Heritage destruction in context: the case of the Roman mosaics from Zeugma,Turkey

Needs for protecting cultural manifestations marked as ‘heritage’ are often claimed when they are at the risk of destruction or when they are being destructed. Considering destruction as opposed to protection, groups concerned with heritage, such as the state agencies, archaeologists, and the locals, tend to emphasise the value of heritage. Focusing on the case of the Roman mosaics discovered in Zeugma, southeast Turkey, this paper explores the ways in which the destruction of heritage is perceived and understood, and what aspect of destruction is emphasised to claim its significance for heritage. Analysing in what way destruction of the Zeugma mosaics is problematised, this paper also considers the political aspects of presenting the destruction of heritage, in particular, in campaigns for heritage preservation. Through this, the paper examines how stories of destruction work to produce and enhance the distinction between protection and destruction, and suggests how the fragmentary or ruined state of heritage objects can be alluring.     

Captain Cook upon Changing Seas: Indigenous Voices and Reimagining at the British Museum

ABSTRACT

This article reviews the British Museum exhibition, Reimagining Captain Cook: Pacific Perspectives, 29 November 2018–4 August 2019. It situates the exhibition within a global context of exhibitions held around the 250th anniversary of Cook’s first voyage, and critically considers its attempt to reframe dominant narratives surrounding Cook, his voyages and more broadly the colonization of the Pacific through a focus on Pacific Islander perspectives within a changing museum sector.     

Historical empathy in a museum: uniting contextualisation and emotional engagement

Museums, memorial centres and other heritage institutions use various strategies to evoke an emotional response that serves to elicit empathy with the historical events and actors that are portrayed in exhibitions. To increase historical understanding, however, both emotional engagement with and contextual understanding of these historical figures are needed. Using the concept of historical empathy, this paper examines the continuous interplay between cognitive and affective dimensions of history learning in museums. We conducted a case study at Museon in The Hague, the Netherlands. We studied a learning session on children living through the Second World War, the museum’s strategies employed in the exhibition, the entrance narratives of secondary school students participating in the session and their engagement with the exhibition and with the educational activities. While most of the students did not feel related to WWII prior to their museum visit, the museum managed to engage many of them with personal stories and artefacts and by offering multiple and new perspectives. Our findings underscore the interplay between cognitive and affective dimensions of historical empathy and show that museums can serve as powerful contexts for developing this skill among school students.     

甘肃省博物馆藏佛教文物再探讨

本文对甘肃省博物馆及省内一些地县博物馆的部分佛教藏品作了简要的述评。     

漫谈数字化博物馆

本文主要介绍了数字化博物馆的意义、特点、涉及的领域等问题,指出数字化博物馆将对科学技术和文化艺术的发展产生深刻的影响。     

中小型博物馆陈列如何面向新世纪——武进博物馆陈列工作启示录

县市级博物馆在面向市场经济的今天,如何谋求生存与发展,以保持与经济发展同步,满足人民的精神需求,已成为我们的重要课题。武进博物馆的陈列工作给了我们一定的启发。     

博物馆的陈列及评估——参观南京博物院艺术陈列馆有感

本文以南京博物院艺术陈列馆为例对博物馆的陈列及评估谈了个人的认识。     

丝网版画艺术在展示设计中的运用

本文主要介绍了丝网版画艺术在现代博物馆陈列展示设计中的运用。     

Island Networks and Missionary Methods: Locating Charles E. Fox and Frederick G. Bowie in the History of Pacific Archaeology

ABSTRACT

‘Missionary’ and ‘archaeology’ may appear incongruous partners within contemporary archaeological practice, but archival, museum and oral sources reveal historical connections. This paper explores two missionaries, active in the western Pacific from 1896 to 1973. Reverends Charles Elliot Fox (Melanesian Mission, Solomon Islands) and Frederick Gatherer Bowie (Free Church of Scotland Mission, Vanuatu) both conducted studies related to the prehistory and migration of Pacific people. Both produced material assemblages, as well as textual and visual documents, and formed ideas influenced by their own networks and self identities. The paper examines their data collection methods and relationships with others, considering particularly how their relationships with Pacific Islanders and with psychologist and ethnologist W.H.R. Rivers influenced the missionary research process. By understanding these aspects of their work, Fox and Bowie can be placed within a broader genealogy of Anglophone missionary archaeology dating back to the late 18th century.     

Touching history and making community. The memory of the 1980 Turkish military coup in the 12 September Museum of Shame

ABSTRACT

This contribution draws on ethnography conducted in Istanbul to analyse the Museum of Shame, an amateur exhibition dedicated to the memory of leftist militants who were victims of state violence following the 1980–1983 military coup in Turkey. This museification is the work of a group of ex-revolutionaries and can be considered a cultural practice that challenges statist historiography and creates a mnemonic community. By exhibiting the possessions of murdered militants, it inscribes their personal experiences into collective frames and fosters intergenerational transmission. Its temporality reflects the ethos of the revolutionary fighter, turning mourning into a political statement. However, though this museum practice allows the community to become an agent of history, it is unable to encompass the varying experiences of ex-militants. Its aestheticization of violence and its moral injunctions limit the extent of social solidarity and advance essentialisms that contribute to the construction of marginality from the inside.