意大利工业区与华人的双重挑战

论文分析了全球性竞争压力对工业区适应机制的影响及工业区的竞争优势以及工业区内部形成的华人经济的潜在威胁,探讨了在新的条件下将这种威胁转化为新的发展机遇的可能性。认为华人经济的特殊优势使华人企业越来越活跃,但却使当地企业日益萎缩。这反过来又促使当地经济整体进行转型;华人企业家的某些优势在于其跨地区和跨国网络;华人移民对其祖籍国潜在商业伙伴的能力和品德有深度了解,如果能发挥中介作用,意大利当地企业就能使其工业生产及产品销售国际化。     

陕西靖边五庄果墚遗址发掘简报

五庄果墚遗址位于陕西省靖边县黄蒿界乡小界村西北部,距离县城约30公里,现为省级文物保护单位。遗址中心位于五个连绵的山峁上,相传该处曾有五户人家居住,因而得名五庄果墚。五庄果墚遗址面积约30万平方米以上,文化内涵以仰韶时代晚期至龙山时代早期遗存为     

秦始皇帝陵文化遗产安全影响因素及价值传播分析

随着"秦始皇帝陵博物院·丽山园"正式对外开放,管理者面临着多重的管理压力,为此以秦始皇帝陵文化遗产地的实际出发,将影响文化遗产管理的安全因素从地理尺度上划分为的遗产地尺度、遗址尺度和文物尺度,着重以这三个尺度为出发点分析了安全监控、遗址风貌、气候环境、人为活动等影响因素,并就如何更好地开展大遗址的文化价值传播提出了自己的见解。     

Seismic Noise Characteristics at the Romanian Broadband Seismic Network

The noise level of the Romanian broadband stations operating since 2006 has been studied in order to identify the variations in background seismic noise as a function of time of day, season, and particular conditions at the stations. Power spectral densities and their corresponding probability density functions are used in this paper to characterize the background seismic noise. At high frequencies (> 1 Hz), seismic noise seems to have cultural origin, since significant variations (up to 55 dB) between daytime and nighttime noise levels are observed at almost all of the stations. However, this variability appears not to influence the detection capabilities of the Romanian Seismic Network in case of intermediate-depth earthquakes and earthquakes with magnitude over 3.0. For smaller magnitude events (Mw < 3), we showed that the number of stations detecting an event decreases during daytime. We studied the seasonal variation of the seismic noise for primary and secondary microseisms (with emphasize for the latter) and we demonstrated that the noise levels are higher in winter than in summer. We also observed a shift of the double-frequency peak from lower periods in summer to longer periods in winter. The polarization analysis indicated that the main sources of secondary microseisms for stations close to the Black Sea are coming from the Black Sea, while for the others the main sources are found in the Mediterranean Sea and Atlantic Ocean. Finally, the analysis of the probability density functions for stations located in different geologic conditions has pointed out that the noise level is higher for stations sited on softer formations than those sited on hard rocks.     

城乡建设热中的地下文物保护对策

近年来,我国城乡建设取得了举世瞩目的成就,面貌为之一新。但在这个过程中,地下文物作为中华历史文化的物质载体的重要组成部分,遭遇了前所未有的严重破坏,造成了文物流失、文物遭毁等一系列严重后果。本文着眼干近年来城乡建设中地下文物屡遭破坏的现状,分析保护工作收效甚微的原因,说明加强和改进地下文物保护工作的重要性:并提出应以法律法规的建设完善和保护制度的健全为重点,从多方面制定应对措施,寻找当前形势下地下文物保护与城乡建设间的最佳平衡点。     

近现代文物缺失辩解

近现代文物缺失诸多,譬如,品类不全、难以一层分类、信息混交、价值无法量化、寿命短暂、赝品众多等。现将其揭示出来,并说明其存在形式及原因。     

考古发现所见两汉琥珀印探述

琥珀制品在两汉时期风靡一时,琥珀印在琥珀制品中颇具特色。本文在对中国境内考古发现所见两汉琥珀印资料收集与整理的基础上,对其出土地域、自身特征、出土位置及伴出物品等问题进行了探讨。研究表明出土琥珀印的墓葬等级较高,且出土位置特殊,并伴随有水晶、玛瑙、海蓝宝等贵重宝石。这些宝石的产地可能源自南亚或东南亚地区,而这类随葬品在两汉墓葬中的流行亦体现了当时物质交流的成果。     

Strategic management for visitor-oriented museums

Abstract: Strategic management is a familiar concept in for-profit organisations but is relatively new to museums. This paper presents and discusses a model of strategic management for visitor-oriented museums that aims to be more comprehensive than current approaches. It shows how museums can overcome the tension between the strategic demand to develop visitor-oriented museum services and the duties and social mandate of museums as public institutions that are defined by cultural policy—enabling access to cultural heritage, promoting broad cultural participation and providing informal education. Visitor-oriented strategic museum management is concerned with attracting a variety of visitors as well as the development of museum services that are appropriate to diverse museum audiences. The model presented here emphasises the comprehensive strategic management concept. Audience research and evaluation are shown to be valuable analytic and revision tools for strategic management in visitor-oriented museums.     

Cultural policy as development policy: evidence from the United States

Cultural policies and cultural projects in the United States have been reframed to emphasize their economic benefits to cities. New alliances between arts advocates and place promoters are apparent at all levels, but are most prominent locally. These new alliances are facilitated by the changing interests of local officials and business people, who have come to believe there is economic value in the arts and of arts administrators, for whom attracting broader public support has become imperative. In some cities, entirely new organizational structures have sprung up to plan and implement projects that serve cultural and economic development advocates simultaneously. Such new institutions are most prominent in more economically disadvantaged cities.     

Putting the “art” back into arts policy making: how arts policy has been “captured” by the economists and the marketers

Abstract: This paper explores the current discourse about arts policy and funding and its placement within an economic paradigm. The models of “cultural industry” and “creative industry” are explored and how they affect arts funding discourse. Similarly the impact of the introduction of the language of industry and business to the arts sector is considered. If bottom-line arguments are used by funders, governments and critics to argue the merits or otherwise of arts activity, how does this affect arts practice? In recent times arts funding agencies have been restructured to reflect a market-driven agenda rather than an arts-driven agenda. The impact of all these issues is considered in the context of Australian arts' models in particular, but with reference to examples in the United Kingdom and the United States of America. The paper concludes with suggestions for a reassertion of core cultural values in future discourse.