排序方式： 共有406条查询结果，搜索用时 0 毫秒
71.
A complete structural analysis of the bell tower of Santa Maria del Carmine in Naples (Italy) has been developed by using a 3D FE model based on the results of detailed experimental investigations in situ. Linear analysis for gravity loads, linear modal analysis, and nonlinear static analysis (Push Over) were carried out in order to assess the seismic capacity of the structure. A check of local out-of-plane failure mechanisms was also performed to verify if the structure is able to attain a global behavior. Problems and solutions related to the different methods are presented and discussed. 相似文献
72.
Eleonora Belfiore 《International Journal of Cultural Policy》2013,19(2):183-202
This article explores the effects of the spread of the principles and practices of the New Public Management (NPM) on the subsidised cultural sector and on cultural policy making in Britain. In particular, changes in the style of public administration that can be ascribed to the NPM will be shown to provide a useful framework to make sense of what has been felt as an “instrumental turn” in British policies for culture between the early 1980s and the present day. The current New Labour Government, as well as the arm's length bodies that distribute public funds for the cultural sector in Britain, are showing an increasing tendency to justify public spending on the arts on the basis of instrumental notions of the arts and culture. In the context of what have been defined as “instrumental cultural policies”, the arts are subsidised in so far as they represent a means to an end rather than an end in itself. In this perspective, the emphasis placed on the potential of the arts to help tackle social exclusion and the role of the cultural sector in place‐marketing and local economic development are typical examples of current trends in British cultural policy making. The central argument purported by this article is that this instrumental emphasis in British cultural policy is closely linked to the changes in the style of public administration that have given rise to the NPM. These new developments have indeed put the publicly funded cultural sector under increasing pressure. In particular, it will be shown how the new stress on the measurement of the arts' impacts in clear and quantifiable ways – which characterises today's “audit society” – has proved a tough challenge for the sector and one that has not been successfully met. The article will conclude by critically considering how the spread of the NPM has affected processes of policy making for the cultural sector, and the damaging effects that such developments may ultimately have on the arts themselves. 相似文献
73.
Marilyn Palmer 《Post-Medieval Archaeology》2013,47(1):73-91
The development of industrial archaeology over the last 50 years can be traced through articles published in PMA. The early stages of recording the standing remains of industrial activity were augmented by detailed studies of groups of structures which revealed the organization of the manufacturing process. From the late 1980s, developer-funded excavations became important following extensive remediation work on brownfield sites. Greater attention was paid to the social context of past industrial activity including workers’ housing and institutional buildings, and this has continued with studies of oral history. New challenges considered include studies of modern technologies, de-industrialization and the digital revolution. 相似文献
74.
SUMMARY: In 1842 the former first government house located at Okiato, New Zealand, burnt to the ground and the site was abandoned. A well on the site was excavated in 1994–95, revealing a base layer of burnt timbers, a Maori digging stick and ceramic sherds with an estimated manufacture date range of 1823–41. We argue that this deposit is derived from the 1842 destruction of the Okiato government house building. An analysis of the wood identified kauri (Agathis australis) and kahikatea (Dacrycarpus dacrydioides), confirming that the building was not a prefabricated imported structure, but rather was constructed on site from locally available timber. 相似文献
75.
Prisons play an important role in the Australian psyche. As places in which the lawless element of society is incarcerated they possess a resonance that harks back to the stereotyped and mythologised convict foundations of the Australian nation. Many former places of confinement have been transformed into publicly accessible heritage sites and museums, but visitor numbers often do not reflect the widespread public interest in confinement. It is not at all clear how to engage the public with the individual histories of these places. This paper examines this issue by reference to the public display of Fannie Bay Gaol prison museum in Darwin. Changing themes and foci in the display of this site are discussed. The role of the historian and archaeologist is examined in the context of the public presentation of narratives of the Gaol's past. 相似文献
76.
The paper explores some of the key developments in maritime heritage in Britain in recent years and reflects upon the changes that have taken place, particularly in the ways in which maritime history has been defined. It examines some of the work of major heritage theorists and the relevance of their ideas for the expansion and ‘reinvention’ of maritime heritage. In particular, it seeks to evaluate the significance of perceived shifts towards a more accessible and nostalgic form of cultural representation. For maritime heritage, it is suggested that this approach may pose difficulties in that it can serve to promote a romanticised and sometimes uncritical perspective of British associations with the sea. 相似文献
77.
Alix Slater 《International Journal of Heritage Studies》2013,19(4):357-368
Friends' schemes, also known as membership schemes, societies and associations share a common purpose, namely that of providing support for a specified host. This paper makes a contribution to heritage management in two areas by drawing together the limited literature on Friends' and membership schemes and presenting the findings of the first sector‐wide study in the UK. A questionnaire was circulated to members of the British Association of Friends of Museums (BAFM) in 2002. It updates past predictions as to the number of memberships held across the sector, reports on trends, and characterises membership schemes by discussing their nature, management, status, purpose and activities. 相似文献
78.
Susan Ashley 《International Journal of Heritage Studies》2013,19(6):478-488
In order for all citizens to fully belong to a nation or a community, they must have membership in that society’s institutions, systems and social relations on both the formal and everyday levels. Heritage sites are public institutions of formal cultural presentation and informal social encounters where society demonstrates community membership. But in a country such as Canada where global economics and popular culture combine with an unprecedented influx of immigrants, how a community imagines itself and articulates its heritage is changing radically. Canada’s National Historic Sites (NHS) is among the important public institutions devoted to both the presentation of heritage and demonstration of citizen membership. This paper describes how this institution is adapting to changes in imaginings about citizenship, on both the formal and informal level. It looks at how NHS is expanding the involvement of all citizens in the why, what, how and to whom of heritage presentation, evolving its practices to include ethic minorities in its imaginings of Canadianness. Using as an example a new NHS exhibit and designations related to the Underground Railroad and African‐Canadians, the paper considers how historic sites, as formal instruments of the state, can be re‐tuned as informal sites of discourse and negotiation about identity, citizenship and belonging. 相似文献
79.
Howard Leathlean Peter Mason Peter Howard Penelope Byrde 《International Journal of Heritage Studies》2013,19(1):65-72
Wilfrid Blunt & William T. Steam, The Art of BotanicalIllustration, Woodbridge, Suffolk & Wappingers' Falls, New York: Antique Collectors' Club in association with The Royal Botanic Gardens, Kew, 1994. 368 pp., 133 col. and 140 b. & w. illus. ISBN 1-85149-177-5. £29.95. Priscilla Boniface & Peter J. Fowler, Heritage and Tourismin in ‘The Global Village’, London & New York: Routledge, 1993. xiv + 175pp, 18 b.&w.illus. ISBN 0-415-07237-9 £15.99. P. Devereux, Secrets of Ancient and Sacred Places: the world'smysterious heritage, London: Blandford, 1992, 192 pp., 169 Illus., ISBN 0-7137-2229-0, £16.99. J.M. Fladmark, ed., Heritage: conservation, interpretation, enterprise, London: Donhead, 1993, 355 pp., 21 figs., 30 b.& w. illus. ISBN 1-873394-13-6. £35. Roger Miles & Lauro Zavala (eds.), Towards the Museum ofthe Future. New European Perspectives, London & New York:Routledge, 1994. xiv + 203pp., 28 b. & w. illus. ISBN0-415-09498-4. £27.50. Naomi Tarrant, The Development of Costume. London & NewYork: Routledge in conjunction with The National Museumof Scotland 1994. xv+176pp., 72 b.& w.illus. ISBN 0 41508018 5 £35. 相似文献
80.
Josephine Gillespie 《International Journal of Heritage Studies》2013,19(4):338-354
This paper contemplates whether, and in what ways, proprietary interests in land and land usage are affected by a World Heritage listing, using Angkor Archaeological Park, Cambodia, as the case study. The effect is measured through the identification and synthesis of the national legislative and local regulatory response to the implementation of the World Heritage listing. Such an analysis illustrates that the listing imposes significant restraints on land use and ownership which impact directly on the local resident communities of Angkor. A breakdown of the regulatory response also highlights the limitations inherent in the existing regulatory framework. There is a consideration of the concept of ‘ownership’ in a World Heritage site of ‘outstanding universal value’. In raising these issues, this paper highlights the challenges facing heritage managers in attempting to marry local needs with the demands of international heritage protection in the setting of a post‐conflict Southeast Asian nation. 相似文献