Greek nationalism,architectural narratives,and a gymnasium that wasn’t

Abstract

This paper seeks to further the discussion that positions archaeological interpretation as a practice entangled between professional ethics and political circumstances. Perhaps the most obvious route for the mobilisation of extant architecture is to recruit it into nationalist discourses. An example of this is the case of the Roman Bath-Gymnasium Complex at Salamis (Cyprus), which can be used to illustrate how nationalism can call forth convenient narratives about material culture. Excavations (1952–1974) revealed the remains of a massive structure, and Vassos Karageorghis, the principal excavator, identified it as a ‘Gymnasium’. This paper demonstrates that Karageorghis’ hitherto well-accepted interpretation remains largely conjectural due to the absence of hard archaeological evidence. By examining the architectural characteristics of the remains and analysing the published excavation data, the paper explains how the present structure belongs to a bath-gymnasium complex, erected during the Roman period, and is an amalgamation of Roman and Greek culture. The paper revolves around the argument that the Romans’ role in negotiating the socio-cultural differences, which ultimately enriched the existing structures, has been systematically downplayed in the architectural narratives for the sake of presenting a homogeneous ethnic-cultural continuity from the Homeric Greek world down to the contemporary Cypriote Greek society.     

THE POETICS OF ANCIENT GREEK MEMORY AND THE HISTORICAL IMPERATIVE

This book examines Greek engagements with the past as articulations of memory formulated against the contingency of chance associated with temporality. Based on a phenomenological understanding of temporality, it identifies four memorializing strategies: continuity (tradition), regularity (exemplarity), development, and acceptance of chance. This framework serves in pursuing a twofold aim: to reconstruct the literary field of memory in fifth‐century bce Greece; and to interpret Greek historiography as a memorializing mode. The key contention advanced by this approach is that acts of memory entailed an “idea of history” that was articulated not only in historiography, but also in epinician poetry, elegy, tragedy, and oratory. The book offers a rich account of poetic conventions and contexts through which each of these genres counterbalanced contingency through the use of exemplary and traditional modes of memory. This fine analysis highlights the grip of the present on the past as a significant feature of both historiographical and nonhistoriographical genres. The essay argues that this work fills a disciplinary gap by extending the reflection on memory to a new period, Greek antiquity. The retrospective positioning of this period at the outset of Western historical thought brings Grethlein's investigation to the center of debates about memory, temporality, and the meaning history. In engaging with the book's argument, the essay suggests that historiographical memory emerged in Greece not as a first‐order encounter with time, but as a second‐order encounter with forgetting. This confrontation marked a certain separation of historiography from other memorializing genres. Whereas poetic and rhetorical memories were posited against contingency, historiography sought to retrieve those aspects of the past that may otherwise have been irretrievably lost and forgotten. In doing so, it formulated the historiographical imperative as a negation of forgetting that problematized the truth‐value of memory and the very act of remembering the past.     

Reconsidering the Metamorphosis of Io: on Texts,Images and Dates

This article reconsiders the portrayal of Io's metamorphosis in texts and images from the fifth century BCE. It discusses points of synchronicity and diachronicity, innovation and variety in this myth. While the depiction of Io on vases may not help us date with more certainty the texts of the fifth century BCE, including the Prometheus Bound and Bacchylides’ Ode 19, I argue that the comparison between texts and images may draw attention, instead, to a synchronic variety in the depiction of Io in the decades preceding and following the mid-fifth century BCE. This shift in perspective leads me to advance the proposition that myth interpretation may be revitalized by a paradigm shift from “tree” to “network”.     

Indigenous Archaeologies of Crete, 1878–1913

This article makes a contribution to the emerging study of alternative, indigenous and subaltern archaeologies, using the Mediterranean island of Crete as a case study. My focus is on the crucial political developments that took place during the late nineteenth and early twentieth centuries, particularly the establishment of the Cretan State. These developments coincided with and facilitated the consolidation of archaeology as a scientific discipline and a state policy on the island. The Cretan population of the countryside ‘contested’ the new attitudes towards the material past by persevering with embedded practices that questioned the validity of scientific approaches. What kind of indigenous imagination underscored such practices? And how did the peasants interact with the new dogma regarding antiquities? Contrary to other groups involved, such as local and Western archaeologists, the rural Cretans remain among the ‘great unknowns’: accounts of relevant events by their own pen are scarce, highlighting the importance of oral historical sources. I therefore present these people through the voices of the others. Archival material such as administrative documents, correspondence, memoirs and newspaper articles, critically assessed, are used for this purpose. This research is also influenced by autobiographical archaeology, as glimpses of my personal work experience and family background overlap with the archival data discussed here.