Portuguese Immigrant History in Twentieth Century South Africa: A Preliminary Overview

Abstract

South Africans of Portuguese descent probably constitute ten to fifteen per cent of the white South African population. Yet it is a remarkably under-researched population. This article attempts to lay out a research agenda to address this large historiographical gap. It begins with an overview of the sparse literature on Portuguese immigrants and then provides a basic narrative of three discernible waves of migration from the late nineteenth century until the late 1970s. The first and longest wave involved impoverished citizens of the island of Madeira. The second involved more skilled mainlanders from about 1940–1980, most coming in the 1960s and 1970s. The final wave involved Mozambican and Angolan ex-colonial refugees. The paper suggest several areas of possible historical research on Portuguese-South Africans: the degree of their coherence as a “community”; their generational continuity and discontinuity; and in general, the nature of transnational hybridised identity in its racial, religious and political dimensions.     

“Punching Above its Weight”. The Mafikeng Anti-Repression Forum (Maref) and the Fall of Bophuthatswana

Abstract

This article traces the history of the Mafikeng Anti-Repression Forum (Maref) that operated in the former homeland of Bophuthatswana from early 1990 to late 1994. It was the only human rights organisation in Bophuthatswana. Maref's work was in five areas. Firstly, it monitored human rights abuses as a consequence of political repression in the homeland. Secondly, it responded to these abuses by means of disseminating the facts behind them. Thirdly, it attempted to defend the interests of the victims by means of seeking legal redress and relief from suffering and deprivation. Fourthly, it agitated for political change in Bophuthatswana in accordance with the changing nature of political reform in South Africa as a whole. Lastly it collated and published the information that formed an essential component of the negotiations that led to the new dispensation in 1994. For these activities, Maref members were severely harassed. The role the organisation played generally has received little analysis or comment, and is deserving of a place in the annals of human rights activities and activists during this period of transformation and upheaval in South Africa.     

射艺、纪恩与威德:乾隆皇帝与熊

熊是传统礼制中,天子和诸侯在射礼中的靶标,而乾隆皇帝的政治生命,实起于猎熊。即位后,他创新礼制,将满洲行围旧俗和传统射礼的礼制相结合,形成了新军礼秋狝,而典礼的高潮之一即为射熊。他不仅撰写诗文来纪念祖父助他射熊旧事和自己的猎熊活动,还将熊皮披覆于木胎之上,用作藏传佛教神坛陈设的配祀神像,后改为油画木胎熊配祀。对于乾隆皇帝而言,熊不仅仅是一种猎物,也成了军礼射艺、纪祖父施恩与战神威德的投射。     

Irrational amusements,theatre law,and moral reformers in nineteenth-century America: implications for later popular music study

This paper considers several case studies of conflicts between moral reformers active in US cities and venues catering to working-class audiences from the 1860s to 1880s. For moral reformers, theatrical entertainments, particularly forms with no educational or moral purpose, were deeply corrupting and threatened not only the well-being of the individual, but also that of the nation. These case studies show that tensions emerged when popular styles sought to expand their audience beyond their traditional patrons or to move into respectable areas of the city – in other words, when they did not stay in their traditional place. This is also true of the many hybrid musical forms that combined European-based folk or religious styles with African-American music. Forms such as jazz and rock ‘n’ roll did not elicit significant protest until they began to find an audience in northern cities among middle- and lower-middle-class youth. Exploring how laws were changed in response to earlier conflicts adds a crucial historical perspective to popular music studies, which tends to remain firmly focused on music from the mid-twentieth century onwards.     

Funding the ‘nation’ in the national theatre of Scotland

The National Theatre of Scotland (NTS) is a an innovative and ground‐breaking, non‐building‐based, commissioning and producing cultural institution, established in the wake of the devolution of the Scottish Parliament. This article sketches the contours of this new model of a national theatre, exploring the complex dialectic between various economic, political, social and artistic choices, forces and factors that have influenced, and continue to influence, the formative years of the NTS. The article charts changes to the company during these early years and, most significantly, notes the potential effect that the change from arm’s length to direct government funding might have on the company’s long‐term development. It is argued that direct funding aligns the arts too closely to political agendas rather than supporting artistic freedom and expression.     

The Takarazuka Girls’ Revue in the West: public–private relations in the cultural diplomacy of wartime Japan

This essay examines wartime Japan’s establishment of culture bureaus and its promotion of the Takarazuka Girls’ Revue in allied European nations and the United States in a moment of international crisis. This overseas cultural policy was part of a series of alternative strategies employed by the Japanese Ministry of Foreign Affairs in an effort to persuade the West to acknowledge Japan’s self‐appointed role as a leader in East Asia, capable of producing advanced cultural products on a par with those of western nations. Key features of this essay include the negotiation between state goals and private interests in the performance of cultural diplomacy, as well as the aesthetic articulation of a hybrid Japanese culture which was traditional yet fully modern, particularly as presented on stage through a display of the female body.     

The Communion of St Denis and the Feast of Corpus Christi in the 15th-Century Stained Glass of All Saints North Street in York

Abstract

A text scroll in a miraculous mass scene in the parish church of All Saints North Street in York contains a breviary text from the Communion of St Denis. English unfamiliarity with the Communion legend and the unusual iconography of this particular version have both contributed to earlier misidentifications of this scene as a St Gregory’s Mass. In fact, this window contains the only surviving example of the Communion of St Denis in English stained glass. The All Saints’ glass also contains evidence of a now-missing St Gregory’s Mass, arguably in the same window as the Communion scene. These mass scenes were occasionally used separately to signify the feast of Corpus Christi. Combining them in the same window would have created a potent set of images that showed different aspects of the Body of Christ. More complex cross-references between the texts and images in this glass suggest clerical involvement in a choice of iconographies that would have reflected the devotional interests of the probable lay donors, who were members of the York Corpus Christi Guild. Commissioning and funding the creation of this window may therefore have been a collaborative exercise.     

Three Portrayals of ‘Sacrifice’: Representations of the Deaths of the ‘shishi’, Yokogawa Shōzō and Oki Teisuke

Abstract

This article examines the lives and deaths of Yokogawa Shōzō and Oki Teisuke, two ‘shishi’ (men of high purpose), captured, court-martialled, and executed by the Russians shortly after the outbreak of the Russo-Japanese War in 1904. While their deaths apparently served little or no purpose, the tale of Yokogawa and Oki was presented to the public in three distinct fashions. The first was to a Western audience in newspaper reports at the time of the war. The second was the manner in which the Russians portrayed them for the home front during the war. Finally, there was the manner in which the pair was presented in a reader for young Japanese boys in the late 1920s. Each portrayal served a distinct purpose that this article will address.     

Henry Head in Ewald Hering’s Laboratory in Prague 1884–1886: An Early Study on the Nervous Control of Breathing

Henry Head, the English neurologist, received the main parts of his academic education in Cambridge and in London. In addition, he spent two years in Prague where he worked in the physiology department of the German university under the guidance of Ewald Hering. He was interested in the nervous control of breathing and worked out a new method of recording the tension and the contractions of the diaphragm in anaesthetised animals. His results substantiated the experimental basis of the Hering-Breuer reflexes and included the discovery of a new reflex now named Head’s paradoxical reflex. Head not only wrote an extensive paper about his scientific work, the recollections of his time in Prague also formed a considerable part of his autobiographical notes. These were written some forty years later and still expressed a deep affection for his teacher and mentor.