Chemical characterization of majolica from 14th–18th century production centers on the Iberian Peninsula: a preliminary neutron activation study

Majolica pottery is one of the most characteristic tableware produced during the Medieval and Renaissance periods. Majolica technology was introduced to the Iberian Peninsula by Islamic artisans during Medieval times, and its production and popularity rapidly spread throughout Spain and eventually to other locations in Europe and the Americas. The prestige and importance of Spanish majolica was very high. Consequently, this ware was imported profusely to the Americas during the Spanish Colonial period. Nowadays, Majolica pottery serves as an important horizon marker at Spanish colonial sites. A preliminary study of Spanish-produced majolica was conducted on a set of 246 samples from the 12 primary majolica production centers on the Iberian Peninsula. The samples were analyzed by neutron activation analysis (NAA), and the resulting data were interpreted using an array of multivariate statistical procedures. Our results show a clear discrimination between different production centers. In some cases, our data allow one to distinguish amongst shards coming from the same production location suggesting different workshops or group of workshops were responsible for production of this pre-industrial pottery.     

Prehistoric Bird Watching in Southern Iberia? The Rock Art of Tajo de las Figuras Reconsidered

ABSTRACT

This paper studies the relationship between humans and birds in the recent prehistory of the Southern Iberian Peninsula. With its high number of bird, mammal, and anthropomorphic paintings, a small rock shelter –Tajo de las Figuras– provides an excellent case study to address this topic. The cave is situated in an ecosystem that, as we will argue, favoured human-bird interactions and enabled prehistoric groups to engage with a diverse and rich bird community at particular times of the year. Even though the recorded depictions can generally be integrated into the wider ‘Schematic’ style regime characterising the recent prehistory of the region, they exhibit some outstanding features including a highly distinct naturalism. This naturalism enables us to identify the represented birds, not only at the family but also at the species level. Our contribution describes these pictorial data and contextualises them with the ecology, archaeology, and archaeozoology of the area. We intend to show that the singularity of the image-corpus registered at Tajo de las Figuras mirrors the unique conditions of human-bird interactions at the time. We suggest that the significance of the images derives from the special location of the cave in the wider landscape encouraging early practices of bird watching.     

Rethinking battle commemoration: female letters and the myth of the battle of Las Navas de Tolosa (1212)

This article re-examines epistolary accounts by Berenguela and Blanche of Castile of the Battle of Las Navas de Tolosa. Building on previous assertions that Berenguela’s letter is a forgery, and through close comparison with the three surviving male eyewitness battle accounts, this article argues the letters of Berenguela and Blanche – in the form in which they survive – are confections based on original letters. The Battle of Las Navas de Tolosa’s mythical status and standing as a watershed event within the narrative of Gran Reconquista is understood to have been largely shaped by three male-authored chronicle accounts: Chronica Latina regum Castelle (1239), Chronicon mundi (1239) and De rebus Hispaniae (1243). In asserting these letters are confected accounts, in circulation by the 1220s, this article argues that battle commemoration began in the immediate aftermath of the Christian victory, and that female voices were recognised by contemporaries as a viable tool for commemoration.