Paper 1: The Coudenberg Archaeological Site in Brussels: The Stakeholders Involved in the Renovation Process

Abstract

The last material evidence of the former Palace of Brussels, the Coudenberg archaeological site, is situated at the heart of the city, constitutes a remarkable part of its heritage, and has been listed as a legally protected monument. Following the redevelopment of the Royal Quarter in the eighteenth century, the successive archaeological discoveries of the last twenty-five years, and the progressive growth of the areas accessible to the public, the various components of the site have not all been preserved in the same condition. The work involved in developing such a complex has already necessitated considerable resources, and still requires more today. The owners, the City of Brussels and the Brussels-Capital Region, as well as the site’s managers, the not-for-profit association ‘Palais de Charles Quint’, are continuing their programme of developing, promoting, and preserving the remains in order to hand down this important historical evidence to future generations.     

Archaeology and the Moving Image

Archaeological filmmaking is a relatively under-examined subject in academic literature. As the technology for creating, editing, and distributing video becomes increasingly available, it is important to understand the broader context of archaeological filmmaking; from television documentaries to footage shot as an additional method of recording to the informal ‘home videos’ in archaeology. The history of filmmaking in archaeology follows innovations within archaeological practice as well as the availability and affordability of technology. While there have been extensive analyses of movies and television shows about archaeological subjects, the topic of archaeological film has been characterized by reactions to these outside perspectives, rather than examinations of footage created by archaeologists. This can be understood to fall within several filmic genres, including expository, direct testimonial, impressionistic, and phenomenological films, each with their own purpose and expressive qualities. Footage taken on site can also be perceived as a form of surveillance, and can modify behaviour as a form of panopticon. Consequently, there are considerations regarding audience, distribution, and methods for evaluation, as these films are increasingly available on social media platforms. This paper explores the broad context for archaeological filmmaking and considers potential futures for the moving image in archaeology.     

微痕考古——从微观信息认识历史过程的科学探索

微痕考古以显微观测与技术分析为基础,通过对自然微观痕迹、人类和其它动物行为痕迹的观察研究,阐释人类与动物的行为模式、生活环境、文化遗址埋藏现象等.并作为一种技术性工作广泛服务于我国的文物保护.微痕考古在工作方向、工作方法和工作结果方面,可以弥补传统考古工作和文物保护技术的不足,使考古工作从微观到宏观、从实验到理念、从局部到整体建立更全面、科学的分析过程.我国微痕考古近年迅速发展,专业队伍扩大、研究理念与实验技术进步、工作领域覆盖面拓宽近年微痕考古的重要收获,包括发现人类最早的戳刺性行为痕迹、人类最早的剥皮屠宰技术及刻划图案等;在玉器制作工艺与鉴定、石器使用痕迹与区域文化特点等方面也取得丰富成果.微痕考占的产生与发展,显示脱胎于自然科学的考古学专业,在与现代应用技术紧密结合下,使考古学在研究理念、分析技术和认知深度等方面正发生深刻变化.     

Insights from a tribological analysis of the tribulum

Since the 1980s, “strange” microwear traces were found to occur on flint blades from sites in the Near East from the late Neolithic and occurring in great abundance by the Early Bronze Age. Although these were considered by archaeologists to be sickles because they had visible gloss on their edges, their use-traces could not be reproduced in harvesting experiments carried out in the field. Subsequently, several lines of evidence were used to study the blades, including not only direct observation of microscopic wear traces, but also Near Eastern cuneiform texts from the third and second millennium BC describing agricultural instruments and analogy with ethnographic and experimental reference material. We found that these tools and their traces best matched traces on flint used to arm the underside of a tribulum (threshing sledge) for threshing grain and cutting straw. We built a replica of the tribulum described in cuneiform texts from the Bronze Age, using copies of the Bronze Age blades, and used this instrument in experiments.     

Global Markets, Local Practice: Ottoman-period Clay Pipes and Smoking Paraphernalia from the Red Sea Shipwreck at Sadana Island, Egypt

Shipwreck archaeology provides unique evidence for trade, commercial relationships, and the day-to-day existence of occupational communities defined by residence and employment within the industrial space aboard a ship. These concerns are addressed particularly well by finds of utilitarian items such as a small assemblage of 21 clay pipes and three other smoking-related artifacts recently excavated from the ca. 1765 Sadana Island ship which sank at anchor while loaded with coffee, porcelain, qulal, and other goods. Analysis of the assemblage specifically contributes to questions of chronology and typology and presents new evidence for regionalism, style, and the impact of far-reaching trade routes on markets with a global perspective.     

Archaeology of a Naval Battlefield: H. L. Hunley and USS Housatonic

The American Civil War shipwrecks H. L. Hunley and USS Housatonic have been the focus of intensive archaeological investigations since the discovery of Hunley in 1995. H. L. Hunley , the world's first successful combat submarine, sank the Union blockader USS Housatonic in 1864, but sank immediately afterwards. In work done prior to the recovery of Hunley in 2000, site-formation processes for both vessels were a primary research focus—a necessary precursor to identifying battlefield behaviour. This paper presents research on the Hunley / Housatonic Naval Engagement Site, where both wrecks are treated as complementary components of a single battlefield site.
© 2006 The Authors     

以田野考古为主探索夏文化已经取得硕果——纪念徐旭生先生赴豫西考古调查"夏墟"49周年

本文回顾了几十年来探索夏文化、早商文化的历程及突破,并对学术研究中存在的一些问题进行了讨论,指出学术研究要遵守实事求是的原则.     

遥感与地理信息系统在城市考古中的实践

遥感与地理信息系统是城市考古研究中重要的技术手段。借助遥感技术,在识别遗迹的基础上,首先可以对城址开展地图测量,确保研究数据的准确性,其次可以获取不同精度的地形地貌数据,从宏观和微观层面分析城址的空间环境和布局结构,最终可以为城市复原研究提供线索,提高田野考古工作的效率和精度。在地理信息系统应用方面,本文提出了"城市圈"的概念,将城址与周边遗址和自然环境纳入同一个空间集合进行考察,可以充分发挥地理信息系统的空间分析功能,行之有效的剖析城市空间属性所反映出的人地关系和社会关系。     

The historical geography of 1 Kings 9:11–14

ABSTRACT

1 Kings 9:11–14 relates Solomon’s sale of the land of Cabul to Hiram, king of Tyre. Commentaries and studies on this pericope have dealt with its linguistic and historical aspects without reaching consensus on where this land was, what the term ‘Cabul’ actually means, or even whether these verses preserve an actual historic event from the 10th century BCE. This article addresses these issues through a more systematic presentation of the archaeological remains and geographic realities in the Galilee, and in so doing, offers a more contextually derived understanding of the events recorded in 1 Kgs 9:11–14 than has heretofore been offered.     

A quantitative assessment of intraspecific morphological variation in Gahagan bifaces from the southern Caddo area and central Texas

ABSTRACT

This investigation aggregates intact or reconstructed Gahagan bifaces from the southern Caddo area and central Texas to test the hypothesis that Gahagan biface morphology differs between the regions. The Gahagan bifaces (n=102) were scanned, then analyzed using a novel landmarking protocol and the tools of geometric morphometrics. Results provide a preview of the significant differences in Gahagan biface morphology expressed between the southern Caddo area and central Texas regions. The size discrepancy represents an inversion of current theoretical constructs that posit a decrease in tool size thought to articulate with an increase in distance from the raw material source. It is posited that the contrasting morphologies represent two discrete communities of practice; one (emergent Caddo horticulturalists) where Gahagan bifaces were enlisted primarily for burial and ritualistic activities, and the other (central Texas hunter-gatherers) where Gahagan bifaces were utilized over a longer time span in more practical and utilitarian contexts.