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61.
This essay is the full account, the first in English, of the correspondence between the Russian general, Paul Tsitsianov, and the governor of the khanate of Ganjeh, Javād Khān Qajar. Drawing on contemporary Russian and Iranian records, it includes a daily account of Tsitsianov’s preparation, siege and the storming of the fortress of Ganjeh, which led to the First Russo-Iranian War (1804–13). The essay further includes two special maps—the first is the map of the South Caucasus in 1800 and the route of the invasion; while the second is based on a rare Russian military map that reveals the siege and storming of the fortress.  相似文献   
62.
Summary

This article deals with laissez faire arguments as distinguishable in Europe between the final decades of the nineteenth century and 1914. The focus is on Herbert Spencer and the British ‘Individualists’, the Italian Vilfredo Pareto, and the Frenchman Paul Leroy-Beaulieu. Analysis concentrates on the relationship between laissez faire formulations and democracy, the latter amounting to the impact of the extension of the franchise on representative government. All the mentioned authors blamed the mechanisms of democratic government for the contemporary growth in state functions. While Spencer focused on the threat of a new class legislation after the demise of aristocratic power, Pareto and Leroy-Beaulieu viewed the pressure of lobbies and parties as the chief cause of the extension of state interventions. This article also aims to detect similarities and differences with more recent formulations. It is argued that Friedrich Hayek's achievement was to reconcile, against earlier perspectives, laissez faire with democracy. The reconciliation rested on a conceptualisation of democracy as a valuable method or procedure, onto which no values should be grafted.  相似文献   
63.
ABSTRACT

In an interview with Brona? Ferran, Paul Brown recalls his involvement with people and places formative in shaping important countercultures of the 1960s and his long-term interest in generative art processes. He describes his interests since childhood in art and technological thinking which was further inspired by the Cybernetic Serendipity exhibition at the ICA in 1968. Shortly before seeing this, he had left art school, discouraged by a tutor who, on seeing a system-based drawing he had made, told him he would never become an artist. This exit proved liberating as Brown swiftly went on to forge an autonomous route working on light-shows and other multimedia events particularly at The Blackie in Liverpool, which had links to Drury Lane Arts Lab and other centres of radical experimentation. He returned to college in the early 1970s to study art and computing which became the basis of his successful art career.  相似文献   
64.
65.
In the late 1810s, Jeremy Bentham wrote a set of texts entitled Not Paul, But Jesus, arguing against the religious authority of St. Paul, and the principle of asceticism he propagated. This paper argues that Bentham’s critique of the principle of asceticism was not only or primarily a religious one, but a political one. Bentham objected to the principle of asceticism because it could be used to provide practical and ideological support for tyranny. The principle of asceticism, as a principle which repudiated common pleasures, provided a ‘cloak’ for tyranny, in giving rulers a reason to establish laws which penetrated further into the everyday activities of men and women (than would have been justified under the principle of utility), and so enabled them to increase their power over their subjects. The principle of asceticism also enabled rulers to create the conditions of fear and social isolation, which encouraged obedience to their laws. The Not Paul texts and related writings can be read as an extended argument against the principle of asceticism as a political principle, and as a defence of common pleasures.  相似文献   
66.
Paul Muldoon's “Madoc: A Mystery” remains his longest poem and most thorough vision of an alternative history. This article argues that Muldoon's poem works to stage not only a visionary history of America but also, via the uneasy relations that develop between its two main characters (semi-fictionalised versions of Samuel Taylor Coleridge and Robert Southey), a dramatisation of the conflict that obtains between competing modes of historical understanding. Muldoon's Coleridge and Southey represent stances that may be usefully regarded as parallel to positions advanced in the famous debate regarding interpretation between Hans-Georg Gadamer and Jürgen Habermas, thinkers whose names appear in the poem itself. To read the poem in light of this connection between its fantastical transatlantic history and the history of critical theory allows a reading of Muldoon's treatment of both literary and political histories as secondary to the work's playful exploration of struggles between modes of historical interpretation.  相似文献   
67.
ABSTRACT

Surface thermometers were developed in the latter half of the nineteenth century. From the 1850s through the 1880s, collaborations between physicians, research scientists, and instrument makers produced clear improvements in the technology to measure cranial surface temperatures, with development of self-registering mercury surface thermometers resistant to pressure and little influenced by ambient temperature, apparatus for recording cranial surface temperatures from multiple stations simultaneously, and development of thermoelectric apparatus. Physiologic studies of cranial surface thermometry were conducted over a quarter century from 1861 to 1886. Beginning in the 1860s Albers in Bonn, Germany, and Lombard at Harvard and later in England systematically investigated surface temperatures on the head using surface thermometers and thermoelectric apparatus; they demonstrated that head temperatures were variable over time and across individuals and were not clearly influenced by thinking or muscular contraction but were influenced by ambient air temperature. In 1880 Amidon in the United States claimed that cranial surface thermometry during exertion produced localized increases in surface temperature on the contralateral scalp in a specific pattern (“external motive areas”) indicating underlying brain areas responsible for each movement. Amidon’s results were not reproduced by experienced physiologists in England or France. Contemporaries recognized that significant technical and practical problems limited the accuracy and reliability of cranial surface thermometry. Physiological studies of cranial surface thermometry ended in the mid 1880s, although some clinicians who were early advocates promoted its use in clinical contexts into the early twentieth century.  相似文献   
68.
ABSTRACT

Surface thermometers were developed in the latter half of the nineteenth century. In 1877, Broca, already famous for his contributions to the cerebral localization of nonfluent aphasia, presented his first clinical observations on cranial surface temperatures: In two cases, cranial surface temperatures were decreased over a middle cerebral artery infarction, and increased in surrounding areas, which Broca attributed to “compensatory hyperaemia.” As Broca made apparent in a later report in 1879, he had used a “thermometric crown,” an apparatus consisting of six to eight large-reservoir mercury thermometers strapped against the head. Following Broca’s report, American neurologists reported cases in which cranial surface temperatures were increased either locally over a superficial brain tumor or globally with a cerebral abscess. Despite promising anecdotal reports, contemporaries recognized that significant technical and practical problems limited its accuracy, reliability, and clinical utility. Advocates never demonstrated that this technology provided significant marginal benefit to the medical history and physical examination. The technique fell out of fashion before 1900, though some early advocates promoted it into the early twentieth century. It was ultimately replaced by more effective technologies for cerebral localization and neurological diagnosis.  相似文献   
69.
ABSTRACT

The paper discusses Paul Tillich’s changing conception of a “prophetic critique” of contemporary culture and society through the notion of a “kairos”, the moment of fullfilled time. It shows how Tillich refers both to a specific notion of prophecy (developed in Max Weber’s reflections on charisma) and to a concept of eschatological time (developed in Karl Barth’s dialectical theology). In different texts from the 1920ies and the 1950ies, Tillich uses the idea of “kairos” for a critique of the “idols” of bourgeois culture that is both radical and urgent. However, read in their historic sequence, these texts also reveal the difficulty of upholding the urgency of such a critique over time – as a result, Tillich’s notion of “kairos” becomes more and more reflexive and self critical as the possibility of prophetic critique is concerned.  相似文献   
70.
ABSTRACT

In the twilight of the twentieth and beginning of the twenty-first century, Catholic theologians and journalists who identified as members of the neoconservative political movement crafted a narrative of John Paul II's encyclical Centesimus Annus as a representing a sea-change in Catholic social teaching. In this neoconservative reading, the Catholic Church embraced a specifically American style of late twentieth century laissez-faire capitalism. However, an examination of Centesimus Annus reveals that the text is consonant with the teaching of twentieth century popes. What is more, recent publications enable us to get a clearer view of how neoconservatives were able to craft their narrative of the encyclical.  相似文献   
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