Lurching through Public Law: The Unsteady State of the Subfield

Abstract

David Walsh is a student of Eric Voegelin's political thought, and this essay evaluates the influence of Voegelin's work on Walsh, while also suggesting how Walsh deviates from Voegelin's philosophy. The analysis is performed in terms of several key concepts from Voegelin's work, including Gnosticism, metaxy, luminosity, equivalences of experience, and history. It is argued that Walsh makes extensive use of Voegelin's ideas of metaxy, luminosity, and the equivalences of experience, but that he transforms these concepts as he moves beyond Voegelin's philosophy of consciousness and turns to a philosophy of existence that is not subject to the epistemological problems that continue to challenge Voegelin's thought. Finally, it is suggested that, in so doing, Walsh is actually continuing Voegelin's philosophical project, rather than undermining it.     

Doctoral Theses in Progress

Abstract

Jean Bonfa's 1696 map offered the most accurate portrait in its day of the Comtat Venaissin. Commissioned when France threatened the region economically and politically, the map's topographical detail and allegorical themes exhibit a political geography favouring papal interests. Yet the map's coordinates for Avignon reflect neither Bonfa's skill as a positional astronomer nor his collaboration with the Paris Observatory. Finally, because local authorities controlled the distribution of Bonfa's map, it was not available to other cartographers.     

Foreign and comparative politics in the Australian Journal of Political Science: A review

This article reviews analyses of foreign and comparative politics published in the Australian Journal of Political Science over the past 50 years. The article uses a thematic approach, reviewing five broad regional areas: the Soviet Union and Eastern Europe; New Zealand and the Pacific; Canada, the USA and Western Europe; China and the rest of Asia; and Africa and the Middle East. The article assesses changes in the attention given to particular regions and countries over time, and highlights countries that have received relatively little attention. The article uses a Presidential address in 1985 by David Goldsworthy as a key reference text for assessing the study of foreign and comparative politics in Australia since 1966. The main shifts in overall attention since the early 1990s have been a decline in the historical study of the Soviet Union and Eastern Europe, and increased attention to New Zealand.     

Beta Phase Communities: Open Source Software as Gift Economy

In this paper, I discuss how gift economy tenets exist within capitalist systems and in what ways the alternative logic of gift economies could be used within capitalist firms to create a more fair economy overall, citing open source software within the technology sector as one example.

To do this, I begin by striking a dialectic between John Milbank's theological and David Graeber's anthropological conceptions of gift economies, illuminating crucial aspects of each to uncover what alternative economic principles are applicable to standard capitalist economic ideologies.

I then turn to a practical application of where these gift economy ideologies are already being utilized to a degree, arguing specifically that open source software provides an alternative economic logic for countless members of the technology sector. On a broad level, I hope to show that capitalism provides the means to alter itself within its own ethos, as certain economic ideologies – like gift economies – could potentially assuage those economic models that contribute to economic inequality. By accentuating these alternative logics within technology firms, they can be expanded and made more substantial, subsequently altering capitalism from the inside out.     

Hockney Country

This paper reviews David Hockney RA, A Bigger Picture, an exhibition held at the Royal Academy in London, the Guggenheim Museum in Bilbao and the Museum Ludwig in Cologne in 2012–3, and the associated catalogue and DVD. Geographical and historical questions, of region and space, movement and dwelling, are evident in Hockney's work in a variety of genres, in portraiture and theatre design as well as more recent excursions into landscape. Particular attention is paid to Hockney's paintings of the Yorkshire Wolds.     

Joseph Priestley and the Argument from Design

ABSTRACT

Although Joseph Priestley was notorious for rejecting much of orthodox Christianity and replacing it with a materialistic Unitarianism, in another respect he was an orthodox theist of his time in that he passionately upheld the Argument from Design. The Argument from Design was the heart of his “rational religion”. He contended that natural order, especially biological order, could only be successfully explained by intentional agency. At the time, however, the Argument was coming under attack, first from David Hume, then from Matthew Turner, and lastly from Erasmus Darwin. Priestley replied to each of these critics. This article surveys his replies. The three critics of the Argument contended that intelligent agency could offer only a weak explanation of natural order, that natural order is self-explanatory, or that natural mechanisms can explain biological order. Priestley in turn critiqued all three contentions, arguing that the Argument is a strong explanation; that natural order cannot be self-explanatory; and that the proposed natural explanations conflict with the empirical evidence.     

The Rebel Chief Whip: The Role of Leslie Wilson in the Fall of the Lloyd George Coalition, 1922

This article explores the crisis within the Conservative Party in 1922 over the continuation of the coalition with Lloyd George's section of the Liberal Party, focusing on the actions of the Conservative chief whip, Leslie Wilson. Previously unused papers relating to Wilson's career shed new light on his role in the fall of the coalition. Wilson co‐ordinated opposition to the continuation of the coalition in its existing form, helping to solidify the group of junior ministers opposed to Lloyd George into a cohesive and powerful faction, which then forced the Conservative Party leader, Austen Chamberlain, into making concessions. Above all, Wilson was influential in forcing Chamberlain to agree to a meeting of MPs at the Carlton Club on 19 October 1922, at which the rebels won a decisive victory, causing the resignation of Chamberlain as party leader and Lloyd George as prime minister, in one of the most important events in modern British political history.     

Protestantism and liberty: Catharine Macaulay’s politics of religion as a response to David Hume

ABSTRACT

Catharine Macaulay’s History of England from the Accession of James I (1763–1783) was intended by its author and received by its audience as, in part, a response to David Hume’s History of England. Macaulay’s writing has been read as a Whig counter to Hume’s Tory interpretation of England’s seventeenth-century history; more recent work has explored whether Macaulay or Hume has a better claim to be considered an “enlightenment historian”. This article will suggest that Macaulay’s views on the role of England’s Protestant belief and practice in the development and maintenance of the nation’s liberties contained, in the earlier volumes of her History, some of her substantive and important refutations of Hume’s arguments, and, further, that Macaulay’s well-argued claim that Protestantism was instrumental in the formation of England’s national character and potential enjoyment of political liberties was received by her readers as a particularly valuable part of her historical argument. Her accounts of Roman Catholic violence against Protestant victims at the Siege of La Rochelle and in the Irish Massacre of 1641 became some of the most quoted parts of her historical writing.     

In Search of an Invisible Culture in David Plante’s American Ghosts and Robert Cormier’s Fade

David Plante’s American Ghosts (2005) and Robert Cormier’s Fade (1988), autobiographical narratives about growing up in southern New England in French Catholic neighborhoods called Little Canadas, both employ the trope of invisibility to convey the ethnic community’s lack of presence, agency, or permanence within an englobing American culture that progressively erodes the foundations of its cultural otherness. Both texts hinge upon cultural erasure. In Plante’s memoir, in which he seeks to gain access to his cultural past, his childhood self is haunted by the ghosts of his Indian forebears and his adult self, by the ghosts of his parish. These supernatural beings who shuttle between absence and presence signal the loss of cultural memory and identity that assimilation engenders. Cormier’s novel chronicles the effects of invisibility on three “faders” representing first-, second-, and third-generation French Canadians in New England. A metaphor for the progressive loss of ancestral heritage in the adopted land, Fade offers a portrait of the gradual disintegration of Frenchtown from its heyday in the 1930s to its dissolution in the 1960s.