From Greece to Babylon: The political thought of Andrew Michael Ramsay (1686–1743)

This paper explores the political thought of Andrew Michael Ramsay with particular reference to his highly acclaimed book called A New Cyropaedia, or the Travels of Cyrus (1727). Dedicated to Prince Charles Edward Stuart, the Young Pretender, to whom he was tutor, this work has been hitherto viewed as a Jacobite imitation of the Telemachus, Son of Ulysses (1699) of his eminent teacher archbishop Fénelon of Cambrai. By tracing the dual legacy of the first Persian Emperor Cyrus in Western thought, I demonstrate that Ramsay was as much indebted to Jacques-Bénigne Bossuet's Discourse on Universal History (1681) as he was to Fénelon's political romance. Ramsay took advantage of Xenophon's silence about the eponymous hero's adolescent education in his Cyropaedia, or the Education of Cyrus (c. 380 B.C.), but he was equally inspired by the Book of Daniel, where the same Persian prince was eulogised as the liberator of the Jewish people from their captivity in Babylon. The main thrust of Ramsay's adaptation was not only to revamp the Humanist-cum-Christian theory and practice of virtuous kingship for a restored Jacobite regime, but on a more fundamental level, to tie in secular history with biblical history. In this respect, Ramsay's New Cyropaedia, or the Travels of Cyrus, was not just another Fénelonian political novel but more essentially a work of universal history. In addition to his Jacobite model of aristocratic constitutional monarchy, it was this Bossuetian motive for universal history, which was first propounded by the German reformer Philipp Melanchthon in his Chronicon Carionis (1532), that most decisively separated Ramsay from Henry St. John, Viscount Bolingbroke, author of another famous advice book for princes of the period, The Idea of a Patriot King (written in late 1738 for the education of Frederick Lewis, Prince of Wales, but officially published in 1749).     

THE POETICS OF ANCIENT GREEK MEMORY AND THE HISTORICAL IMPERATIVE

This book examines Greek engagements with the past as articulations of memory formulated against the contingency of chance associated with temporality. Based on a phenomenological understanding of temporality, it identifies four memorializing strategies: continuity (tradition), regularity (exemplarity), development, and acceptance of chance. This framework serves in pursuing a twofold aim: to reconstruct the literary field of memory in fifth‐century bce Greece; and to interpret Greek historiography as a memorializing mode. The key contention advanced by this approach is that acts of memory entailed an “idea of history” that was articulated not only in historiography, but also in epinician poetry, elegy, tragedy, and oratory. The book offers a rich account of poetic conventions and contexts through which each of these genres counterbalanced contingency through the use of exemplary and traditional modes of memory. This fine analysis highlights the grip of the present on the past as a significant feature of both historiographical and nonhistoriographical genres. The essay argues that this work fills a disciplinary gap by extending the reflection on memory to a new period, Greek antiquity. The retrospective positioning of this period at the outset of Western historical thought brings Grethlein's investigation to the center of debates about memory, temporality, and the meaning history. In engaging with the book's argument, the essay suggests that historiographical memory emerged in Greece not as a first‐order encounter with time, but as a second‐order encounter with forgetting. This confrontation marked a certain separation of historiography from other memorializing genres. Whereas poetic and rhetorical memories were posited against contingency, historiography sought to retrieve those aspects of the past that may otherwise have been irretrievably lost and forgotten. In doing so, it formulated the historiographical imperative as a negation of forgetting that problematized the truth‐value of memory and the very act of remembering the past.     

Thomas Mann und Luther

At the center of Sophocles’ Antigone is a struggle to reconcile personal beliefs with the needs or dictates of society. At no time is such a struggle more relevant than in periods of war, so it is not surprising that new adaptations of Antigone cluster around periods of armed conflict, whether between nations or within a single nation itself. In Luis Rafael Sánchez’s The Passion of Antígona Pérez (1968)—the subject of this essay—the nation or territory in question is one not typically featured in Western anthologies of drama: Puerto Rico, in the troubled possession of the United States.     

Greek nationalism,architectural narratives,and a gymnasium that wasn’t

Abstract

This paper seeks to further the discussion that positions archaeological interpretation as a practice entangled between professional ethics and political circumstances. Perhaps the most obvious route for the mobilisation of extant architecture is to recruit it into nationalist discourses. An example of this is the case of the Roman Bath-Gymnasium Complex at Salamis (Cyprus), which can be used to illustrate how nationalism can call forth convenient narratives about material culture. Excavations (1952–1974) revealed the remains of a massive structure, and Vassos Karageorghis, the principal excavator, identified it as a ‘Gymnasium’. This paper demonstrates that Karageorghis’ hitherto well-accepted interpretation remains largely conjectural due to the absence of hard archaeological evidence. By examining the architectural characteristics of the remains and analysing the published excavation data, the paper explains how the present structure belongs to a bath-gymnasium complex, erected during the Roman period, and is an amalgamation of Roman and Greek culture. The paper revolves around the argument that the Romans’ role in negotiating the socio-cultural differences, which ultimately enriched the existing structures, has been systematically downplayed in the architectural narratives for the sake of presenting a homogeneous ethnic-cultural continuity from the Homeric Greek world down to the contemporary Cypriote Greek society.     

Reconsidering the Metamorphosis of Io: on Texts,Images and Dates

This article reconsiders the portrayal of Io's metamorphosis in texts and images from the fifth century BCE. It discusses points of synchronicity and diachronicity, innovation and variety in this myth. While the depiction of Io on vases may not help us date with more certainty the texts of the fifth century BCE, including the Prometheus Bound and Bacchylides’ Ode 19, I argue that the comparison between texts and images may draw attention, instead, to a synchronic variety in the depiction of Io in the decades preceding and following the mid-fifth century BCE. This shift in perspective leads me to advance the proposition that myth interpretation may be revitalized by a paradigm shift from “tree” to “network”.     

Cribra orbitalia and porotic hyperostosis in a Greek colonial population (5th to 3rd centuries BC) from the Black Sea

Cribra orbitalia and porotic hyperostosis in Greek skeletal remains have typically been attributed to a genetic anaemia, most notably thalassemia due to the presence of endemic malaria in the Mediterranean region. This paper reports the results of an analysis of cribra orbitalia and porotic hyperostosis in a Greek colonial population (5th to 3rd centuries BC) from the Black Sea. Archaeological evidence, stable isotopic data, and other skeletal indicators of physiological stress are examined to determine the most likely cause(s) of these lesions. While the possibility that some of the colonists of Apollonia suffered from thalassemia cannot be entirely discounted, the skeletal evidence examined in this study is not consistent with a diagnosis of thalassemia. We must therefore be cautious in assuming that cribra orbitalia and porotic hyperostosis in Greek skeletal remains, and indeed skeletal remains from any region where malaria was endemic in the past, is always indicative of this condition. Nutritional deficiencies and exposure to infectious diseases probably played an equally, if not more, important role in the development of these lesions. Copyright © 2006 John Wiley & Sons, Ltd.     

Memorial soliloquies in post-colonial Rhodes and the ghost of Mediterranean cosmopolitanism

This paper is based on a close reading of Greek and Rodesli (Rhodian Jewish) narratives focusing on the time when Rhodes was under Italian (1912–1943) and then German (1943–1945) rule, the last period when religiously diverse communities coexisted in the island. While Greek historiography seeks to vindicate the island’s final integration into the Greek national space, Rodesli memory is meant to preserve the heritage of a community destroyed by the Nazis. Notably, these corpuses make no references to one another. This phenomenon of soliloquy, the article argues, is illustrative of a competitive memory characteristic of recollections of the past in the eastern Mediterranean and challenges nostalgic invocations of a pre-national, “cosmopolitan” Mediterranean. Broadening the discussion to other post-Ottoman settings, the article draws attention to property redistribution in the aftermath of ethnic cleansing as a major factor in the separation of memory along communal lines. Noting the omnipresence of the figure of the “ghost” in the literature on the region, the paper finally explores the heuristic potential of hauntology to conceive histories of the region that would be inclusive and yet attentive to the differences in the nature, purpose and reciprocal indifference of the sources and of the asymmetrical relations of power in which they were produced.