The Political Thought of David Walsh: A Symposium

Abstract

David Walsh has published a trilogy of books on the ideological, political, and philosophical trajectories of modernity. He confronts the crisis of modernity and argues that modernity has the resources within itself to reestablish a collective commitment to the order of existence. This symposium offers four essays reflecting on and responding to Walsh's assessment of modernity and its prospects.     

Hotel design in British Mandate Palestine: Modernism and the Zionist vision

From the early 1920s through the 1930s, an important yet forgotten avant-garde architectural phenomenon developed in the Zionist community of British Mandate Palestine. In cities and resort regions across the country, several dozen modernist hotels were built for a new type of visitor: the Zionist tourist. Often the most architecturally significant structures in their locales and designed by leading local architects educated in some of Europe's most progressive schools, these hotels were conceived along ideological lines and represented a synthesis of social requirements, cutting-edge aesthetics, and utopian national ideals. They responded to a complex mixture of sentiments, including European standards of modern comfort and the longing to remake Palestine, the historical homeland of the Jewish people, for a newly liberated, progressive nation. This article focuses on Jerusalem's most ambitious modernist hotel, the Eden Hotel, to evaluate how the architecture of tourism became a political and aesthetic tool in the promotion of Zionist Palestine.     

Science and Politics in the Hawaiian Kingdom: The Progress of the Honolulu Social Science Association, 1882–87

The growth in studies of Indigenous responses to the gradual foreign control and American annexation of the Hawaiian Islands has provided an important corrective to dominant trends in earlier Hawaiian historiography, but there has been comparatively little recent work on the attitudes and values of those identified as colonizers. In particular, how Western ideas were understood and appropriated within the context of Hawaiian politics is not well known. This article extends scholarship demonstrating how in colonizing contexts, ideas about science could be mobilized as a moral resource and scientific societies could become distinct social formations. Specifically, the article shows how, during the pre-annexation period, the predominantly White and Hawaiian-born members of the Honolulu Social Science Association gathered in the performance of scientific modernity, with an implicit yet overarching political aim.     

The Twofold Literary Structure of the Chronistic David Narrative (1 Chr 11-29)*

This article deals with the Structure of the Chronistic David narrative in Chronicles (1 Chr 11-29). I seek to demonstrate a structural para-digm that arranges the Chronistic David narrative into two concurrent literary structures: a pyramid and a chiasm. Each structure expresses a different cen-tral objective, encompassing most of the narrative’s components. The pyra-mid structure reflects the process leading up to the construction of the Temple and culminates in chapter 28 with David’s ceremonious transferal of the Temple plans to Solomon. The chiastic structure revolves around the question of the Temple builder’s identity. Until chapter 17, David is characterized as a figure worthy of building the Temple. Nathan’s oracle in chapter 17 marks the narrative’s turning point: David rejected from building the Temple. From chapter 18 on the Chronicler seeks to justify David’s rejection, to temper Da-vid’s rejection and to create a smoother transition between the David narra-tive and the Solomon narrative.     

‘The Party Hack,and Tool of the British Government’: T.P. O'Connor,America and Irish Party Resilience at the February 1918 South Armagh By‐Election

The common view of Irish electoral politics for the 1916 to 1918 period is one of major decline for the traditional nationalist representatives, the Irish Parliamentary Party (IPP), and the meteoric rise of the newly reconstituted Sinn Féin party; culminating in the latter's overwhelming victory at the December 1918 general election. By examining the February 1918 South Armagh by‐election campaign, this article argues that the Irish Parliamentary Party, which won the contest, was much more resilient than is often acknowledged. Through detailed analysis of election pamphlets, newspaper articles, private correspondence and committee minutes, it considers the significance of the grass‐roots strength of both in the form of their local organisations, the role of the Roman catholic church, and the election strategies of the two parties; in particular Sinn Féin's vilification of the IPP member, T.P. O'Connor, who was in America at the time of the contest.     

Geographical and Historical Realities behind the Earliest Layer in the David Story

ABSTRACT

The article attempts to identify an early Judahite layer in the David narrative in 1-2 Samuel and dates the reality behind it to the period prior to Judah expansion into the southern Hebron Highlands and the Beer-sheba Valley in the second half of the 9th century BCE. This helps to clarify the territorial and historical situation in the south in the 10th and early 9th centuries BCE. The article delineates the southern extent of the early north Israelite highlands polity, whose hub was in the area of Gibeon-Gibeah, and the territories of the Philistine kingdom of Gath and the desert polity that emerged at that time in the Beer-sheba Valley. It also deals with the role of Sheshonq I in shaping the long-term territorio-political order in southern Canaan.     

The Role of The Gentleman's Magazine in the Dissemination of Knowledge About Electric Fish in the Eighteenth Century

Although torpedoes and Malopterurus, a Nile catfish, had been described and even used medically in antiquity, their discharges were poorly understood before the second half of the eighteenth century. It was then that their actions, along with those of certain South American “eels,” became firmly associated with electricity. The realization that an animal could produce electricity marked a turning point in the history of neurophysiology, which had long described nerve actions with recourse to animal spirits. By examining The Gentleman's Magazine during the period when electric fish were becoming electrical, one can begin to appreciate how new discoveries about these unusual creatures captured the imagination of scientists and were filtered down to the literate public.     

Rethinking ‘Global Dickens’: The Case of the Cross-Cultural Transfer of David Copperfield

This article revisits and challenges some of the presumptions and methodologies pertaining to the current ‘global’ turn in Dickens scholarship, and Victorian studies in general. It uses the case of the cross-cultural transfer of David Copperfield from Britain to China in the early twentieth century to demonstrate the importance of attending to local differences and cultural specificities when examining cross-cultural interactions. This article investigates the influence of the Chinese life-writing traditions on the way in which the text was adapted and translated for the Chinese readership, and explores the relationship between self and society as manifested in the adapted work at a specific historic moment. It reveals the complexities surrounding cross-cultural interactions and demonstrates the intricate relationship between the global and the local, thereby challenging any simplified pursuit of the concept of ‘Global Dickens’.     

Kaleidoscopism: The Circulation of a Mid-Century Metaphor and Motif

Abstract

This essay traces the mid-century revival of interest in a particular nineteenth-century optical technology – David Brewster’s kaleidoscope – following P. B. Shelley’s coining of the term ‘kalleidoscopism’ to describe the broad popular appeal and enthusiastic uptake of the device in the late 1810s. Through an examination of mid-nineteenth-century fiction, journalism, and scientific writing, this essay explores what it meant to be ‘kaleidoscopic’ in this period and demonstrates how the mechanical structure and physical manipulation of the device informed this meaning. Controlled by the hand of the user, its display offered regulated surprise: a visual environment that did not overwhelm but rather enthralled viewers through its creation of abstracted, symmetrical forms and harmonious colour palettes led by individual taste. Contemporary reference to the kaleidoscope’s display and operation reveals it was increasingly aligned with notions of a stable, controlled, and unified visual environment in which mobility was valued but digression was mechanically impossible; it signalled the mastery of sensory data and the creation of meaning from fractured forms. My discussion uncovers new contexts for its popularity c. 1840–1865 in Victorian fiction, journalism, physiological science, and the fine arts, and discusses two under-studied examples of the kaleidoscopic in the visual art of the Pre-Raphaelites. The essay concludes by exploring Brewster’s speculative application of the kaleidoscope as an early form of cinematic media, contending that this simple optical device provokes a reconsideration of the categorization of Victorian pre-cinematic technologies.