Neolithic Adhesive from a T‐shaped Ornamental Element Excavated at Site 14 at Kowal,Kuyavia, Central Poland

We conducted an identification of a substance isolated from a T‐shaped ornamental element excavated from a Globular Amphora Culture tomb at the Kowal 14 archaeological site in Poland. ¹⁴C dating indicated 4105 ± 35 bp (POZ‐21912) and 3990 ± 50 bp (POZ‐21910). Analytical methods such as SEM–EDS, XRD and FT–IR were applied to study the origin of its structure. The results of instrumental analysis and the archaeological context indicate that the adhesive substance investigated consists mainly of calcium carbonate (calcite, 78–88%), silica dioxide (quartz), sodium aluminium silicate (albite) and potassium aluminium silicate (microcline). The material might be a man‐made, mineral adhesive, a kind of lime mortar. The object is considered as the oldest European finding of this type outside the Mediterranean Basin. It provides evidence for the use of the lime calcination process in Central Europe as early as in the Late Neolithic, for which there were—up to now—no convincing premises.     

A Multidisciplinary Approach to the Study of Archaeological Mortars from the Town of Ammaia in the Roman Province of Lusitania (Portugal)

The Roman town of Ammaia (in Marvão Region) is considered one of the most important recent findings of the Roman presence in Portuguese territory. It was settled in Republican times and abandoned in the seventh century. In this research, 17 masonry mortars and renders from the West Tower (South Gate), the residential area near the West Tower, the macellum, the peristylium, the public bath building, the podium of the temple and the portico of the forum were analysed. The methodology of chemical, mineralogical and microstructural characterization has involved several complementary techniques, including stereomicroscopy, X‐ray diffraction, thermal analysis and scanning electron microscopy coupled with energy‐dispersive X‐ray spectroscopy. The results indicate that the mortars from the beginning of the town's edification were mainly composed of soil (clays). Later, during the main Roman building period, mortars were composed using a calcitic binder and the mortar composition varied according to their use and function. The samples from a period subsequent to the Roman occupation are based on a dolomitic binder. From the present study, relevant information has been acquired about the technological evolution of Roman construction in Ammaia, the historical context of the archaeological structures and guidelines for the conservation and restoration of mortars.     

Assessing the Accidental Versus Deliberate Colour Modification of Shell Beads: a Case Study on Perforated Nassarius kraussianus from Blombos Cave Middle Stone Age levels

Colour plays an eminent role in beadwork. Colour modifications are reported on early shell beads from Middle Stone Age sites. However, identifying the colouring agent and demonstrating the intentional nature of the colouring process is not straightforward. Here, we provide analytical data on colour and structural modifications observed on Nassarius kraussianus (Nk) collected in modern thanatocoenoses and on shells of the same species experimentally heated in oxidizing and reductive atmospheres. Comparison with Nk shell beads from the 72 ka old Middle Stone Age levels of Blombos Cave, South Africa, and contextual analysis of other malacological remains from the same levels that were not used as ornaments identify the mechanisms responsible for the change of colour in modern Nk thanatocoenoses and heated shells, and show that although some Nk shell beads were heated, intentional heat treatment of shell beads is not demonstrated.     

Comparison of analytical techniques for analysis of archaeological bronze

While many analyses of archaeological bronzes have been reported in the literature, in practice it is very difficult to compare them. To assess the present status of the chemical analysis of bronze two ancient objects—a flat axe (arsenic bronze) and a sickle (tin bronze)—were cut into pieces weighing about 2 g each and were distributed to 11 laboratories. The participants used the following methods for analysis: INAA, ED–XRF, PIXE, TRXRF, FAAS, ICP–AES, ICP–MS, SEM–EDS, LA–ICP–MS and PGAA. The samples were analysed in at least quadruplicate. Dixon's and Iglewicz and Hoaglin's tests were used to detect outliers. The majority of methods provided comparable results, especially for macroelements, independent of the technique and standards used. The number of determined elements depended on the method and, naturally, on the concentration level. Therefore an important recommendation that can be made is to supply, with each archaeometric investigation, data from the analysis of appropriate Certified Reference Materials (CRMs) used in the study.     

The Glaze Technology of Hispano‐Moresque Ceramic Tiles: A Comparison Between Portuguese and Spanish Collections

For the first time, Hispano‐Moresque glazed tiles from Portuguese and Spanish collections were studied together and compared. This work is included in a wider study tackling the technology of Hispano‐Moresque tile production from several collections in the Iberian Peninsula. While showing many similarities, differences were identified between collections, regarding both chemical and morphological characteristics. The collection from the Mosteiro de Santa Clara‐a‐Velha (Coimbra) stands out from the other collections, with higher SnO₂ content (up to 14 wt%), the highest Fe₂O₃ contents in amber glazes and a Ca‐rich interface layer (mostly comprised of wollastonite, CaSiO₃). Samples from Palácio Nacional de Sintra (near Lisbon) and Seville‐attributed samples (from the Instituto Valencia de Don Juan) are chemically similar, except that most Sintra's samples display a K‐rich glaze/ceramic interface, whereas the ones from Seville exhibit both K‐rich and Ca‐rich inclusions. The samples attributed to Toledo show glazes with many inclusions, contrasting with the homogeneous glazes in most Hispano‐Moresque tiles. From these results, we identify differences that can be used as markers in future studies on Hispano‐Moresque tiles.     

TECHNOLOGY OF PRODUCTION OF GHAZNAVID GLAZED POTTERY FROM BUST AND LASHKAR‐I BAZAR (AFGHANISTAN)

Fifteen fragments of glazed pottery were studied by scanning electron microscopy coupled with energy‐dispersive X‐ray analysis (SEM–EDS). The fragments, dated from between the 11th and the 12th centuries, are part of a group excavated at ancient Bust and Lashkar‐i Bazar (southern Afghanistan) and belonging to the International Museum of Ceramics in Faenza. All the samples are characterized by highly calcareous bodies, and all of them but one is coated with a transparent lead glaze; the last fragment is, instead, coated with a turquoise opaque lead–alkali glaze. With three exceptions, the studied fragments show underglaze decorations featuring white, red, green or black motifs applied on to a white, red or black engobe; one of the remaining glazes is applied on to a monochrome white slip and the other two directly on to the ceramic body. Optical microscopy and SEM images show that engobes and decorations were obtained by deposition of differently coloured clayey slips, the composition of which was characterized by EDS analyses. In particular, black engobes and decorative motifs were obtained by recourse to manganese and iron compounds or to chromium, magnesium and iron compounds; it appears that both possibilities could be exploited for obtaining different decorative motifs on the same object.     

The So‐called Venetian Enamelled Copper Artworks of the Italian Renaissance: the Technology and Provenance of the Enamels—an Analytical Approach

The so‐called Venetian enamelled coppers are a group of objects produced in Italy during the 15th century. Up to now, about 300 objects have been recognized in private collections and in European and US museums. At the end of 19th century, a Venetian origin was suggested, but their provenance is still debated. In this study, the enamel compositions from 22 enamelled copper products from Italian and French collections have been analysed by invasive and non‐invasive techniques. A comparison of the results with Tuscan and Venetian glass databases reinforces the suggestion of a Tuscan (most probably Florentine) origin for these works of art.     

LA–ICP–MS,SEM–EDS AND EPMA ANALYSIS OF EASTERN NORTH AMERICAN COPPER‐BASED ARTEFACTS: IMPACT OF CORROSION AND HETEROGENEITY ON THE RELIABILITY OF THE LA–ICP–MS COMPOSITIONAL RESULTS*

This study discusses the relevance of compositions obtained using laser ablation – inductively coupled plasma – mass spectrometry (LA–ICP–MS) for the purpose of identifying the provenance of copper‐based artefacts found in Virginia at Native American sites dated from the 16th to the 18th centuries. Ten artefacts were investigated by scanning electron microscopy – energy dispersive spectrometry (SEM–EDS) to visualize the corrosion and characterize the heterogeneities in the metal and electron probe micro‐analysis (EPMA) to determine separately the compositions of the intact metal and of the corrosion product. It is shown that the corroded surfaces are highly depleted in zinc but that representative concentrations can be determined by sampling the deeper, uncorroded metal. In contrast, lead values are highly variable because of the heterogeneous distribution of this metal within the bulk copper. Despite these problems, brass is easily identifiable and American native copper and European smelted copper can be unambiguously distinguished with LA–ICP–MS on unprepared artefacts using As, Ag, Ni and Sb trace elements.     

PROVENANCE OF THE LIMESTONE USED IN TEOTIHUACAN (MEXICO): A METHODOLOGICAL APPROACH*

This work shows the preliminary results of an international project for the interdisciplinary study of the limestone used in the plasters of the ancient city of Teotihuacan. The limestone provenance was studied using a new approach based on the chemical analysis of the lime lumps that were selected because they represent the composition of the original limestone rock. The results show that the applied methodology was successful and that the limestone used to produce the lime employed to make the floor of the main courtyard at Teopancazco (Teotihuacan), comes from the region near Tula (Hidalgo).     

DEEPLY COLOURED AND BLACK GLASS IN THE NORTHERN PROVINCES OF THE ROMAN EMPIRE: DIFFERENCES AND SIMILARITIES IN CHEMICAL COMPOSITION BEFORE AND AFTER ad 150*

In this work we attempt to elucidate the chronological and geographical origin of deeply coloured and black glass dating between 100 bc and ad 300 on the basis of their major and trace element compositions. Samples from the western and eastern parts of the Roman Empire were analysed. Analytical data were obtained by means of a scanning electron microscope – energy‐dispersive system (SEM–EDS, 63 samples analysed) and laser ablation – inductively coupled plasma – mass spectrometry (LA–ICP–MS, 41 samples analysed). Among the glass fragments analysed, dark brown, dark purple and dark green hues could be distinguished. Only among the dark green fragments could a clear compositional distinction be observed between fragments dated to the periods before and after ad 150. In the early samples (first century bc to first century ad ), iron, responsible for the green hue, was introduced by using impure sand containing relatively high amounts of Ti. In contrast, a Ti‐poor source of iron was employed, containing Sb, Co and Pb in trace quantities, in order to obtain the dark green colour in the later glass samples. The analytical results obtained by combining SEM–EDS and LA–ICP–MS are therefore consistent with a differentiation of glassmaking recipes, detectable in glass composition, occurring in the period around ad 150.