Emmanuel de Martonne and the ethnographical cartography of central Europe (1917–1920)

Abstract

Emmanuel de Martonne is well known among geographers as the founding father of geomorphology and as one of Paul Vidal de la Blache's main disciples. He also played a central role as a geographical expert on the Comité d'études, a body set up by Deputy Charles Benoist during the First World War to prepare guidelines for the organization of peace and, in particular, the demarcation of boundaries. De Martonne's special expertise was the construction and comparison of ethnographical maps. He applied his theories on ethnic mapping and improved methods of representation of mixed minorities to his map of the Romanian nation published in 1919 by the Service Géographique de l'Armée. In his reports on Central Europe, de Martonne claimed neutrality, but the graphical options employed on his map offered a biased view of the Romanian nation, inspired mainly by the views of the French school of regional geography.     

The history of urban families in medieval England

Few medieval historians have turned their attention to the history of families in urban England. But the groundwork for such studies has been laid in previous scholarship on the merchant class, on women and work in towns, and on borough law and customs. Future studies, more specifically focused on families in towns, will draw upon a wide variety of sources including wills, property records, marriage litigation, coroner's rolls, poll taxes, borough customs, and, most importantly, borough plea rolls. These studies should allow us to explore how the special characteristics of the medieval urban environment – continual in-migration, economic opportunity, commercial and industrial diversity, extremes of wealth, high population density, and borough legal structures – affected family formation, life-cycle, demography, and domestic life in medieval towns.     

The Grammar of Imperial History

FREDERICK MADDEN and DAVID FIELDHOUSE, eds. ‘The Empire of the Bretaignes’, 1175–1688: The Foundation of a Colonial System of Government: Select Documents on the Constitutional History of the British Empire and Commonwealth, Volume I. Westport, Conn.: Greenwood Press, 1985. Pp. xxix, 669; $55.00 (us); The Classical Period of the First British Empire, 1680–1783, Volume II. Westport, Conn.: Greenwood Press, 1985. Pp. xxxiii, 628. –65.00 (US).     

A History of von Recklinghausen's NF1

ABSTRACT

The ability to maintain human brain explants in tissue culture was a critical step in the use of these cells for the study of central nervous system disorders. Ross G. Harrison (1870–1959) was the first to successfully maintain frog medullary tissue in culture in 1907, but it took another 38 years before successful culture of human brain tissue was accomplished. One of the pioneers in this achievement was Mary Jane Hogue (1883–1962). Hogue was born into a Quaker family in 1883 in West Chester, Pennsylvania, and received her undergraduate degree from Goucher College in Baltimore, Maryland. Research with the developmental biologist Theodor Boveri (1862–1915) in Würzburg, Germany, resulted in her Ph.D. (1909). Hogue transitioned from studying protozoa to the culture of human brain tissue in the 1940s and 1950s, when she was one of the first to culture cells from human fetal, infant, and adult brain explants. We review Hogue’s pioneering contributions to the study of human brain cells in culture, her putative identification of progenitor neuroblast and/or glioblast cells, and her use of the cultures to study the cytopathogenic effects of poliovirus. We also put Hogue’s work in perspective by discussing how other women pioneers in tissue culture influenced Hogue and her research.     

The general will beyond Rousseau: Sieyès’ theological arguments for the sovereignty of the Revolutionary National Assembly

Cultural history's recent treatments of Sieyès’ political theory have understood his political writings in their convergences with and divergences from Rousseau's political theory. By sketching a thoroughgoing analogy between the ecclesiological arguments in Malebranche's Entretiens sur la Métaphysique et sur la Religion (1688) and the arguments that Sieyès offers on the floor of the National Assembly concerning the nature of representation, I suggest that we should recontextualize Sieyès’ speeches vis-à-vis the broader discourse of the ‘general will,’ which was theological at its root. That is, the arguments Sieyès offers for the sovereignty of the National Assembly, separately and in combination, appear to have been shaped by a malebranchiste ecclesiology that grew out of the particular context of the Jansenist challenge to the Church. This argument has ramifications not just for our understanding of Sieyès and revolutionary political theory but also for what have been called the “religious origins of the French Revolution.”     

The Reappearing Masterpiece: Ranking American Artists and Art Works of the Late Twentieth Century

A survey of the illustrations in textbooks of modern art produces the startling finding that art scholars consider Robert Smithson's Spiral Jetty to be the most important individual work made by an American artist during the past 150 years. More generally, quantifying the evidence of the textbooks reveals the source of the pluralism, or stylistic incoherence, of American art since the late 1960s. A persistently high demand for artistic innovation has produced a regime in which conceptual approaches have predominated. The art world has consequently been flooded by a series of new ideas, often embodied in individual works, usually made by young artists who have failed to make more than one significant contribution in their careers. The monumental Spiral Jetty, made in 1970 by a young artist who was killed soon thereafter while in the process of making his art, brought together a remarkable number of the central themes of the advanced art of the time and has become a symbol for that art.     

A Manchu itinerary

Abstract

Eighty‐nine business letters from European map sellers to the London firm of Thomas Jefferys and William Faden are preserved in the William L. Clements Library at the University of Michigan. Dating from the decade 1773–1783, the letters reveal through the invoices, accounts payable, bills of lading, and orders many detailed aspects of the map trade in the eighteenth century at the time of the War of American Independence. Special attention is drawn to the exchange of maps between England and France during this period of war.     

The dregs of trembling, the draught of salvation: the dual symbolism of the cup in medieval literature

This article examines the symbolism of the cup in Old English poetry and Old French romance. It argues that the dual symbolism of the cup in the Bible, both the cask of divine wrath and the vessel of mercy, invested the image with a particular dichotomy that was inherited by its metaphoric social functions in the literature of the middle ages. In Old English literature, the cup became a metonym for the contract for lord and thane, the conviviality and treasure exchange that united the mead-hall community. But never far beneath the surface is the fact that this contract requires the thane to die, and this unspoken yet unavoidable truth is writ large in the contagious imagery and vocabulary of the cup. In Old French romance, dichotomy crystallises into binary. The association of the cup of the Last Supper with Joseph of Arimathea, and the development of the Grail legend, made the service of the cup an exclusive loyalty, at the expense of social obligation, and its exigencies are made absolute and immediate. This article offers parallel readings of the same biblical metaphor in different literary cultures and a detailed analysis of a symbol that stands simultaneously for the positive image and its reversal, opposites that are mutually contingent: the community’s desire for unity and preservation and its concomitant fear of disintegration and death.     

Spirituality,Politics, and the Maistrian Moment: Reflections on Themes from The French Idea of History

The French Idea of History: Joseph de Maistre and His Heirs, 1794–1854 (Cornell, 2011) is a monograph by Carolina Armenteros describing the historical thought of Joseph de Maistre (1753–1821) and recounting its posterity among French traditionalist, socialist and positivist thinkers. This article presents Armenteros's reflections on some of her book's themes and on the place they occupy in current scholarly debates. She notes that commentators today tend to assume politics' primacy over spirituality as a human motivator. A product of the de-spiritualisation of human experience in late modernity, this view is associated with the polarisation of the concepts of tradition and Enlightenment, and with ideas of liberty and reason ill-adapted to interpreting Maistre's thought. Armenteros shows how her portrait of an anti-absolutist, empiricist and reasonable Maistre disappointed with kings and bent on resolving the problem of violence through spiritual means is the necessary consequence of investigating his historical and political thought in context.