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41.
ABSTRACT

The aim of this article is to propose a ritualistic reading of Old Testament ritual texts based on the theory of Roy A. Rappaport. 2 2. Rappaport's ritual theory as it is expressed in Rappaport's major work, Ritual and Religion in the Making of Humanity (Cambridge: Cambridge University Press, 1999). One of Rappaport's more or less overlooked views is that in order to be able to “understand” a certain ritual, one will have to become acquainted with this ritual's liturgical orders, its encoded message. In other words to understand a ritual it is necessary in some way to be informed of this ritual's particular worldview.

As I focus on the ritual texts of the so called P material in the Pentateuch, and in particular on the law of the Nazirite in Numbers 6,1–21, I use this notion of Rappaport's as a hermeneutical key to the reading of the ritual texts.

It is my claim that when we try to answer the questions posed by a ritual text, if we limit our search to the worldview of the ritual in question, we will not only be using an approach which is methodologically sound and appropriate, we will also receive better answers.  相似文献   
42.
ABSTRACT

Within the Isaianic oracle against Moab (15,1-16,14) is found what might be described as a neglected royal prophecy (16,4b-5). Evidence for its messianic character is found in a number of clear thematic similarities with other Isaianic passages of a decidedly messianic character, notably Isa 9,1-7 (Heb. 8,23-9.6) and 11,1-9. In each case, the text is futuristic in orienta-tion, the anticipated enthronement (or arrival) of a Davidic ruler follows the overthrow of the foreign oppressor, God is credited as producing this new sit-uation, and the promised ruler shows a devotion to “justice” and “righteous-ness”, which in Isaiah 16 takes the form of giving consideration to a Moabite appeal for amnesty. A similar pattern is found in Isaiah 32, with its picture of human kings with a limited judicial role within a kingdom set up by God. The phrase “the tent of David” (16,5) is shown to signify the sanctuary-city of Zi-on, with Isa 16,4b-5 providing an eschatological picture of divine protection mediated by a messianic ruler.  相似文献   
43.
《History of European Ideas》2012,38(8):1156-1170
ABSTRACT

This article is based on the text of a talk at the University of Athens in October 2018, in which I drew brief cameo portraits of five historians who inspired me and whose lives I admire: David Herlihy (1930–1991), Michael Baxandall (1933–2008), Marino Berengo (1928–2000), Hans Baron (1901–1988), and Marvin Becker (1922–2004). It is difficult to find strong common methodological or ideological ground shared by all five. Their priorities were different, their guiding lights in each case came from an internal dialogue between their own passions and the inspiration they received from teachers and readings, not by the methodological preferences that dominated the profession in their lives. What, in the end, left a deep imprint on me was their character. Their commitment was to ideas and to dialogue. National, religious, ideological, or methodological differences did not cloud their judgment of others, especially of young scholars. All five, growing up in the Fascist era, were portents of the more level tones of the liberal democracy that slowly, amid myriad obstacles, set root in the decades following 1945.  相似文献   
44.
ABSTRACT

In 1797 the British government relieved the Bank of England of the obligation to pay specie for its notes upon demand; then, after bitter debate and sustained inflation, it restored this burden in 1821. The episode is studied as the “Bullion Controversy”, and it is commonly assigned high significance in the development of monetary theory. Yet the Bank stood as an old target for so-called “country” thought, which suspected commerce of corroding virtue and undermining the proper functions of Parliament. Both the Bank and the Whig regime that created it in 1694 had withstood such attacks, but in the nineteenth century these critical voices were joined by political economists who reworked the existing lines of attack, above all by presenting themselves not as defenders of an ancient virtue but as the champions of a modern, commercial society that was being endangered by the government's and the Bank's ignorance and self-interest. This paper thus examines the Bullion Controversy in relation to the history of political thought, and reveals how the return to convertibility represented an early victory for political economy's self-styled “theorists” in reforming the state's institutions in the nineteenth century.  相似文献   
45.
This essay re-examines the representation of scopic conflict and discipline in Charlotte Brontë's novel, Villette (1853), within the context of the reconfiguration of the eye during the 1850s. Villette is pioneering in its representation of an ophthalmoscopic conception of the eye, as an organ which could be looked into by medical practitioners as well as looked at. This notion of the eye was only possible after Hermann von Helmholtz's invention of the ophthalmoscope in 1850. Villette is thus one of the first literary responses to the newly visible living retina. This essay argues that in light of the novel's emphasis on a penetrable, legible eye, the critical emphasis that scholars have placed on surveillance as a disciplinary model in Villette is overstated. Visual exchanges are described not in the disembodied abstractions of panopticism, but with references to a violent lexicon derived, in part, from the novel terminology of ophthalmoscopy. The prominence of opthalmoscopy points towards a remedial narrative in which diagnosis is succeeded by surgical intervention, and ultimately the restoration of sight. M. Paul Emanuel is the principal emblem of this visual practice: a merciless autocratic ophthalmologist who brings pain but also palliation. Villette's remedial narrative is organized around three devices designed to respectively look into, perforate, and enhance the human eye: the ophthalmoscope, the stylet (an instrument used in eye-surgery), and spectacles. This analysis adopts a historicist approach to re-contextualize Brontë's imaginative depiction of optical technology and perception within the mid-century emergence of ophthalmology.  相似文献   
46.
This article analyzes the failure to formulate a national science policy in Israel's early years by tracing the administrative genealogy of the Scientific Council (1948–59), which was established to manage and coordinate civil applied scientific research in Israel. The failure of the council is analyzed as part of wider debates concerning the future of the academic and scientific research systems and the implementation of Israeli state ideology (mamlakhtiyut) in this period. The story of the council sheds light on important aspects of the formation of Israeli higher education and scientific research institutions and on the close but complex relations between science and politics in the early years of the state.  相似文献   
47.
48.
ABSTRACT

This paper is the result of extensive investigation of the archives of the Dundas family of Arniston, Midlothian. It uncovers significant roles played in the organization of David Watson and William Roy's Military Survey of Scotland (1747–1755) by successive generations of the Dundases and suggests that the introduction of Watson, an established military engineer, to the young civilian Roy, was facilitated by that family. The Dundases' patronage of the Military Survey encourages us to understand the project as a private-public partnership and supports contentions that Enlightenment mapping resulted from complex social networks straddling military and civilian life.  相似文献   
49.
Abstract

David Walsh has published a trilogy of books on the ideological, political, and philosophical trajectories of modernity. He confronts the crisis of modernity and argues that modernity has the resources within itself to reestablish a collective commitment to the order of existence. This symposium offers four essays reflecting on and responding to Walsh's assessment of modernity and its prospects.  相似文献   
50.
From the early 1920s through the 1930s, an important yet forgotten avant-garde architectural phenomenon developed in the Zionist community of British Mandate Palestine. In cities and resort regions across the country, several dozen modernist hotels were built for a new type of visitor: the Zionist tourist. Often the most architecturally significant structures in their locales and designed by leading local architects educated in some of Europe's most progressive schools, these hotels were conceived along ideological lines and represented a synthesis of social requirements, cutting-edge aesthetics, and utopian national ideals. They responded to a complex mixture of sentiments, including European standards of modern comfort and the longing to remake Palestine, the historical homeland of the Jewish people, for a newly liberated, progressive nation. This article focuses on Jerusalem's most ambitious modernist hotel, the Eden Hotel, to evaluate how the architecture of tourism became a political and aesthetic tool in the promotion of Zionist Palestine.  相似文献   
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