Matters of Sex and Gender in F. J. Gall’s Organology: A Primary Approach

The originator of phrenology, F. J. Gall (1758–1828), saw himself as a natural scientist and physiologist. His approach consisted of brain anatomy but also of palpating skulls and inferring mental faculties. Unlike some of the philosophical principles underlying Gall’s work, his conception of sex/gender has not yet been examined in detail. In this article, I will focus on Gall’s treatment of men and women, his idea of sex differences, and how far an assumed existence of dichotomous sexes influenced his work. In examining his primary writings, I will argue that Gall held some contradictory views concerning the origin and manifestation of sex/gender characteristics, which were caused by the collision of his naturalistic ideas and internalized gender stereotypes. I will conclude that Gall did not aim at deducing or legitimizing sex/gender relations scientifically, but that he tried to express metaphysical reasons for a given social order in terms of functional brain mechanisms.     

The regard of the first man: on Joseph Addison’s aesthetic categories

This study examines the sources that could inspire Joseph Addison’s influential ‘aesthetic’ triad of ‘great’, ‘uncommon’, and ‘beautiful’, as elaborated in his essay-series The Pleasures of the Imagination in 1712. After identifying a philological problem in the interpretative tradition which gives rise to Addison’s triad from a section of Ps Longinus’ Peri Hypsous, further three seventeenth-century texts – Thomas Burnet’s Telluris theoria sacra, Dominique Bouhours’ Les entretiens d’Ariste et d’Eugène, and Baltasar Gracián’s El Criticón – are presented in order to reconstruct a ‘reading glass’ through which Addison could peruse and understand the Longinian section, and then could create his ‘aesthetic’ triad. As a result of this reconstruction, the possible connection between Gracián’s allegorical novel and Addison’s essay can cast more light on the complex and insufficiently discussed relationship between theology or devotional literature and the emerging modern aesthetic discourse. From this angle, Addison’s ‘man of polite imagination’, that is, the homo aestheticus in the modern sense of the adjective, seems to be the heir of Gracián’s ‘first man’ who has the privilege of regarding the created world in a new light, and, as Addison’s aesthete, of discovering its greatness, novelty and beauty in ‘innocent pleasures’.     

Spirituality,Politics, and the Maistrian Moment: Reflections on Themes from The French Idea of History

The French Idea of History: Joseph de Maistre and His Heirs, 1794–1854 (Cornell, 2011) is a monograph by Carolina Armenteros describing the historical thought of Joseph de Maistre (1753–1821) and recounting its posterity among French traditionalist, socialist and positivist thinkers. This article presents Armenteros's reflections on some of her book's themes and on the place they occupy in current scholarly debates. She notes that commentators today tend to assume politics' primacy over spirituality as a human motivator. A product of the de-spiritualisation of human experience in late modernity, this view is associated with the polarisation of the concepts of tradition and Enlightenment, and with ideas of liberty and reason ill-adapted to interpreting Maistre's thought. Armenteros shows how her portrait of an anti-absolutist, empiricist and reasonable Maistre disappointed with kings and bent on resolving the problem of violence through spiritual means is the necessary consequence of investigating his historical and political thought in context.     

The Cave Who Never Was: Outsider Archaeology and Failed Collaboration in the USA

Abstract

The alleged 1982 discovery of a phantasmagorical Late-Antique necropolis in southern Illinois has largely escaped the attention of professional archaeologists, despite thousands of artefacts having been sold to naive collectors and would-be revolutionary scholars for more than a quarter of a century. The site (named Burrows Cave after its notorious finder) is a staple of outsider archaeology, like 10,000-year-old pyramids and ancient astronauts. Burrows Cave flourishes in the extra-disciplinary realm of hyperdiffusionist archaeology, terra incognita outside the bounds of the traditional science and thus not considered worthy of examination by scholars. This essay explores the significance of US archaeologists’ failure to critically yet respectfully engage with a public who is extremely interested in archaeological discoveries but sceptical of scholarly elitism. Professionals’ disinterest has resulted in a dismissal of outsider archaeology en masse, leaving the worst abuses unchecked. This leaves the public with few clues to distinguish the impossible from the improbable, unorthodox, or iconoclastic. Audacious enterprises such as Burrows’ are left to flourish, driving wedges between archaeologists and the interested public, preventing effective collaboration and dialogue. Burrows Cave is a lesson for aspiring archaeologists: proof of what happens when professionals turn up their noses at opportunities for engagement with community interests.     

Hotel design in British Mandate Palestine: Modernism and the Zionist vision

From the early 1920s through the 1930s, an important yet forgotten avant-garde architectural phenomenon developed in the Zionist community of British Mandate Palestine. In cities and resort regions across the country, several dozen modernist hotels were built for a new type of visitor: the Zionist tourist. Often the most architecturally significant structures in their locales and designed by leading local architects educated in some of Europe's most progressive schools, these hotels were conceived along ideological lines and represented a synthesis of social requirements, cutting-edge aesthetics, and utopian national ideals. They responded to a complex mixture of sentiments, including European standards of modern comfort and the longing to remake Palestine, the historical homeland of the Jewish people, for a newly liberated, progressive nation. This article focuses on Jerusalem's most ambitious modernist hotel, the Eden Hotel, to evaluate how the architecture of tourism became a political and aesthetic tool in the promotion of Zionist Palestine.     

„Die Photographie als Hülfsmittel mikroskopischer Forschung”︁? Joseph von Gerlach (1820–1896) und die frühen anatomischen Mikrophotographen

The Erlangen anatomist Joseph von Gerlach was one of the first medical researchers who used microphotography for their scientific aims in basic tissue research. Already in 1863, Gerlach published a famous handbook on the methodology of the microphotographic technique, entitled Die Photographie als Hülfsmittel mikroskopischer Forschung. Here, he discussed the technological, practical and epistemological standards and constraints of the newly introduced visualisation technique of scientific photography. The efforts and setbacks of Gerlachs' innovative approaches shall be characterised in the present paper. Furthermore, some of the most important arguments put forward by some of his peers are closely compared and thoroughly scrutinised. These anatomical and biological microscopists objected frequently to Gerlach's photographic approach as being "unscientific" or "insufficient" to support the growth of experimental morphology and neurohistological research. In his scientific self-defence, Gerlach developed important auxiliary arguments that display many facets of the epistemological discourse of 19th-century medical research, particularly on the question of how scientific objects should be visualised and identified in the experimental laboratory.     

Analogien in Physik und Technik im 19. und 20. Jahrhundert

In this paper the use of analogies in physics and in technology is analysed. First the important role philosophically deep rooted analogies played in romantic physics is discussed. The work of Schelling and Ritter is treated in particular. Second the mechanical analogue models in the kinetic theory of gases and in electrodynamics are examined, as well as the severe philosophical criticism which they received. A sketch of the theory of the electron gas is presented as an example for the success and the shortcomings of analogue models. Finally mechanical and electric analogue models in technology are considered; moreover biological analogies in engineering research, and the principle of similitude as applied to model experiments in shipbuilding are discussed. The analysis of the historical examples shows that in the 19th and 20th century the word “analogy” is no longer a vague notion. It represents a scientific method, which, however, inevitably leads to both an extension of the original theoretical models and to special theories of mapping.     

A Provincial Minister in Politics: Henry W. Crosskey*

Henry W. Crosskey (1826–93), a late Victorian unitarian minister who served in Derby, Glasgow and Birmingham, is now best remembered for his involvement in Liberal politics and policy, especially education, as both an advocate and as a member of the Birmingham School Board. An eloquent preacher, he was also an important geologist, recognized both for his original research and for popularising the science and its impact on theology, and a revealing figure in the evolution of English unitarian thought. From his student days at Manchester College, Crosskey was a follower of his teacher, James Martineau, but, unlike Martineau, he advocated an active role for government, particularly local government, in promoting social well‐being. In the political crises of 1885–6, though differing from Gladstone on religious education, disestablishment, and home rule for Ireland, he was unable to follow Joseph Chamberlain, a member of his congregation, into alliance with the Conservative Party. His scientific convictions led to his emergence in later life as an admirer of the broad piety of the early unitarian theologian and scientist, Joseph Priestley, whose followers had warred with Martineau's disciples in the bitter mid century struggle between ‘Old’ and ‘New’ unitarianism, thus serving as a bridge between the two schools of interpretation. He is also an important reminder of the expanding demands, internal and external, of an urban pastorate in the later 19th century.