唐代妇女诵读或抄写的佛典主要集中在金刚般若、法华、涅槃、维摩等经上,尤以金融般若、法华两经为最。唐代妇女祟佛原因众多,其中不少孀居妇女、宫人、宦官夫人、无子和不育的妇女多从佛教中寻求精神和情感寄托。唐代妇女祟佛对社会风尚、生死观念和丧葬观念产生了很大的影响。 相似文献