Cultural policy as development policy: evidence from the United States

Cultural policies and cultural projects in the United States have been reframed to emphasize their economic benefits to cities. New alliances between arts advocates and place promoters are apparent at all levels, but are most prominent locally. These new alliances are facilitated by the changing interests of local officials and business people, who have come to believe there is economic value in the arts and of arts administrators, for whom attracting broader public support has become imperative. In some cities, entirely new organizational structures have sprung up to plan and implement projects that serve cultural and economic development advocates simultaneously. Such new institutions are most prominent in more economically disadvantaged cities.     

UNESCO World Heritage Site of Lenggong Valley,Malaysia: A Review of its Contemporary Heritage Management

This article reviews contemporary heritage management through a systematically coded content analysis at one of Malaysia’s UNESCO World Heritage Sites: the Archaeological Heritage of the Lenggong Valley (AHLV). It evaluates the competency of the preliminary Conservation Management Plan (CMP) of AHLV by looking at the accuracy of five distinctive dimensions of the CMP in conveying the information about the sites and management objectives: the legislation related to the heritage conservation and management; the action and implementation of the management strategies; the level of stakeholder’s participation; and, finally, how the CMP integrates local values and ideas into management planning. The results show that contemporary heritage management planning at Lenggong Valley tends to prioritize the conservation of the archaeological values of the sites over other values (i.e. social, historical, and aesthetic values), and that planning has largely been in the hands of governmental agencies with limited involvement from local communities in the decision-making process.     

Viewing Urban Development from the Evolution of the Social Environment

Although place-marketing and image-enhancement are increasingly common elements of Western urban policy, when applied to specific locales, these abstract theories have to negotiate local conditions and contexts. This paper discusses the ways attempts to place-market the city of Hull, England, prompted debates surrounding questions of place, memory and heritage. Despite being Britain's leading fishing port in the 20th century, Hull's place-marketing strategy elided this past in favour of a sanitised vision of a modern, post-industrial city. These debates crystallised around a 1999 planning inquiry over the proposed redevelopment of the erstwhile fishing dock. While the proposals contained some reference to the dock's role as a site of place-memory, this was deemed insufficient by local protest groups and politicians who argued for a more appropriate memorial to Hull's fishing community. Eventually, the redevelopment proposals were accepted, but not before attendant debates exposed both the depth of local sentiments over place-memories and fishing heritage, and also the difficulties of negotiating inclusive and plural heritage landscapes.     

Heritage Noire: truth,history, and colonial anxiety in The Blair Witch Project

When watching the film The Blair Witch Project we seem to be witnessing through its clumsy, apparently uncrafted footage the unmediated documentation of 'reality' as it occurs. This article argues that the carefully crafted deceit of The Blair Witch Project may be understood as part of a subversive 'public history' project that uses modern history's own scientific motifs and methodologies against itself and challenges its basic tenets. If positive myths of the past are structured into what we tend to call heritage, i.e. shared narratives affirming a positive sense of self and region or nation, then this paper argues that The Blair Witch Project takes the same notion and subverts it, giving its chosen audience a dark and unsettling sense of its own history.     

Ethnic Heritage as a Tourist Attraction: the Peranakans of Singapore

Singapore's multiculturalism is an important theme in the country's destination marketing and the paper explores the manner in which ethnicity is depicted in promotional material and the forces shaping the decision-making process. The nature of Peranakan culture, a unique synthesis of Chinese and Malay influences, is the subject of particular discussion and its actual and potential role as a tourism resource is analysed. State authorities are seen to exercise considerable power, making use of tourism images to reinforce political ideologies through the communication of messages about preferred versions of identities. However, tourism representations also convey something of the complex realities of identity in Singapore and perhaps can assist in increasing awareness of, and protecting, the cultural heritage of more marginalised groups. Insights are thus offered into the relationship between tourism and ethnic heritage in plural societies and its management.     

World Heritage as a Model for Citizenship: the case of Cyprus

This paper explores the imaginative spaces in which world heritage is constructed and consumed: on the one hand, as the landmarks of a 'global landscape' mediated through the virtual mobility of cyberspace, essentially freed from 'place' or location; on the other hand, as the place-bound focus of nation-building projects, where the narratives of 'destiny' of nationalist mythology confront the serendipity of modern state boundaries. The paper links these two aspects of 'World Heritage' to two contrasting models of citizenship, one of which is rooted in the ideal of an inclusive democratic world citizenry, whilst the other is tied to more exclusive notions of citizenship attached to membership of specific nation-states and riven by boundaries of ethnicity, religion, state and class. Taking the case of Cyprus, the paper examines the ways in which these discourses of the global and the national, of heritage and citizenship, are mobilised by different groups as symbolic resources in the politics of this divided island.     

Identity and Place: the testament of designated heritage in Hong Kong

This paper examines the extent to which the identity of Hong Kong as a place, and of the Hong Kong Chinese as people, is expressed by the official heritage locations (the seventy-five Declared Monuments) designated by Hong Kong's Antiquities and Monuments Office. The discussion takes account of other heritage initiatives, in particular two recent monuments that commemorate the 1997 Handover of Hong Kong to China. Conclusions are that designated heritage in Hong Kong, more by chance than by deliberate strategy, reflects significant elements of the identities of the Hong Kong people and of Hong Kong as a place. However, more important to the Hong Kong Chinese person's sense of identity than built heritage are the bonds of kin and associated social events.     

Footsteps and memories: interpreting an Australian urban landscape through thematic walking tours

This article is concerned with the currently common deployment, under the rubric of cultural planning, of place‐making and local cultural heritage awareness projects. Such exercises sometimes seek to accommodate the impacts of de‐industrialisation and urban transformation by identifying and marking places of contemporary and historical significance, and interpreting them and their broader connections to people and to place. The article critically reflects upon a project conducted by the authors that developed two interpretive heritage walks in a large, working‐class suburb in Australia. This interpretive exercise afforded a valuable opportunity to investigate the contours of the place‐making process and its determinants. By tracing the development of the walks and their accompanying interpretive brochures, the article identifies and discusses a number of emergent key issues relating to social class, gender and ethnicity. In particular, it considers the interpretive opportunities and constraints presented by contracted cultural heritage research and its applications.     

Regional cultural heritage versus national heritage in Scania's disputed national landscape

This article argues that the official landscape heritage in Sweden is formed in an interplay between regional and national discourses, and that the national ideology during the last century has promoted the preservation of stereotyped landscapes that partly ignores the conditions under which these landscapes were actually formed. This tends to naturalise the landscape, often cleansing it of human action and thereby generating a notion of an innate and given national landscape. To illustrate this, the landscape of the province of Skåne in southernmost Sweden is discussed from a heritage perspective. This province (which was Danish up to 1658) has a landscape characterised by its openness and contrasting to the emblematic Swedish cultural landscape of forests and small hamlets. A conclusion is that Skåne's landscape heritage runs the risk of being alienated when it is valued from a national criterion, and that a critical questioning of official heritage practice is therefore needed.     

The Heritagescape: Looking at Landscapes of the Past

Heritage sites are one of the most visible, accessible and tangible manifestations of heritage and are also some of the essential building blocks of heritage. Yet we are still without a sense of how they operate over time and in relation to each other. This paper will introduce the notion of the ‘heritagescape’ as a means of interpreting and analysing heritage sites as unique social spaces that offer an experience of the past. In contrast to previous attempts to investigate these places, the heritagescape offers the means to focus both on the underlying similarities and also on the relationships of different sites to each other. As such, heritagescape offers a coherent and overarching methodology by which to identify the universal processes and elements that characterise heritage sites and will allow us to take our examination of heritage as a cultural phenomenon into the future.