元“月明沧海”琴的修复

"月明沧海"琴为上海博物馆藏品,元至正壬辰(公元1352年)制造。琴额部有两处木质缺洞,木质纤维素腐烂,蛀眼19个,额部其它部位漆颜色暗淡,琴左侧面下方、琴额背面均有缺损。对这件古琴制定修复方案,并开展清洁、处理蛀洞、分析灰胎、加固、补配、批灰、涂漆、打磨、做旧等保护修复工艺流程。结果表明,传统修复工艺与现代科学技术检测的结合,使此件文物的修复工作相当成功。     

Tamale-making traditions among three ethnic groups in west central Louisiana

The state of Louisiana is widely recognized for the Creole and Cajun cuisines of south Louisiana. Yet several Indo-Spanish foodways have been preserved in northwest Louisiana since the colonial era. In this paper, we explore the tamale-making traditions of three distinct culture groups who reside in the region and how traditions are a source of ethnic identity. Tamales are primarily associated with residents of Indo-Spanish heritage in Sabine Parish, but they are also part of the foodway traditions of the French Creoles and Cane River Creoles of Natchitoches Parish. It is asserted that the tamale-making traditions in these communities resulted from a process of creolization that took place during the eighteenth century with the start of European colonization. We assess the role of tamale-making among contemporary cultural groups to demonstrate how this tradition has survived in the region.     

Cultural diplomacy: India does it differently

Abstract

This article reviews the singularities of Indian doctrine and practice of cultural diplomacy, beginning with the observation that this term and the notions of ‘soft power’ and ‘public diplomacy’ commonly associated with cultural diplomacy elsewhere do not have much purchase in India, where the spirit and letter of ‘international cultural relations’ are the preferred currency. The essay explores the historical grounding for this preference, as well as the attitudes and practice that flow from it. Another singularity is the role and importance of the Indian diaspora: overseas populations of Indian origin have been both a significant segment of the target audience for international cultural relations – as if a certain idea of India had to be projected abroad to a part of itself – and a significant ‘co-producer’ in projecting that image. A third is the emergence of a new avatar of the diasporic Indian, now identified with capitalist entrepreneurship.     

Untangling the different components of Norwegianness*

ABSTRACT. National identity is under scrutiny in Europe. A new non‐ethnic conception of the nation to replace the traditional ethnic one is needed. National identity is therefore undergoing a public reconstruction. This article is based on narratives of “Norwegianness” that emerged in a qualitative interview study of white majority Norwegians who live in multicultural suburbs in Oslo. I respond to an overlooked need to analytically untangle different components of “Norwegianness” as phenomenological knowledge, to decouple its different constituents from each other. In order to analyse qualitative data where notions of “Norwegianness” and “non‐Norwegianness” are at play, their different aspects must be clarified. I identify multiple discursive oppositions that researchers ought to keep apart, and distinguish between civic aspects (citizenship), cultural aspects, and ethnic/racial aspects. I suggest that everyday notions of the national are fruitfully studied as discursive space constituted by a series of overlapping, but sometimes mutually contradicting, oppositions.     

保护、修复、研究领域中文物的价值

对文物价值的认识直接关系到文物保护、修复、研究工作者的工作理念及工作质量。从文物的历史及艺术两大价值着手,分别就文物上历史信息的增减及历史价值与美学价值的关系进行了详细的探讨,提出了增加历史信息可取、减少历史信息不可取以及历史价值第一性、美学价值第二性等观点。     

1966～1976年的上海职业人口

“文化大革命”期间,上海的职工人数增长了127．14万人。这主要是因为20世纪50年代生育高峰期的人口,每年以20万人以上的规模,从非在业状态转向在业状态。上海全民单位的职工主要来源于毕业生(高达72．28％)和复退军人,其他人员皆因“身份羁绊”难有机缘。这一期间,因上海从事第二产业人数及比重持续上升,终于使上海失去了金融、贸易等城市型经济功能,从一个综合型城市转变为生产型城市,并造成城市布局混乱、交通拥挤、工业区与居民区杂处等一系列影响人们生活的社会矛盾和困难。     

透光摄影在古书画修复与研究中的应用

透光摄影由常规可见光摄影发展而来，是针对中国古书画等能被可见光穿透的文物开发的一项无损摄影检测技术。通过实践发现透光摄影在古书画的修复与研究领域具有多项作用：观察书画命纸、背纸拼接等装裱情况；发现前人加固、补缀等修复痕迹；获取画面底稿内容；强化伤况视觉效果以便于分析文物伤况病害。透光摄影能够提供直观可靠的深层视觉信息，辅助修复人员了解文物内部状态，在古书画的修复与研究中发挥重要作用。     

馆藏纸质书画文物上霉菌的分离与鉴定

霉菌污染会影响馆藏纸质书画的保存和展示。对书画污染菌进行分离及鉴定,有助于提高文物霉变防治工作的针对性,进而提高防治效果。本研究利用传统的纯培养法从遭受霉菌污染的馆藏纸质书画表面分离得到8株霉菌,通过形态特征观察和r DNA转录间隔区序列ITS(Internal Transcribed Spacer)测序分析。结果表明:8株霉菌分属于曲霉属(Aspergillus)、根霉属(Rhizopu)和木霉属(Trichoderma)。研究结果可为馆藏纸质书画文物防霉剂的研发和文物霉菌的综合防治提供靶标和依据。     

传统方法加固馆藏浮放文物抗震性能试验

为探索馆藏浮放文物的有效抗震加固方法,采用振动台试验手段,研究了传统方法加固浮放文物的抗震性能。基于故宫博物院某展柜原型尺寸,制作了1:1比例陈列柜模型。在陈列柜内浮放一轻质陶瓷文物,分别考虑采用砂子、塑料卡、鱼线、橡皮泥及磁铁加固文物,进行了振动台试验。通过白噪声激励,获得了陈列柜基频分布;通过输入不同强度、不同类型的地震波,获得了不同方法加固条件下陈列柜和文物的位移响应、加速度响应和和动力放大系数,评价了不同方法的加固效果。结果表明:陈列柜的基频与输入地震波相差较大,这是陈列柜震害不明显的主要原因之一;传统方法加固文物后,输入地震波的加速度仍有一定放大,但是与加固前文物相比,文物的位移和加速度响应均有所减小,且文物因摇晃幅度而产生倾覆的可能性减小。此外,从减小文物加速度响应峰值角度考虑,橡皮泥和鱼线加固文物效果优于其它方法。试验结果可为文物防震保护研究提供较全面的参考。     

使用FileMaker构建个性化文物管理数据库的实践

"三普"软件作为文物数据的采集软件,其数据全面、完整,但在基层文物单位日常工作中,其操作性不佳、使用不便。为了更好地整合、利用这些多元的信息,研究使用FileMaker数据库构建个性化的文物普查数据利用环境,增强系统的操作性和便捷性,实现普查数据在移动终端上的共享,提升文物信息资源的发掘利用水平,让文物工作者可以轻松自制文物数据管理系统。结果表明,量身定制一套符合自身实际工作需求的文物管理系统,是让少量科研经费发挥较大效用的一个切实有效的方法。