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41.
Valeria Galimi 《Journal of Modern Italian Studies》2019,24(1):115-128
ABSTRACTThe Eichmann trial held in Jerusalem in 1961 marked a turning point in the international public’s collective awareness of the extermination of Jews in Europe. In Italy, the trial contributed to the mainstream narrative of the events that concerned the deportations of the Jews. The Italian case was mentioned in the indictment of the attorney general, Hausner, and in the deposition of the only witness present at the trial, Hulda Campagnano. In this article, our analysis of the trial’s reception in Italian newspapers and media shows that the Jerusalem reports, especially through misrepresenting the words of Campagnano, created the image of Italians as ‘good people’, who would help Italian and foreign Jews, against the wishes of the Nazis. At the same time, the responsibility of Italian Fascism for the anti-Jewish laws in 1938 and the role of Italians in the arrests and deportations of Jews since 1943 have been neglected. 相似文献
42.
结构稳定性是评估文物安全的重要方面。三星堆二号坑出土1号青铜树体量庞大、结构复杂,且存在腐蚀、裂纹等危险因素,为了充分记录、评估其保存状况,本研究在原始几何形状和内部构造的基础上,利用三维数字建模技术,建立其几何模型和数值模型,并估算出青铜神树的质量分布和质心位置等无法实地测量的数据,并使用有限元方法,从应力和位移的角度分析青铜树的静置状态下的安全性。经过有限元模拟和材料力学简化计算,发现龙身和树干连接处、树枝根部应力较大,是易受损区域。 相似文献
43.
Identification of Green Pigment Used in Persian Wall Paintings (ad 1501–1736) Using PLM,FT–IR,SEM/EDX and GC–MS Techniques 下载免费PDF全文
K. Samanian 《Archaeometry》2015,57(4):740-758
The technique of oil painting was introduced to Iran via a cultural exchange with Europe in the Safavid period (ad 1501–1736). Since the first attempt at scientific conservation of wall paintings in Iran in the 1960s, the nature of green pigment used in Persian wall paintings has not been clear, although work on contemporary miniature paintings has identified malachite and verdigris. PLM, FT–IR, SEM/EDX, GC–MS and the study of contemporary historical treatises of the Safavid period were the main tools used in the present study to identify the green pigments in Persian (oil‐based) wall paintings. Eight samples taken from the two famous Safavid buildings, Chehel Sotoon Palace and the Sukias House in Isfahan, were analysed. Here, the identification of copper‐based pigment and of verdigris in oil as oleate amends the existing knowledge of the green pigment used in these paintings. It also suggests that oleate was introduced to Persian artists via the European influence on Persian painting as a result of cultural exchange in the Safavid period, when the technique of Persian painting changed from tempera to oil painting. However, as verdigris in oil and resin can appear as oleate over time, it is unknown whether the Persian artists did this deliberately or accidentally. 相似文献
44.
Rosa Maria Albert Ruth Shahack-Gross Dan Cabanes Ayelet Gilboa Simcha Lev-Yadun Marta Portillo Ilan Sharon Elisabetta Boaretto Steve Weiner 《Journal of archaeological science》2008
The presence of many phytolith-rich layers in late Bronze and Iron Age deposits at Tel Dor, Israel, are indicative of specific locations where plants were concentrated. Detailed studies of six of these phytolith-rich layers and associated sediments from Tel Dor show that the phytoliths were derived mainly from wild and domestic grasses. The most common domestic grass was the cereal Triticum aestivum (bread wheat). Three of these layers have a microlaminated microstructure, associated dung spherulites and phosphate nodules; characteristics that all point to the phytolith-rich layers having formed from dung in animal enclosures. In two of the layers, the microlaminated structure is absent while dung spherulites and phosphate nodules are present, suggesting that these too originate from dung that was not deposited in an enclosure. The sixth layer is microlaminated but does not contain spherulites. We thus cannot suggest a parsimonious explanation of its observed properties. Concentrations of burnt phytoliths are present in three locations, implying that dung was either burnt in situ or the ashes from burnt dung were redeposited. The transformation of dung accumulations into phytolith-rich layers involves a loss of organic material and hence a significant reduction in sediment volume, which is clearly apparent in the stratigraphy of some of the locations examined. The volume reduction can be observed in the macrostratigraphy and has important implications with regard to macrostratigraphic interpretation. The presence of abundant phytolith-rich layers on the tell has significant implications for the concept of ‘urbanism’ during these periods. 相似文献
45.
本文对我国意识形态建设创新的突破口、意识形态的研究方法、意识形态领域的斗争、社会思想的多样性与意识形态的包容性、核心价值体系的大众化以及凝聚改革发展共识等问题进行了分析,并对社会主义意识形态领域发生的新变化和新情况进行了探索研究。 相似文献
46.
本文仅就青海土族语言和蒙古族语言的现状进行初步分析,提出了民族语言是记录民族文化的符号系统,抢救民族非物质文化遗产,必须首先抢救濒危的民族语言的观点。 相似文献
47.
青海地处我国主要藏民族聚居区,青海藏文出版业在我国藏文出版事业中一直占据着重要地位。本文通过对青海藏文图书出版业现状的分析,探讨了新形势下青海藏文图书出版业的发展思路与对策。 相似文献
48.
49.
The Garden and Beyond: the Dry Season,the Ok Tedi Shutdown,and the Footprint of the 2015 El Niño Drought 下载免费PDF全文
Dan Jorgensen 《Oceania; a journal devoted to the study of the native peoples of Australia, New Guinea, and the Islands of the Pacific》2016,86(1):25-39
This paper offers a snapshot of the 2015 El Niño drought among Min people in Papua New Guinea's West Sepik and Western Provinces. Local assessments of food, water, and health show variation between locations, but with an overall tendency for the drought's effects to spread from lower to higher elevations as the drought progresses. This zone is in the hinterland of the Ok Tedi Mine, and the drought's regional impact was intensified by Ok Tedi's abrupt closure when low water in the Fly River stopped shipments of concentrate and cut off fuel and food supplies. The decision to close the mine was accompanied by the mandatory ‘repatriation’ of workers and their families to ‘home’ communities in the drought‐stricken hinterland. This, combined with deteriorating regional links, has eroded the capacity of Min communities to weather the drought, suggesting that we must look beyond the garden when calculating El Niño's costs. 相似文献
50.
This introduction to the translation of Henri Lefebvre's 1956 essay “The theory of ground rent and rural Sociology” moves through three stages. First, it suggests that Anglophone appropriations of Lefebvre have tended to focus too much on his urban writings, at the expense of understanding his early work on rural sociology, and failing to recognise how his urban focus emerged as a result of his interest in rural–urban transformation. Second, it provides a summary of his wider work on rural questions, including his unfinished work on a major treatise of rural sociology; and outlines the key themes of the present essay in relation to these other projects. Third, it connects Lefebvre's issues to wider debates in political economy and geography about aspects of the rural, land and ground rent, not least including the work of Antonio Gramsci and José Carlos Mariátegui. 相似文献