北大藏秦水陆里程简“阳”县考辨

北京大学入藏的秦代水陆里程简册中记载秦代有"阳"县存在,关于这一新出现的秦县,前辈学者认为可能是位于今河南省方城县的秦汉"阳城"。然而,从简册中记载的"阳"县下属各乡到其他地区的距离来看,"阳县"不太可能在今方城附近,而更有可能是位于先秦"唐"国故地的"唐"县。其他出土材料所见的"唐"县一般写作"阳",清华简《系年》中还有楚国曾灭"唐(阳)"置县的明确记载。秦代的阳县应该就是继承了楚灭唐国之后所设的阳县。     

广东东莞南汉经幢相关问题辨析

清嘉庆以来广东及东莞地方志中有关于东莞南汉经幢的多种录文,近来又有旧拓公布。通过比对现有资料并对该经幢石刻第一面铭文重新录文,对与该经幢相关的两个重要问题获得了新的认识:其一,这一石刻并不是塔,而是经幢,当时除建有这一经幢外,另建有五层砖塔(或石塔);其二,此幢建造之目的,是为了超度被杀之象,而非镇象。     

从“良渚全考古”到“良博全展示”——以良渚博物院2018年改陈策展为例

良渚考古工作历经八十余年,考古内涵不断丰富,考古价值不断提升,已进入到"良渚全考古"时代,是边发现、边研究、边保护、边利用、边传承的模式。2018年良渚博物院改陈,进入"良博全展示"阶段。现有的展览全面展示良渚考古成果,全面呈现良渚文化内涵,全面阐释良渚文明价值,全面解读良渚遗存信息。良渚的展示除了依靠文物本身或图文所呈现和传递的信息,还采用过程性展示、功能性展示、复原性展示、对比性展示、演变性展示、场景性展示等多种手段,多角度、全方位地解读和展示遗物,力图将良渚文物的故事讲清楚、讲明白。     

“非遗”传承人权利保障机制地方法制评述:兼论“非遗法”的反思与完善

《中华人民共和国非物质文化遗产法》("非遗法")颁布实施以后,我国已就非物质文化遗产(非遗)传承人权利保障相关问题进行地方法制实践。这些地方立法不仅保留了"非遗法"相关规定之精华,同时亦在此基础上进行了创新。这些地方法制的做法不仅具有正当性,还具有诸多亮点和启示。为缓解非遗领域不同位阶法律适用冲突以及平衡、协调非遗传承人权利与义务之间关系,"非遗法"应就非遗传承人权利保障机制等问题进行规定,以最终实现非遗法律体系形式功能与实质功能的统一。     

A journey to Mars: John Dewey’s lectures and inquiry in China

ABSTRACT

Instead of the framework of influence–acceptance commonly used in previous studies, the author uses new sources to reexamine John Dewey’s visit to China from the perspective of interactive experience. This study presents Dewey’s lectures in China as the result of interrelationships among a variety of elements – Columbia University, different hosts and audiences, the media, all levels of the Chinese government, the domestic situation in the United States, the international situation, and Dewey’s expectations and work – against the general background of China’s New Culture Movement and new educational reforms. Dewey’s speeches on democracy, science, and new education were remarkably successful in the first year of his visit to China, but began to meet with resistance from some students beginning in June 1920. Because of the Red Scare in the United States, Dewey had to stay in China. In the second year of his visit, he gave warmly welcomed lectures on the same topics in Jiangxi, Fujian, and Guangdong Provinces. With a deeper understanding of China, Dewey not only identified himself with reform plans but also began to pay more attention to China’s economic problems. His inquiry into the problems confronting China is a good example of what he advocated in his lectures: seeing democracy, science, and new education as a way of thinking and carrying out actions and making intellectual choices while moving forward.     

Loyalist,patriot, or colonizer? The three faces of Zheng Chenggong in Meiji Japan and late Qing China

ABSTRACT

This article examines the transformation of Zheng Chenggong’s image in Meiji Japan and late Qing China. Prior to the mid-nineteenth century, Zheng Chenggong was often depicted as a Ming dynasty loyalist in Chinese narratives and as a Japanese hero adventuring in a foreign land in Japanese narratives. The two groups of narratives converged in the late nineteenth and early twentieth centuries, transforming Zheng Chenggong into a patriot, an anti-imperialist hero, and a conqueror and developer of Taiwan. Underlying the convergence of Chinese and Japanese narratives of Zheng Chenggong was surging nationalist sentiment in response to different forms of imperialism. This study aims to show how different nationalist agendas activated efforts to recreate Zheng Chenggong’s image in China and Japan at the turn of the nineteenth century.     

Technospatial imaginaries: Masud Rana and the vernacularization of popular Cold War geopolitics in East Pakistan, 1966–1971

Abstract

The cold war in East Pakistan was intimately connected with nationalism and nation-building. One of the central aspects of such nation-building was the articulation of a new sense of national territoriality. Technology was central to these attempts to radically reimagine space. This is what I call technospatiality. Material, political and symbolic resources of the cold war were mobilized in the production of these new technospatialities. Popular cold war geopolitics engendered in cultural productions such as the James Bond films were creatively vernacularized to produce new, nationally useful technospatial imaginaries. In this article I look at how Kazi Anwar Hussain’s hugely successful spy-thrillers articulated this new technospatial imaginaries by drawing upon and reworking contemporary technopolitical objects, projects and anxieties.     

The Economic Degeneration of Masculinity in Rafael Chirbes's En la orilla

Rafael Chirbes's En la orilla has been proclaimed as “la novela de la crisis,” and it has garnered an impressive amount of distinction in the short length of time since its publication in May 2013. It was voted the 2013 novel of the year by readers of El País, and in January 2014 it won the Premio Francisco Umbral, as well as reaching its fifth edition. Unsparingly critical, En la orilla forms an integral part of the cultural requestioning of social values in the wake of the Spanish crisis, “la literatura de la crisis,” which stresses the human and material consequences of the suspension of human values stemming from the social endorsement of market imperialism. En la orilla thematizes the corrosion of moral character during Spain's economic boom, in its multiple forms, such as selfishness, disregard for the elderly, and arrant mercenariness, while also fictionalizing neoliberal Spain's exclusion of immigrants and the poor. Integral to Chiribes's historically contextualized critique of the recession, and the object of my study, is a perceptive vision of the historical degeneration of masculinity from the Second Republic, 1931–1936, to the present day. This article will first provide a brief overview of “la literatura de la crisis,” while the second part illumines the economic and ideological distortion of the father–son relationship in this novel.     

Jaume Cabré's Viatge d’hivern and the Short Story Cycle

Critics have been uncertain as to the genre of Catalan writer Jaume Cabré's 2000 book, Viatge d’hivern. The confusion, I argue, is due to the fact that the volume is a short story cycle, a literary form situated midway between the novel and the short story collection. Forrest Ingram differentiates among composed, arranged, and completed cycles, and Cabré's comments in his Epilogue to Viatge d’hivern indicate that the book is an example of the third category. While he composed its fourteen narratives over a period of years, when he revised them for inclusion in a single volume he discovered that various threads, some secret and others more obvious, connected the stories. In this essay I examine ways in which theme, structure, and motifs, as well as recurrent imagery and wording, form a web of associations among the individual units of Viatge d’hivern.