PHOTOGRAPHS, SYMBOLIC IMAGES, AND THE HOLOCAUST: ON THE (IM)POSSIBILITY OF DEPICTING HISTORICAL TRUTH

Photography has often been scrutinized regarding its relationship to reality or historical truth. This includes not only the indexicality of photography, but also the question of how structures and processes that comprise history and historical events can be depicted. In this context, the Holocaust provides a particular challenge to photography. As has been discussed in numerous publications, this historic event marks the "limits of representation." Nevertheless there are many photographs "showing" the Holocaust that have been produced in different contexts that bespeak the photographers' gaze and the circumstances of the photographs' production. Some of the pictures have become very well known due to their frequent reproduction, even though they often do not show the annihilation itself, but situations different from that; their interpretation as Holocaust pictures results rather from a metonymic deferral. When these pictures are frequently reproduced they are transformed into symbolic images, that is, images that can be removed from their specific context, and in this way they come to signify abstract concepts such as "evil." Despite being removed from their specific context these images can, as this essay argues, refer to historical truth. First, I explore the arguments of some key theorists of photography (Benjamin, Kracauer, Sontag, Barthes) to investigate the relationship between photography and reality in general, looking at their different concepts of reality, history, and historical truth, as well as the question of the meaning of images. Second, I describe the individual circumstances in which some famous Holocaust pictures were taken in order to analyze, by means of three examples, the question what makes these specific pictures so particularly suitable to becoming symbolic images and why they may—despite their abstract meaning—be able to depict historical truth.     

Holocaust Narratives: Second-Generation “Perpetrators” and the Problem of Liminality

Taking “second-generation perpetrators” to refer to the tension between the guilt of the parents who were actively involved in carrying out Nazi atrocities, and the innocence of their offspring, I posit the oscillation between these positions as a form of liminality. Underpinned by the work of Jacques Derrida and Marianne Hirsch, I discuss this form of liminality in relation to concepts of the ghostly, examining the ways in which Holocaust narratives, literary and cinematic, are haunted by the past. I argue that the family conflicts such second-generation narratives present run the risk of displacing the real victims of the Holocaust.     

Genocide and Global Queer Politics

This article presents a critical analysis of the relationship between the concept of genocide and global queer politics, offering an original mapping and examination of the discourse of genocide in this respect. Starting from the beginnings of genocide discourse with Lemkin and the United Nations Genocide Convention, existing literature is analysed to reveal circumscribed usage in relation to non-heterosexual lives. The methodology combines analysis of genocide discourse with case studies. The article maps and analyses the historically shifting form of genocide discourse, including through attention to the International Criminal Tribunal for Rwanda, and demonstrates how the patriarchal and heteronormative origins of this discourse continue to have effects that exclude queer people. This analysis is developed, in particular, in relation to the absence of sexuality, gender, sexual orientation or gender identity as group categories in the Genocide Convention. Interwoven with this analysis of discourse, case study analysis is used in relation to Nazi Germany, Uganda and the Gambia to establish genocidal processes focused on homosexuality in each. The scope of claims for anti-homosexual acts of genocide is thus extended in Nazi Germany and Uganda, and such a claim is initiated in the Gambia, while appreciating the complex relation of “homosexuality” to African sexual identities. It is also argued that new definitions of groups from the Rwanda tribunal represent openings for some kinds of queer politics. The concluding section then draws on the discourse analyses of Foucault and postcolonial studies to initiate discussion of the potential discursive effects of invoking genocide in relation to homosexuality or queer politics, in particular contexts. It is argued that a greater consciousness of genocide in queer analysis and politics would be desirable, even while the existing terms of genocide discourse must be contested.     

NOTES ON CAMPS,OR, COUNTERFACTUAL FÜHRERS AND THE STRUCTURE OF THE JOKE

In this review essay I explore the dynamics of “normalization” in historical and fictional depictions of the National Socialist past, examining both the “organic” normalization of catastrophic events through the passage of time, and efforts to normalize the Nazi past through aesthetics. Focusing on Gavriel Rosenfeld's Hi, Hitler: How the Nazi Past is Being Normalized in Contemporary Culture, I argue against many dimensions of Rosenfeld's account of normalization, particularly his claim that aesthetic normalization can undermine our moral judgments regarding the Holocaust. Drawing on Sigmund Freud on jokes, and Susan Sontag on Camp aesthetics, I argue that every effort to normalize the Holocaust, especially ones that work through humor and jokes (a major topic of Rosenfeld's book), actually maintain the Holocaust's status as a series of historical events resistant to “normalization.” If “normalization” is a process through which extraordinary, or morally charged, historical events lose their moral charge, then aesthetic efforts to normalize the Holocaust actually reinscribe the special moral status that Rosenfeld believes they erase.     

SIX QUESTIONS ON (OR ABOUT) HOLOCAUST DENIAL

Six questions are outlined and then responded to about Holocaust denial. These consider (1) Holocaust denial's view of the Holocaust counterfactually—if it had occurred; (2) the presumed adequacy of the binary choice between Holocaust denial and affirmation; (3) the status and credence of their own assertions among denial advocates; (4) the often implied historiographic uniqueness of Holocaust denial; (5) the contributions to Holocaust history of the denial position; (6) the measures—scholarly, legislative, practical—that have been or might be directed at the phenomenon of Holocaust denial.     

Between the General and the Particular: Reminiscences of Plato's Timaeus in Piotr Rawicz's Le sang du ciel

Piotr Rawicz's novel Le sang du ciel depicts a Jewish protagonist, Boris, who manages to escape the Nazi genocide and, as a result, doubts his own legitimacy to bear witness to the other Jews' fate during that period. His difficult relationships with the Jewish community find expression in an intertextual construction, founded on the ontocosmology developed in Plato's Timaeus. Boris uses—and sometimes perverts—Plato's world vision both to measure his own inauthenticity and to define new ways of creating a state of "fusion" with the "beings" surrounding him. Another technique to overcome Boris's inability to testify is the use of a frame narrative, which, moreover, sheds new light on the protagonist's identity as a witness.     

Sightseeing in the mansions of the dead

This paper looks at a type of tourism visit which inhabits an ambiguous and relatively unmapped territory of meaning, crossing boundaries between the conceptual domains of pilgrimage, commemoration and pleasure-seeking. These visits and activities have developed in response to traumatic histories, and also reflect the growth of secular forms of spiritual experience, in which the pursuit of revelation is personal rather than hierophantic. Sites of Holocaust memorialization raise questions of memory and forgetting, guilt and redemption, meaning and ownership, with particularly acute force. However, even these most consecrated and highly cathected sites are experienced through the mediation of mimetic forms and processes of representation which significantly re-order testimony and evidence. Furthermore, the grounding of collective memory in sacralized locations and structures tends towards the distancing, externalizing and disarming of traumatic memory. Under these conditions, visitor motivations and experiences are polysemic: fractured, ambivalent, unstable, and resistant to paradigms of either the sacred or the profane.     

The Risiera di San Sabba: Fascism,anti‐Fascism and Italian nationalism

This essay examines the postwar debates surrounding the Risiera di San Sabba, the site of a Nazi death‐camp near Trieste, and explores the deeper conflicts and contradictions in the formation of an Italian national identity in the period since the Second World War.     

Holocaust Archaeology: Archaeological Approaches to Landscapes of Nazi Genocide and Persecution

Abstract

Debate concerning the events of the Holocaust is well embedded in the historical discourse and, thus, clearly defined narratives of this period exist. However, in most European countries the Holocaust has only recently begun to be considered in terms of its surviving archaeological remains and landscapes, and the majority of known sites are still ill-defined and only partially understood from both spatial structural points of view. Additionally, thousands of sites across Europe remain unmarked, whilst the locations of others have been forgotten altogether. Such a situation has arisen as a result of a number of political, social, ethical, and religious factors which, coupled with the scale of the crimes, has often inhibited systematic search. This paper details the subsequent development and application of a non-invasive archaeological methodology aimed at rectifying this situation and presents a case for the establishment of Holocaust archaeology as a sub-discipline of conflict studies. In particular, the importance of moving away from the notion that the presence of historical sources precludes the need for the collection of physical evidence is stressed, and the humanitarian, scientific, academic, and commemorative value of exploring this period is considered.     

ON THE MANY WAYS OF SAYING MEMORY

This essay examines the concept and the discourse of collective memory in view of interpreting the novel function with which it has been endowed in recent decades and the problematic character of its interpretation. To this end, it focuses on the recent book by Manuel Cruz, On the Difficulty of Living Together: Memory, Politics, and History, which examines the contemporary functions that collective memory has assumed in recent decades and takes into account interpretations of it elaborated in a number of seminal works that have set the framework for contemporary ways of understanding it. My investigation engages critical analysis of the psychological approach to collective memory that Cruz adopts, which, in interpreting recent public preoccupation with collective memory as an expression of trauma occasioned by the Holocaust and other horrific twentieth‐century events, assumes that analogous psychic mechanisms govern forms of remembrance in the public sphere and memory in personal and small‐group interaction. By taking into account alternate possibilities of interpretation, suggested above all by the public function of the mass media, I seek to widen the scope of enquiry to scrutinize in a broader perspective the contemporary role of collective memory and its political significance in the public realm.