地理环境对贵州人特质的影响

笔者以“地理环境与人的关系”的观点,从历史的角度来解析地理环境对贵州人人格特质的影响。     

Architects Creating a Landscape

This article is derived from a research project designed to establish a better understanding of the nature of professional architectural activity in the State of Victoria, Australia, in the second half of the 19th century. It posed the following question: why is the activity in rural areas not acknowledged by the traditional approaches to studying architectural history? Part of the conclusion is that our understanding of urban cultural landscapes/townscapes will be improved if we look beyond the limitations of separate disciplines such as architectural and social history or historical geography. The landscape is built from many layers and they all need to be acknowledged if we are to understand what we find important about it. The reasons for seeking the conservation of our urban environment cannot be related solely to the peculiar interests of one discipline alone. Over the past 30 years the Australian community has developed a substantial interest and appetite for heritage conservation and along with that has grown a broadening interest in how the importance of the urban environment is defined.     

Symbolic Reparation,Heritage and Political Transition in South Africa’s Eastern Cape

This article first examines the Truth and Reconciliation Commission’s recommendation of symbolic reparation for apartheid, and its effect on South African heritage. Second, it considers the relationship between public history and civic nation building in South Africa, as well as problems in trying to develop an inclusive public history through museums. Case studies drawn from Grahamstown and Mthatha in the Eastern Cape are explored as examples of the redevelopment of the old and establishment of the new public history as part of the negotiated transition.     

‘The Birthplace of Australian Multiculturalism?’ Retrospective Commemoration,Participatory Memoralisation and Official Heritage

In Australia, the authorised heritage discourse contributes to shaping the stereotypically Australian. It actively engages in creating a contemporary national story which glosses over the more shameful or distasteful episodes and themes in Australian colonial and post‐colonial history which is presented as being by‐and‐large progressive and benign. While the process of forging national history has become more complex and increasingly fraught, given globalisation and the emergence of new histories, nation and nationalism remain culturally persistent. The turn to multiculturalism from the 1970s as the principal way of defining Australianness and the nation lead some conservatives in politics and the heritage industry to appropriate the new social history, using it to present diversity as an indicator of a fair and open society. In this process, both history—an evolving academic discipline—and the past—lived experience which has meanings and uses in the present—were transformed into heritage.     

Heritage Noire: truth,history, and colonial anxiety in The Blair Witch Project

When watching the film The Blair Witch Project we seem to be witnessing through its clumsy, apparently uncrafted footage the unmediated documentation of 'reality' as it occurs. This article argues that the carefully crafted deceit of The Blair Witch Project may be understood as part of a subversive 'public history' project that uses modern history's own scientific motifs and methodologies against itself and challenges its basic tenets. If positive myths of the past are structured into what we tend to call heritage, i.e. shared narratives affirming a positive sense of self and region or nation, then this paper argues that The Blair Witch Project takes the same notion and subverts it, giving its chosen audience a dark and unsettling sense of its own history.     

Dealing with the past: Museums and heritage in northern ireland and Cape Town,South Africa

The experiences of post‐apartheid South Africa have often been used to open dialogue about Northern Ireland and the possible approaches to dealing with the legacy of the conflict. People in Northern Ireland have, for example, looked towards the South African Truth and Reconciliation Commission and policing in South Africa for further insights. This comparison of South Africa and Northern Ireland has now moved beyond being concerned predominantly with conflict resolution and has come to bear in the consideration of how we should present the history of the Troubles in Northern Ireland’s museums and the value of preserving the built heritage of the Troubles. This paper uses the example of the ‘transformation’ in the South African heritage sector that came with the end of apartheid as a means to raise areas of concern that have resonance for Northern Ireland. It shows that for both Northern Ireland and South Africa it is important to think further about the impact of display, the power dynamics embedded in the construction of heritage, and the complexity of building a shared narrative from a contested past.     

Museum Volunteering: Heritage as ‘Serious Leisure’

The growing number of volunteers in the heritage sector indicates a desire for a leisure experience by pursuing a subject interest with like‐minded people. Millar and others have suggested that volunteers are the ‘ultimate frequent visitors’, and as the day visitor market for museums and heritage attractions declines, this paper offers the repositioning of ‘heritage visiting’ from day visits to longer term connections with particular heritage attractions via volunteering. It draws on Stebbins’s concept of serious leisure as a way of reading museum volunteering as a leisure practice and argues that museum volunteering is a way of practising heritage as leisure that is ‘self‐generated’, with museum volunteers active in constructing their own identities. According to the concept of ‘serious leisure’, museum volunteers become part of a social world inhabited by those knowledgeable about heritage and history. The paper concludes by examining the adequacy of Stebbins’s P‐A‐P system for analysing the power relations between museum professionals and volunteers in the museum social world.     

Protagonists and politics in the Italian women's movement: a reflection on the work of Annarita Buttafuoco

This article retraces Annarita Buttafuoco's work as a historian of the women's political movement in Italy through a brief survey of her essays and books. These covered more than two centuries of history, ranging from the echoes of the French Revolution in Italy and the constitution of the Jacobin Republics to the struggles for female suffrage and emancipation in the liberal era down to the period after the Second World War and the founding of the Italian Republic. Emphasizing the originality of both the sources and the methodological approaches she used, the article offers a critical appreciation of Annarita Buttafuoco's research and her role in organizing and shaping collective research projects. It is focused on three specific issues: the history of women as conscious historical subjects, the history of women's political movements not only in their social and political contexts but also in relation to institutional networks and the practices of citizenship.     

世界历史整体研究的可喜成果——读李植栴著《20世纪世界史》

20世纪的世界已是一个整体,各国各民族都是世界整体的各个局部,各个重大事件都是世界历史链条上的各个环节。不应孤立地考察某个历史事件或某一国家的命运,而应从世界整体历史的角度,去把握历史事件的内在联系。李植栴主编的《20世纪世界史》的突出特点,就在于整体研究。但该有所忽视的是,世界历史整体与外部环境的关系。     

工业旅游项目策划研究——以山西丹朱岭旅游景区为例

工业旅游作为一个新兴的旅游项目,是近年来各工业企业开发的热点。本文首先对国内外工业旅游研究情况及旅游项目策划研究情况进行了探讨,其次以山西丹朱岭旅游景区为例,分析了工业旅游开发的可行性、工业旅游项目产品策划、营销策划,在此基础上提出了一个工业旅游项目策划模式。