Revising history: Elvira Giallanella’s Umanità and the editing of gender

A mix of fantasy, history, spirituality, and political engagement, Elvira Giallanella’s film, Umanità (1920), is a sort of Carrollian ‘through the looking glass’ in which reality resembles itself but upside-down. In the immediate aftermath of WWI, Giallanella’s film – a revision of Vittorio Emanuele Bravetta’s 1916 children’s story from 1916. children’s story – both reflects and critiques gender roles that had been temporarily fissured by the war itself. A feminist position transpires in the juxtaposition of the pre-war male-authored text with the postwar female-directed film, further revised by men. An invaluable historical source, Umanità not only offers insight into a woman’s and a feminist’s perspective on the Great War and its aftermath but also sheds light on the moral, political, and philosophical atmosphere of destabilization at the time. Coming full circle, Umanità suffered from the very same revisions by the re-established postwar patriarchy, and by the end of the 1920s, cinema itself had been reclaimed as male territory, leaving the film lost amongst the debris. Umanità’s resurfacing in 2007 allows us to reflect on the process of history-making in itself: what is omitted, what is included, and more importantly whose voices will be validated enough to be heard along the way. This instance – one amongst several – can serve as an example of how history is indeed a continuous process made up of (re)visions, and never a singular, univocal one.     

The image of ‘all good Italians’. The Eichmann trial seen from Italy

ABSTRACT

The Eichmann trial held in Jerusalem in 1961 marked a turning point in the international public’s collective awareness of the extermination of Jews in Europe. In Italy, the trial contributed to the mainstream narrative of the events that concerned the deportations of the Jews. The Italian case was mentioned in the indictment of the attorney general, Hausner, and in the deposition of the only witness present at the trial, Hulda Campagnano. In this article, our analysis of the trial’s reception in Italian newspapers and media shows that the Jerusalem reports, especially through misrepresenting the words of Campagnano, created the image of Italians as ‘good people’, who would help Italian and foreign Jews, against the wishes of the Nazis. At the same time, the responsibility of Italian Fascism for the anti-Jewish laws in 1938 and the role of Italians in the arrests and deportations of Jews since 1943 have been neglected.     

Roman Millstones from Orvieto (Italy): Petrographic and Geochemical Data for A New Archaeometric Contribution

The probable site of extraction and production of Pompeian‐style leucite‐bearing millstones, singled out by Peacock (1980, 1986) in the vicinity of Orvieto, and the outcropping of the ‘Leucitophyre’ lava have been systematically studied employing standard petrographic and geochemical methods (optical microscopy and ICP–AES/MS spectrometry). The combination of petrochemical data, previously very poor, allowed us definitively to exclude the possible ‘overlap’ of phonolitic and tephri‐phonolitic lavas from other Quaternary Volcanic Districts of Latium, and provides a helpful tool for future work on leucitite millstones. Consequently, the databank obtained has been used to attribute the origin of five Roman millstones discovered in three archaeological sites in central Italy (Latium and Marche). It has also been useful to verify the geological provenance of some Sicilian and French leucitite millstones analysed by previous workers. The results point to a provenance from the Orvieto area, with the exception of the millstones from Sicily, for which a different origin was hypothesized.     

Fragments from many pasts: layering the toponymic tapestry of Milan

In the recent literature on the cultural politics of naming, toponyms and street names are increasingly read within the wider social–historical context upon which naming is contingent. In this perspective, naming is often seen as an act of power and a way to inscribe an ideological discourse into the landscape. In this article, we analyze the street names currently inscribed in the historical center of the Italian city of Milan, Italy as a reflection of its long and contested social and political history. Fragments of all the different toponymic regimes and hegemonic discourses that took over one after the other over time have remained inscribed in Milan’s street network, originating a complex tapestry in which different pasts revive and conflicting ideologies co-exist. In this context, we examine the role Geographical Information Science (GIScience) methods and technologies play in quantifying, revealing, and visualizing the spatial patterns of downtown Milan’s toponymic texture at the urban scale and at the scale of the six historical neighborhoods.     

意大利工业区与华人的双重挑战

论文分析了全球性竞争压力对工业区适应机制的影响及工业区的竞争优势以及工业区内部形成的华人经济的潜在威胁,探讨了在新的条件下将这种威胁转化为新的发展机遇的可能性。认为华人经济的特殊优势使华人企业越来越活跃,但却使当地企业日益萎缩。这反过来又促使当地经济整体进行转型;华人企业家的某些优势在于其跨地区和跨国网络;华人移民对其祖籍国潜在商业伙伴的能力和品德有深度了解,如果能发挥中介作用,意大利当地企业就能使其工业生产及产品销售国际化。     

Protagonists and politics in the Italian women's movement: a reflection on the work of Annarita Buttafuoco

This article retraces Annarita Buttafuoco's work as a historian of the women's political movement in Italy through a brief survey of her essays and books. These covered more than two centuries of history, ranging from the echoes of the French Revolution in Italy and the constitution of the Jacobin Republics to the struggles for female suffrage and emancipation in the liberal era down to the period after the Second World War and the founding of the Italian Republic. Emphasizing the originality of both the sources and the methodological approaches she used, the article offers a critical appreciation of Annarita Buttafuoco's research and her role in organizing and shaping collective research projects. It is focused on three specific issues: the history of women as conscious historical subjects, the history of women's political movements not only in their social and political contexts but also in relation to institutional networks and the practices of citizenship.     

Racisms compared: Fascist Italy and ultra-nationalist Japan

This article tries to compare the racisms of Fascist Italy and ultra-nationalist Japan as evidenced by foreign policy, attempting to categorize them into three dimensions: the inner logic of the nation state; the justification of expansionist foreign policies; and as an accelerator of cruelty in war. It also surveys Italo-Japanese relations by choosing some points of contact to scrutinize how different racisms reacted to each other.     

A colpi di cuore. Storie del sessantotto

This article attempts to tackle the problem of how a colonial culture that was elaborated through the written word may have impacted on an Italian society that was significantly more ‘backward’ than its western European counterparts. The Prima Guerra d'Africa (1885-96) has often been seen as a military campaign desired exclusively by an isolated Italian government in a society that was incapable of using the occasion to develop cultural themes that impacted on the desires and aspirations of the ‘real’ Italy. This supposed societal dysfunction meant that Italy failed to create a ‘culture of imperialism’ in the years of the Scramble for Africa in a way that has now come to be considered of such central importance for the histories of France, Britain or even Germany.

Through an analysis of the role played by primary schools in Italian culture in these years, this article attempts to reverse this view, arguing that even taking into consideration Italy's ‘backwardness’ there was not only a great awareness of what Italy was supposedly doing in Africa but also a serious attempt to load the events that occured there with a meaning that had a much more intimate relationship with Italy's population. Although defeat in Africa meant a major setback in this process, imperialism as a cultural phenomenon continued to be of fundamental importance to the progress of nation building and the development of nationalism in Italy and, Finaldi argues, it should therefore be assigned a place in Italian culture that is much more on a par to that which culture and imperialism are deemed to have held for other European nation-states.     

Lost primacy: crime in Italy at the end of the twentieth century

This article attempts to answer four questions. First: has Italy today, or has it had in the last thirty years, rates of theft, robbery and homicide that are higher than those in other western European countries? Second: have crime statistics in Italy followed the same pattern as in other European countries in the same period? Third: have crime statistics become more or less comparable in the western European countries in this period? Fourth: what factors have determined changes in crime rates in Italy in recent decades?