A Decadence Baedeker: D’Annunzio’s The Triumph of Death

This article investigates how Gabriele D’Annunzio’s The Triumph of Death brings together Nietzsche’s ideas and Wagner’s music and interweaves them with the motifs of literary Decadence and the author’s own particular sexual politics. The novel is an experimental text striving to be a Gesemtkunstswerk, an integrated work that incorporates music, painting, poetry, regional folklore, and private thoughts about personal and national power. I discuss the novel’s themes of violent sexuality and the anxiety of powerlessness and explore their implications for the fascist political aesthetics in which D’Annunzio played a pioneering role.     

Archaeological Site Information Modelling and Management Based on Close-Range Photogrammetry and GIS

New challenges in management and restoration of archaeological sites require the utilization of advanced technologies and systems to assist in preserving the important legacy of human heritage. These challenges include monitoring and preserving of site landscapes, maintenance and rehabilitation of archaeological structures, and quality and safety management. In this research, an integrated methodology based on photogrammetry and Three-Dimensional (3D) Geographic Information System (GIS) is developed to capture and model essential details needed for the proper management of archaeological sites. Recent advances in digital imagery and modelling utilize photogrammetry as an efficient technique for 3D modelling of archaeological sites to derive accurate measurements of size, shape, position, and texture of objects using two-dimensional digital photographs. Spatial data that include aerial stereo photographs, satellite images, close-range photos, terrestrial surveying and Global Positioning Systems (GPS) are integrated within the design of the proposed model. The approach is validated with a case study of Ajloun Castle, one of the ancient and important preserved structures located in Jordan. Various sequential levels of details have been developed for the castle: Orthophoto, Digital Elevation Model (DEM), structures geometry and site layout and 3D textured model. The suggested methodology is expected to be efficient in modelling and documenting archaeological structures. The developed model is utilized to assess the management of archaeological structures through feasibility analysis, rehabilitation decisions, and safety planning.     

考古地层的三维建模方法在秦始皇帝陵考古勘探中应用尝试

为了更清楚地展示秦始皇帝陵地区考古地层的三维空间关系,并为后期考古工作中空间数据挖掘做准备,借鉴三维地质建模技术,提出了考古地层三维建模方法。基于探孔数据构建了考古地层三维模型。该模型清楚地展示了秦始皇帝陵地区考古地层的三维空间关系,为田野考古数字化工作提供一种新思路、新方法。     

山西省万荣县寿圣寺塔的多视角影像三维重建

为了制定山西省万荣县寿圣寺塔的保护规划方案,需制作具有真实纹理的三维模型,但砖塔等大型不可移动文物的三维重建难度很大,制作成本一直很高。为此,本研究运用无人机拍摄和地面拍摄多视角影像的技术,制作寿圣寺塔的三维模型,生成各个立面的正射影像图,量算砖塔的高度、宽度等尺寸数据,为这类文物的三维重建提供一种新的技术和方法。     

基于海量点云数据的大雁塔三维重建

古建筑三维重建已成为历史遗迹保护与修复的重要内容。为了探讨三维激光扫描数据的获取流程、数据处理方法,以三维激光扫描获取的大雁塔海量点云数据为例,研究了古建筑三维重建中点云数据获取与处理的详细过程。联合Cyclone、AutoCAD和3D-Max软件的优点构建了大雁塔真实的横面、剖面、立面模型,其中重点研究了海量点云数据在Cyclone软件中分块建模的方法。结果表明:将拼接好的大雁塔海量点云数据分块建模,不仅加快了数据处理的速度,而且符合精度要求。在点云数据拼接时采用标靶拼接和同名点拼接相结合及测站间两两拼接之后再整体拟合平差的方法,减少了拼接中的误差,使每站拼接误差都不超过3cm。在建模过程中的墙体拟合是上万个点云经过平差计算得到,精度高达2mm。最后在3D-Max软件中组合、渲染和贴图,真实地构建了大雁塔三维立体模型。为古建筑数字化存档和后期的修缮工作提供了重要的依据。     

Laboratory Excavation of a Neolithic Grave from Avignon-La Balance-Ilot P (France): Burial Practices and Garment Reconstruction

The grave of La Balance-Ilot P, in Avignon, southern France, is an individual and isolated burial, attributed in the 1970′s to the Mesolithic or the Early Neolithic. The grave, partially unearthed, was exhibited and stored at the Calvet Museum until its rediscovery and laboratory excavation in 2009. We used 3D laser recording and field anthropological methods, followed by a multidisciplinary approach. The deceased, an adult male, was buried in primary deposition without any architectural features preserved. For the first time in the Mediterranean early Neolithic, this study led to the identification of a garment adorned with sophisticated embroidery using 158 red-colored Columbella rustica shells and 16 red deer canines. Calibrated AMS dates allow us to reliably place it in the early 5th millennium b.c. reinforcing evidence for long distance intercultural relationships in Europe during the Neolithic.     

“SEEING” THE PAST: TEXT AND QUESTIONS OF HISTORY IN THE RĀJATARAṄGIṆĪ

Traditional scholarly opinion has regarded Kalha?a's Rājatara?gi?ī, the twelfth‐century Sanskrit chronicle of Kashmiri kings, as a work of history. This essay proposes a reinvestigation of the nature of the iconic text from outside the shadow of that label. It first closely critiques the positivist “history hypothesis,” exposing its internal contradictions over questions of chronology, causality, and objectivity as attributed to the text. It then argues that more than an empiricist historical account that modern historians like to believe it is—in the process bracketing out integral rhetorical, mythic, and didactic parts of the text—the Rājatara?gi?ī should be viewed in totality for the kāvya (epic poem) that it is, which is to say, as representing a specific language practice that sought to produce meaning and articulated the poet's vision of the land and its lineages. The essay thus urges momentarily reclaiming the text from the hegemonic but troubled understanding of it as history—only to restore it ultimately to a more cohesive notion of historicality that is consistent with its contents. Toward this end, it highlights the concrete claim to epistemic authority that is asserted both by the genre of Sanskrit kāvya generally and by the Rājatara?gi?ī in particular, and their conception of the poetic “production” of the past that bears a striking resonance with constructivist historiography. It then traces the intensely intertextual and value‐laden nature of the epistemology that frames the Rājatara?gi?ī into a narrative discourse on power and ethical governance. It is in its narrativity and discursivity—its meaningful representation of what constitutes “true” knowledge of time and human action—that the salience of the Rājatara?gi?ī may lie.     

GIS技术在萨拉乌苏考古遗址公园规划设计中的应用

传统规划设计工作的技术平台多以计算机辅助设计(CAD)为主,本工作以内蒙古自治区鄂尔多斯萨拉乌苏考古遗址公园规划为例,将Arc GIS Desktop作为技术平台应用到公园的规划设计工作中。首先,通过对规划区的实地踏勘,采集相关数据和资料,进行规划区数据库建设;其次,在数据库建设的基础上,通过GIS技术构建与现实环境对应的虚拟地理信息空间,实现规划区景观的三维可视化;最后,利用三维景观模型对现实地理环境进行模拟、分析及虚拟场景飞行。不同于传统CAD的二维工作平台,本工作借助GIS对空间数据和属性数据的强大处理功能及其三维景观可视化模块,为实现内蒙古鄂尔多斯萨拉乌苏考古遗址公园的科学规划提供辅助。