从社会发展及用户需求角度看数字博物馆的定义

现阶段文博界普遍认为数字博物馆一般是由博物馆建设的为用户提供数字化物质及非物质遗产服务的网站。从社会发展及用户需求角度出发,数字博物馆定义应该为：数字博物馆一般是由博物馆建设的,为实现文博资源为全社会公平享有的愿景及满足个人对文博资源的最大化需求,而提供数字化物质及非物质遗产服务的网站。     

促进“认同”是当代博物馆的重要任务

"认同"是个人对自我社会身份的认知,与特定社会群体的关系及归属感,是当代社会发展重要的心理保障。文化遗产与特定群体的发展历程和发展需求紧密联系,在认同中起到催化和强化的作用。促进认同将对博物馆的收藏、研究、陈列、教育及观众服务等各项工作提出新的任务、带来新的活力。博物馆必须运用其收藏的文化遗产,揭示遗产蕴涵的多层面信息,帮助人们了解自己的发展历程,认清自身特点,强化自我认同。加强公众的民族认同、文化认同、社会认同和国家认同,是当代中国博物馆不容推卸的社会责任。     

陈列展览策划与博物馆建设

陈列展览是博物馆最基本的职能之一,是博物馆开展公共文化服务的直接载体和最佳切入点。陈列展览策划作为创造性运作陈列展览的有效手段,与陈列展览水平及博物馆建设密切相关。陈列展览策划能力是博物馆核心竞争力的主要构成要素,加强陈列展览策划是适应博物馆事业发展的需要,深化陈列展览策划有助于提升博物馆的文化影响力。探析陈列展览策划与博物馆建设之间的关系,有助于深化对陈列展览策划的理性认识与实践探索,有益于增强对陈列展览策划与博物馆建设重要性的认识。     

台湾地区博物馆发展文化创意产业的理念与实践

文化创意为近年来发达国家地区竞相发展的经济力,我国台湾在地方政府的鼓励扶持下,利用文化创造活力强、文物资源丰富等优势,积极发展文化创意产业,成果突出,其中台北"故宫博物院"具有台湾地区博物馆发展文创产业指标的地位。台北"故宫博物院"通过精心设计展览内涵、向社会开放文物数字资源、培养民众美学素养等方式,吸引并固定了一大批观众;同时还积极开拓商机,征求厂商合作开发文物衍生商品,并结合典藏文物特色设计餐饮空间,文化创意产业获得了可观的产值和显著的社会效应。     

Domestic espionage: David Park's Swallowing the Sun as Troubles thriller

David Park's standing as an author of finely observed works, in which individual frailties are pitted against larger scenarios of conflict and trauma, was recently acknowledged through his winning of the American Ireland Literary Award. His most recent novel, The Truth Commissioner, projects a model of the South African Truth and Reconciliation Commission onto a Northern Ireland setting, and won the 2009 Christopher Ewart Biggs Memorial Award. The novel this essay examines, Swallowing the Sun (2005), can be read as a re-working of the conventional Troubles thriller. In this novel, the traumas of domestic violence feed into and interweave with state violence in Belfast. Poverty and class inequities are highlighted as causes for both private and public conflict. David Park revises the Troubles thriller to suggest that the pressure to be quiet in the face of suffering is the real enemy to both individual and state welfare. Swallowing the Sun is a powerful challenge to established ideas about genre and context in Northern Ireland, and a moving work from a Northern Ireland author who has, until recently, been relatively overlooked.     

三门峡虢国博物馆形式设计综述

三门峡虢国博物馆在空间、整体造型与色彩、环境辅助设施等方面力求艺术性,在造型和色彩设计上具有象征性,而且在功能设计的各个环节强调其功能性,因此取得了良好的效果。     

行业博物馆:城市旅游的重要内容

独特的城市文化使城市已逐渐成为重要的旅游目的地,城市旅游也成为各个城市发展旅游经济的重要举措。博物馆是城市中重要的文化设施,博物馆旅游是一种更具文化内涵、陶冶游客情操、满足游客高层次文化需求和精神享受的旅游形式。行业博物馆充分地展现了某一城市工业文明的发展历程,在城市工业旅游中扮演着重要的角色。     

Engaging with the future of ‘critical heritage studies’: looking back in order to look forward

This article engages with the Association for Critical Heritage Studies Manifesto which argues that heritage studies is in need of a complete renovation. We do so by looking back to two earlier moments. The first when museum studies also called for a renovation, drawing on those experiences as potentially instructive for the immediate future of heritage studies. The second a debate within cultural studies on the value of engagement with the world outside of academia to achieve the discipline’s political aims. Thus, while agreeing with the questions posed by the Manifesto, we argue that rather than casting the terms of the debate in a way that positions the professional field as needing renovation from without, we might do better by fostering a more ‘organic’ sense of intellectual work, one that values engagement and collaboration rather than critique for its own sake. Our conclusion points to the importance of the teaching of heritage studies as a potential site for such a practice as well as more collaborative models of research practice.